6.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Cynthia Warren, independently wealthy through her ability as an illustrator and poster artist, rebels against the premise that every woman is destined for matrimony and motherhood, and decides she has as much right as a man to play around sans benefit of marriage.
Starring: Bebe Daniels, Randolph Scott (I), Sidney Blackmer, Muriel Kirkland, Jessie Ralph| Drama | Uncertain |
| Romance | Uncertain |
| Crime | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.38:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 0.0 | |
| Overall | 3.5 |
Ah, Pre-Code era Hollywood. A small sliver of relative creative freedom that fell between the pre-Depression 1920s and the launch of the Hays Code censorship guidelines in 1934, Pre-Code Hollywood allowed for the exploration of numerous topics the moral elite would quickly deem inappropriate for American audiences. While adorably quaint by today's standards, these ventures into more adult subject matter shocked and offended a small but influential group of people determined to legislate and regulate what viewers could and could not see on the big screen. Many Pre-Code films have been lost to time, but others, like the newly restored Cocktail Hour (1933), offer a unique glimpse into a part of film history that doesn't typically get a lot of attention or play. And as a foundational building block, there's something here for anyone who's eager to learn more about the slow, not always steady evolution of American cinema and the earliest steps movies took out of the silent-era primordial ooze.


Much like Sony's Blu-ray release of Man's Castle (also from 1933), Cocktail Hour features a relatively gorgeous, wholly filmic 1080p/AVC-encoded video transfer created from a meticulous 4K restoration. Black levels are rich and satisfying, bright whites are crisp and clean, and every gradient between is smooth and lovely. Grain is intact and natural, without inconsistencies mucking up the image. Clarity certainly dips on occasion -- a product of the cameras and the limitations of the original photography -- but only insofar as featuring a haze or glow around edges. Otherwise detail is quite good, and far better than you might expect from the era. Moreover, I didn't notice anything in the way of crush, banding, blocking or other issues, making for a presentation as proficient as it is excellent.

Though there's little to rave about, Sony's DTS-HD Master Audio Mono track renews and restores Cocktail Hour's original sound design. Voices are clear and intelligibly prioritized (while retaining the distinct tone and tenor of dialogue of the era), effects are crisp and bright (though rather canned by today's standards), and everything from music to other elements are preserved without flaw.

The Blu-ray release of Cocktail Hour doesn't include any extras... so much so that there isn't even a menu. Sony continues to skimp in this regard when it comes to lesser-known black-and-white oldies. Come on, guys. How hard is it to add a menu?

Cocktail Hour isn't a bonafide classic by any means. I wouldn't even consider labeling it essential. But it is a stepping stone in Pre-Code film history and offers a glimpse into what creative freedom meant in 1933. Fortunately, Sony has given the film a wonderful AV treatment, even if the disc is as barebones as barebones gets.

1936

1949

2016

1958

1931

1931

1965

1932

1931

1931

1932

2006

Arrow Academy
1941

2006

1930

2018

1937

1939

Terminal Station / Stazione Termini
1953

1983