7.3 | / 10 |
Users | 4.4 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A group of friends venture deep into the streets of New York on a rescue mission during a rampaging monster attack.
Starring: Lizzy Caplan, Jessica Lucas, T.J. Miller, Michael Stahl-David, Mike VogelThriller | 100% |
Action | 78% |
Sci-Fi | 77% |
Horror | 42% |
Mystery | 27% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: Dolby TrueHD 5.1 (48kHz, 24-bit)
French (Canada): Dolby Digital 5.1
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
Portuguese: Dolby Digital 5.1
German: Dolby Digital 5.1
Japanese: Dolby Digital 5.1
English, English SDH, French, German, Japanese, Portuguese, Spanish, Danish, Dutch, Finnish, Norwegian, Swedish
Blu-ray Disc
Two-disc set (2 BDs)
UV digital copy
4K Ultra HD
Slipcover in original pressing
Region free
Movie | 5.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 3.0 | |
Overall | 4.0 |
Paramount has released the wonderful 2008 'found footage' Monster movie 'Cloverfield' to the UHD format. The disc boasts a 2160p transfer with Dolby Vision color enhancement. The studio has not included a new Dolby Atmos soundtrack, instead sticking with the (still excellent) Dolby TrueHD 5.1 presentation. No new extras are included.
The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.
A release like Cloverfield is going to prove controversial no matter the format. The movie doesn't look "good" in the traditional sense. It's a
"found footage" movie, after all. It's raw,
blocky, shaky, meant to look like it was shot at a lower resolution by amateurs on low-end consumer equipment. The question with these movies (and
pictures like 28 Days Later) always revolves around
whether a picture quality is "good" if it's aesthetically pleasing (not necessarily in this case) or whether it genuinely reflects the filmmaker's vision (true
in this case). One would think that more traditionally oriented cinephiles would fall into the later category, happy if a release stays true to its roots,
happy to watch the film as it was meant to be seen, while one can see the potential for videophiles to dismiss something like this because it's not
pretty. And now, with 4K video and HDR (or Dolby Vision, as the case is here) color enhancements thrown into the mix, that
question of authenticity to filmmaker vision seems ever more paramount.
With Cloverfield, it's easy to balk at a UHD release. 4K for this? Dolby Vision for this? UHD doesn't magically clean the movie
up (and if it did it would be a dishonest bastardization of a release). It's still gritty and raw with rough-edged details and lots of noise. But the 2160p
resolution does indeed boost the textural finesse of the image, to a small degree, and without fundamentally altering anything within it. Even with the
relatively low-rez imagery, one can see, upon comparison between the UHD and the Blu-ray, minute degrees of increased sharpness. Textured walls,
various city locations both indoor and out and all of the little details therein and around,
the severed and scarred Statute of Liberty head, even skin textures on still close-ups reveal a small uptick in sharpness. It's not enough to really gush
over, but it is a consideration, a point, albeit one without much value, in the UHD's favor.
The real benefit of the UHD presentation comes by way of the Dolby Vision color enhancement. While it's not a game-changer, there are perceptible
and arguably even critical refinements that make the experience a bit better over the Blu-ray. Blacks appear firmer and deeper. As variable as they are
throughout the film, there's a generally more sincere depth and sense of accuracy to them. Small lighting elements are more organically pronounced. A
hanging fluorescent light inside a convenience store offers a more brilliant burst of light, which is comparatively dull on the Blu-ray. Orange fireballs are
likewise deeper, more vibrant, more alive. Even the color bars seen at the beginning of the film appear with greatly improved saturation, brightness,
and zest. These color positives do add up and, over the course of the film, help bring the viewer close to the film, as close as one can feel when
watching this style of film.
The big disappointment on the UHD disc is the failure to modify the soundtrack to a Dolby Atmos configuration. If any release screams for it, particularly on UHD and accompanying a movie that wasn't going to boast traditionally presented mind blowing eye candy visuals by its very nature, it seemed like an essential point of upgrade to upsell the release, no matter how fantastic the 5.1 track may be. And the 5.1 track is killer. It was in 2008, and it still is today. For a full review, please click here. Note that this UHD does, if nothing else, offer expanded language and subtitle options over the original Blu-ray.
Cloverfield contains no new extras, but the bundled Blu-ray does carry over all of the supplements from the original release. For convenience,
they're listed below. A UV/iTunes digital copy code is included with purchase.
A movie such as Cloverfield was only going to enjoy incremental improvements at best on the UHD format, and that's exactly what Paramount's 2160p/Dolby Vision disc delivers. It features more balanced and bountiful lighting, greater intensity to choice colors, and deeper blacks, all resulting in a more absorbing atmosphere. The very slight increase in general image sharpness is another plus, albeit a very minor one. This is probably the best case scenario to enhance the picture without fundamentally altering or destroying the film's core visual structure and integrity. Is a recommendation a stretch? Probably, especially without any new audio track or supplements, though first-time buyers may as well opt for this and enjoy what is a surprisingly good (for a movie of this sort) Dolby Vision presentation.
2008
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15th Anniversary Limited Edition
2008
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1997
Ultimate Collector's Edition
1986
1987
3-Disc Set
2010
1990
2009
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2008
2008
40th Anniversary Edition
1979
1992
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2014
2011
2004
Unrated Extended Edition
2005