7 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take on the role of Sigrid, and Maria finds herself on the other side of the mirror, face to face with an ambiguously charming woman who is, in essence, an unsettling reflection of herself.
Starring: Juliette Binoche, Kristen Stewart, Chloë Grace Moretz, Brady Corbet, Johnny FlynnDrama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English, English SDH
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 3.5 | |
Overall | 4.5 |
Nominated for the prestigious Palme d'Or Award at the Cannes Film Festival and winner of Cesar Award for Best Supporting Actress, Olivier Assayas' "Clouds of Sils Maria" a.k.a. "Sils Maria" (2014) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include an original trailer for the film; exclusive new video interview with director Olivier Assayas; exclusive new video interviews with Juliette Binoche and Kristen Stewart; and more. The release also arrives with an illustrated leaflet featuring an essay by critic Molly Haskell. In English, with optional English and English SDH subtitles for the main feature. Region-A "locked".
Maria Enders
Presented in an aspect ratio of 2.40:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Olivier Assayas' Clouds of Sils Maria arrives on Blu-ray courtesy of Criterion.
The following text appears inside the leaflet provided with this Blu-ray release:
"Supervised by director of photography Yorick Le Saux and approved by director Olivier Assayas, this new digital transfer was created in 2K resolution on an ARRISCAN film scanner from the 35mm original camera negative. The film features a fully digital soundtrack. The 5.1 audio for this release was mastered from the original digital audio master using Pro Tools HD.
Color supervisor: Yorick Le Saux.
Colorist: Charles Freville/Digimage, Paris."
The release has been sourced from the master French label Orange Studio and British label Artificial Eye accessed when they prepared their releases of Coulds of Sils Maria (you can see our reviews of these releases here and here. Predictably, the basic characteristics of all three releases are virtually identical. Depth and clarity are outstanding while fluidity is as good as one can expect it to be in such a recent film. Color are stable, vibrant and healthy. There are various wonderful nuances as well. The density fluctuations that we mentioned in the previous reviews are also retained here, but they are part of the original cinematography. Also, the same minor skip that appears around the 00.17.15 and the 00.17.26 marks on the previous releases is present here around the 00.17.30 mark. Overall image stability is outstanding. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 5.1 (with a few tiny bits in French and German). There are optional English and English SDH subtitles for the main feature. The English subtitles are for the French/German bits. When turned on, they appear inside the image frame.
The film does not have a prominent music score, but depth, clarity and fluidity are excellent. There are plenty of natural sounds and noises that are very easy to identify. Also, the dialog is always crisp, clear, and exceptionally easy to follow. There are no pops, audio dropouts, or digital distortions to report in our review.
More than thirty years ago, Olivier Assayas wrote the script for André Téchiné's film Rendez-vous, which launched Juliette Binoche's career. The two have reunited in Clouds of Sils Maria, an elegant and thought-provoking film about an aging star who accepts a role from a play that launched her career. Criterion's upcoming release is sourced from the same master that was used for different European releases of Clouds of Sils Maria and looks wonderful. HIGHLY RECOMMENDED.
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