6.1 | / 10 |
Users | 0.0 | |
Reviewer | 2.0 | |
Overall | 2.0 |
A rogue soldier turned outlaw is thrust into a relentless fight with a corrupt sheriff, his obedient deputies, and a dangerous drug cartel in order to protect his sister and her young daughter.
Starring: Scott Adkins, Nick Chinlund, Caitlin Keats, Jake La Botz, Madison LawlorAction | 100% |
Crime | 73% |
Thriller | 51% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
25GB Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 1.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 2.0 |
A good action picture needs an interesting plot and memorable characters. John McClane could
not have become a household name if the first Die Hard
had given short shrift to the marital
problems that brought him to L.A., the elaborate heist of the Nakatomi corporation or the slickly
evil mastermind, Hans Gruber. Steven Segal's Casey Ryback (Under
Siege) would have been
forgettable without the captain and crew of the USS Missouri, the machinations of the hijacker,
Strannix, or the tactical intricacies of re-taking the ship. Jean-Claude Van Damme's Chance
Boudreaux (Hard Target) and Max Walker (Timecop) stand out from JCVD's by-the-numbers
filmography because of their memorable villains with their very specific schemes. The list could
continue, but the point should be clear: Action pictures need a good story just as much as
weaponry and fighting skills. Otherwise, they might as well be a stuntman's highlight reel.
And that is exactly what British martial artist Scott Adkins and director Isaac Florentine have
created in Close Range, which had its premiere on Polish TV in September 2015, went straight to
video in Sweden and got dumped into a few U.S. theaters in December. XLrator Media is now
releasing the film on Blu-ray, which is strictly for devoted fans of the Adkins/Florentine style in
such films as their two contributions to the Undisputed franchise (2: Last Man Standing and III:
Redemption).
Specific information about the shooting format of Close Range was unavailable, but it appears to
be a digital production. The cinematographer was Israeli DP Tal Lazar. Post-production was
completed on a digital intermediate, from which XLrator's 1080p, AVC-encoded Blu-ray was
presumably sourced by a direct digital path.
The Blu-ray image has a video sheen that bespeaks its origin, and everything is exceptionally
bright and overlit. This is appropriate enough for the U.S. scenes set mostly outdoors in the
sunny Southwest, but in the opening in Mexico, where the palette favor beige, blue and black, the
blacks shade toward gray. However, the latter to be a deliberate choice on the part of the
filmmakers. Detail is generally superior; when Garcia and his men shoot up Angela's house,
every squib has its impact minutely recorded, along with the debris it kicks up. If the actors'
faces changed expression significantly (most can't manage it), those details too would appear on
the Blu-ray. The most impressive images are the fight scenes, because Adkins doesn't need a
stuntman, which means that the sequences aren't overedited. If you want to see Scott Adkins
performing fantastic feats of martial artistry, the Close Range Blu-ray does its job.
Noise, distortion and other flaws were not evident. The film has been mastered on disc at an
average bitrate of 28 Mbps, and the bits have been appropriately allocated to the kinetic fight
sequences so that compression artifacts are avoided.
The usual suspects for action movie sound effects can be found on Close Range's 5.1 soundtrack, encoded in lossless DTS-HD MA. Bullets fly, punches and kicks connect, and car engines roar. The mix is loud and generic. You've heard it all before. The dialogue, of which there's little of importance, is clear. The action score is by Stephen Edwards (Ninja ), a frequent collaborator with Adkins and Florentine.
The only extra is a trailer (1080p; 1.78:1; 1:31). At startup, the disc plays trailers for Wrecker, The Diabolical and Tokyo Tribe, which can be skipped with the chapter forward button and are not otherwise available once the disc loads.
Unless you're desperate to see Scott Adkins dropkick a Mexican cartel into oblivion, skip Close
Range.
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