7.2 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A journey across a dystopian future America, following a team of military-embedded journalists as they race against time to reach DC before rebel factions descend upon the White House.
Starring: Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Sonoya MizunoAction | 100% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
Spanish: Dolby Digital 5.1 (640 kbps)
English SDH, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (locked)
Movie | 3.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 2.5 | |
Overall | 3.5 |
A Prussian general named Carl von Clausewitz is sometimes cited as having provided a common euphemism about the chaos and confusion that probably unavoidably attends large scale battle, a phrase that later became the title of a fascinating documentary about sixties era Department of Defense head honcho Robert McNamara, The Fog of War. In that same vein and/or miasma, could there perhaps therefore be a concomitant "fog of war movie?" situation, something that might be part and parcel of, say, "meta" peeks at filmmaking and its trials and tribulations in such pieces as Hearts of Darkness: A Filmmaker's Apocalypse, but which may have a more "inherent" meaning in the viscerally disturbing film under discussion here. If you went to, say, a football game and the teams weren't identified and not wearing uniforms, how would you react? Would you just arbitrarily select one group to root for, or would you hold back and just become an observer? Something at least a little similar is at play in Civil War, since writer and director Alex Garland himself admits in the long form making of supplement on this disc to being intentionally vague about certain aspects of the conflict at the core of the story, something he says in a supplement he did deliberately to keep viewers from "choosing sides". That may seem like a veritable fool's errand given some of the depictions in the film, which offer an apparently authoritarian President under siege during his third term as well as secessionist states and a variety of militias that go around executing the "wrong" kind of Americans.
Note: Screenshots are sourced from the 1080 disc included in this package.
Civil War is presented in 4K UHD courtesy of A24 and Lionsgate Films with an HEVC / H.265 encoded 2160p transfer in 1.85:1. Captured with
a variety of cameras (some with source capture resolutions of up to 8K), and finished with a 4K DI, this is an extremely well detailed presentation,
which actually will probably evoke some squeamishness in some viewers courtesy of more than one graphic shooting and/or other injuries depicted.
Fine detail levels are typically excellent across the board here, including everything from Dunst's gracefully aging face wrinkles to fabrics on outfits. The
film's visual style is kind of peculiarly lyrical a lot of the time, and some moments, like a cool focus pulling during a sniper scenario where Dunst
suddenly looks at some bluebell flowers she's lying next to, or a later scene with the quartet driving through a wildfire with embers madly floating
about, offer some sumptuous suffusion in what is already a generally vivid palette. Dolby Vision / HDR adds just a touch of an orange-brown flavor to
some of the yellow graded material, notably a couple of exposition scenes with Dunst and Henderson, one in a hotel, and later out in a parking lot.
There is probably at least a bit more shadow detail available in this version as well in the calamitous last half hour or so in D.C.
Add a new "reference quality" title for those with Dolby Atmos setups. Wow, is all I can say to sum up this listening experience, but I'll specify a bit more by mentioning I'm not sure whether it's a "new, improved" part of A24's logo or perhaps the DNA masthead, or simply a sound design conceit, but this effort starts with penetrating blasts of white noise ping ponging between all the surround channels, so that it in fact kind of acts as a "calibration tool" to make sure you have everything properly engaged. That kind of almost whimsical opening is soon supplanted by an almost deafening LFE rumble, and all of this is within just the first few seconds of the film starting. Surround activity is consistent and often thrillingly immersive, though those thrills come with repeated shocks as blasts of gunfire can emanate from different directions. The last half hour or so of this film is one of the most impressive onslaughts in an Atmos track I've personally experienced, with near constant engagement of the Atmos speakers combined with regular side and rear channelization and some truly awesome LFE. Dialogue is rendered cleanly and clearly throughout. Optional English and Spanish subtitles are available.
Vis a vis the redolently titled documentary mentioned in the opening paragraph above, long before most people even knew the process by which a cabinet secretary could be removed from office, my late father, who was himself a Major General in the Army and a diehard patriot, had a bumper sticker on his car saying Impeach McNamara, which may indicate that discontent with leaders extends even to very proud Americans (of any "kind"). In that regard, I might add that my Dad was also an immigrant, albeit from England, which might have exempted him from the xenophobia displayed by the militia member mentioned above. Civil War at its core may arguably not be about the war being depicted, though the calamitous situation shown is disturbing beyond belief at times, maybe if only because we seem so close to it in whatever we're currently calling "real life". And aside from a lack of clarity of why various people are blowing each other to bits, it's actually the kind of surprisingly rote tale of a naive newcomer earning her stripes where this film never completely delivers. Still, Dunst's performance in particular is outstanding, and even if it's not the actual center of the film, the depiction of a fractured (formerly) United States is incredibly unsettling. Technical merits are first rate and the multi part making of supplement very interesting. Recommended.
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