8.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Two heartsick Hong Kong cops, both jilted by ex-lovers, cross paths at the Midnight Express take-out restaurant stand, where the ethereal pixie waitress Faye works.
Starring: Brigitte Lin, Tony Leung Chiu-wai, Faye Wong, Takeshi Kaneshiro, Valerie ChowForeign | 100% |
Drama | 98% |
Romance | 26% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.66:1
Cantonese: DTS-HD Master Audio 5.1
Cantonese: Dolby Digital 5.1
English
25GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.5 | |
Video | 3.5 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.0 |
Following the steps of Criterion, British distributors Artificial Eye have now released Wong Kar-Wai's "Chungking Express" (1994) on Blu-ray. However, there are some notable differences between the two releases in the video department. The two discs also offer a different set of supplemental features.
The dealer
Presented in an aspect ratio of 1.78:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Wong Kar-Wai's Chungking Express arrives on Blu-ray courtesy of British distributors Artificial Eye.
The UK Blu-ray release of Chungking Express is bound to spur some very interesting discussions. First of all, unlike what the back cover for the disc indicates (an aspect ratio of 1.85:1), the UK release is actually framed in 1.78:1 (the Criterion release is in the correct aspect ratio of 1.66:1). Second, during the last 24 hours I have been testing and comparing the UK disc to the Criterion Region-A release, and, in my opinion, there are some notable differences between the two. The key ones are contrast, color-scheme, and, as noted above, framing.
Contrast – I am unsure whether or not you could tell from the screen grabs I have provided for this review, but the Artificial Eye release is notably darker. There are certain scenes where the blacks are so overpowering that clarity and contrast are directly affected. Strangely enough, during a lot of the daylight scenes contrast is dramatically improved, and in my opinion far superior to that seen on the Criterion release.
Color-scheme – What I see on the Artificial Eye disc is a heavy bluish tint that seems to be very consistent with the film's ambient look. I have been going back and forth between this release and the Criterion disc, and the more I look at the two the more uncertain I am which one I prefer. Part of me likes the bluish tint on the Artificial Eye disc as it certainly resonates better with the film's marquee ambient look (the slow camerawork is far less distracting). Yet, I know that the Criterion transfer was supervised by Wong Kar-Wai. This being said, next to the Artificial Eye release the Criterion transfer looks notably redish (the skin tones in particular look quite different).
Framing – Well, this one should be easy. Obviously, the fact that Artificial Eye have slightly cropped their release to 1.78:1 from the film's original aspect ratio of 1.66:1 gives Criterion the edge. There is nothing more to be said, really, though in reality the difference between 1.66:1 and 1.78:1, particularly with overscanning , is negligible.
This being said, the transfer Artificial Eye have provided is very healthy. It is practically free of disturbing edge-enhancement and macroblocking patterns as well as debris, dirt, and scratches. Unlike the Criterion disc, the Artificial Eye release is also Region-Free. Therefore, you will be able to play the UK Blu-ray disc on your PS3 or SA regardless of your geographical location (for the record: the menu is not in PAL).
There are two audio tracks on this Blu-ray disc: Cantonese DTS-HD Master Audio 5.1 and Cantonese Dolby Digital 5.1. I certainly could not tell if the Criterion DTS-HD Master Audio 5.1 track, which was supervised by Wong Ka-Wai, is different than the one Artificial Eye have secured for their release. I did some random comparisons between the two discs and, frankly, they sound identical to me (I would recommend listening to the sax theme if you wish to hear whether or not there are any nuanced differences between the two tracks). This being said, the overall quality of the DTS-HD Master Audio 5.1 track is exceptional. The track is far more convincing than what the SDVD Criterion release offers via its Dolby Digital 5.1 mix, and I would certainly argue that it is a good enough reason to consider upgrading. For the record, I did not detect any disturbing pops, cracks, or hissing. Artificial Eye have also provided optional English subtitles (and they are not Americanized – color versus colour, etc).
The first supplemental piece on this Blu-ray disc is the old introduction to Chungking Express by director Quentin Tarantino. He quickly states what makes Wong Kar-Wai's film great and suggests a few other titles as well (Tarantino also provides background information on a few of the stars from Chungking Express). Next is "On Location With Cinematographer Christopher Doyle" – an interesting collage of images and comments where Christopher Doyle talks about Hong Kong's ever-changing landscape, the production history of the film, etc. He also revisits some of the locations where Chungking Express was shot (English subtitles are provided for the Cantonese portions of the feature). Next is a long interview with director Wong Kar-Wai where he talks about the history of his film, how the cast was assembled, and the difficulties his team had to overcome. In addition, the director also provides a concise but very informative analysis of Chungking Express. Finally, in addition to text filmographies for Wong Kar-Wai and Christopher Doyle, the Blu-ray disc also offers the original theatrical trailer for the film. (Note: Aside from the theatrical trailer and the text filmographies, all of the extras on this Blu-ray disc are in standard-def PAL. Therefore, unless you have a Region-Free player that performs an onboard PAL-NTSC conversion, or a TV set capable of receiving PAL signal, you won't be able to view the supplemental materials described above).
Wong Kar-Wai's Chungking Express has now received a Blu-ray treatment outside of North America. Unlike the Criterion release, the Artificial Eye release is Region-Free. Obviously, it should make quite a few people happy. There are, however, a few minor issues to consider. Still, I think that if you cannot take advantage of Criterion's Region-A "locked" release, this UK produced release could be a very good alternative.
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