7 | / 10 |
Users | 4.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
St. Louis, 1986. For Chuck Berry's 60th, Keith Richards assembles a pickup band of Robert Cray, Joey Spampinato, Eric Clapton, himself, and long-time Berry pianist Johnnie Johnson. Joined on stage by Etta James, Linda Ronstadt, and Julian Lennon, Berry performs his classic rock songs. His abilities as a composer, lyricist, singer, musician, and entertainer are on display and, in behind-the-scenes interviews, are discussed by Bo Diddley, Little Richard, Jerry Lee Lewis, Bruce Springstein, the Everly Brothers, Roy Orbison, and others. There's even a rarity for Berry, a rehearsal. Archival footage from the early 1950s and a duet with John Lennon round out this portrait of a master.
Starring: Chuck Berry, Eric Clapton, Bo Diddley, Etta James, Johnnie Johnson (I)Music | 100% |
Documentary | 53% |
Biography | 10% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
Region A (B, C untested)
Movie | 4.0 | |
Video | 3.0 | |
Audio | 4.0 | |
Extras | 5.0 | |
Overall | 4.0 |
Chuck Berry is often referred to as the “Godfather of Rock ‘n’ Roll,” enjoying a major career as singer and guitar player, with his influence reaching across the industry, with The Beatles personally citing Berry as inspiration during their early years. The Chuck Berry on display in 1987’s “Hail! Hail! Rock ‘n’ Roll” isn’t quite as god-like as some respected musicians suggest, with director Taylor Hackford not exactly filming the legend as he prepares for his 60th birthday concert at the Fox Theater in St. Louis. The helmer is mostly chasing the subject, seemingly one step behind as the man who gave the world songs like “Nadine,” “Johnny B. Goode,” “Rock and Roll Music,” and “Roll Over Beethoven.” Berry is a complicated man, as strange as can be, and Hackford uses this bizarre energy for the concert picture, which attempts to blend sections of personal history with rehearsal time, working toward the big Fox Theater show, where Berry is joined by a list of all-stars to help him bang out the hits.
Shout Factory brings "Hail! Hail! Rock 'n' Roll" to Blu-ray with an older scan. The AVC encoded image (1.85:1 aspect ratio) presentation can't avoid its age, with softness carrying throughout the viewing experience. Detail doesn't jump off the screen, but some basic textures are appreciable, including Berry's polyester outfits and suits on the backing band. Household decoration and location visits struggle with clarity. Close-ups retain most sweaty looks and facial contortions. Colors are satisfactory, finding concert lighting the most dynamic, preserving the style of the event. Primaries are secure, best with clothing and Berry's personal decorating style, which favors deep reds. Skintones are a bit bloodless, but remain natural. Grain is chunky at times. Delineation is adequate. Source is in decent shape, with some mild judder and speckling.
The 2.0 DTS-HD MA sound mix provides a forceful listening experience for "Hail! Hail! Rock 'n' Roll," leading with the performance sequences, which retain a raw energy and defined musicianship, including mangled notes from Berry. The track isn't overwhelmed, but a few crackly highs are encountered. Vocals are distinct. Interview segments are equally clear, isolating personality nuances and emphasis. Atmospherics bring out urban tours and room interaction, defining changes in locations.
It appears as though Hackford went into the project with the best intentions, ready to bring Berry's legacy to the big screen, only to end up with a troublesome subject who never really wants to talk about music, only financial successes. "Hail! Hail! Rock 'n' Roll" is a bizarre film, and when the concert comes around, fans will find Berry working hard to put on a big show, tearing through the hits and delivering all the poses. It's the rest of the documentary that's even more compelling, with Hackford accidentally working past a glossy celebration of music history, exposing an extraordinarily idiosyncratic, obsessive, and self-centered man in the process.
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