6.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
On Christmas Eve, a family gathers for what could be the last holiday in their ancestral home. As the night wears on and generational tensions arise, one of the teenagers sneaks out with her friends to claim the wintry suburb for her own.
Starring: Michael Cera, Elsie Fisher, Maria Dizzia, Ben Shenkman, Sawyer Spielberg| Drama | Uncertain |
| Comedy | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 4.0 | |
| Overall | 4.0 |
Co-writer/director Tyler Taormina made an impression on indie film audiences with 2019’s “Ham on Rye.” The helmer invested in atmosphere, not storytelling, examining the behaviors and social interactions of teenagers as they prepare for a party. Taormina wasn’t interested in plot, just the vibe, and he returns to the same idea for “Christmas Eve in Miller’s Point,” which takes the “Ham on Rye” concept and transfers it to the holiday season. There’s a family gathering to inspect in the feature, bringing all types of personalities together for a celebratory evening where relationships are revisited and experiences are pursued. “Christmas Eve in Miller’s Point” sustains Taormina’s filmmaking interests in shapelessness, but he’s remarkably observant when it comes to the creation of a reunion event with holiday flair. The picture is practically 3D in the way it captures household bustle and indulgence, creating some superbly vivid moments.


The image presentation (1.85:1 aspect ratio) for "Christmas Eve in Miller's Point" is meant to preserve the production's love of coziness, leading with an incredibly warm palette that favors Christmas hues and suburban living. Deep reds and greens are a common sight, along with more golden looks at household events. Primaries also stay alert on costuming and decoration, and lighting is distinct. Cold weather activity also registers strongly. Skin tones are natural. Detail is capable, examining character appearances and festive displays, including textured food offerings. Clothing remains fibrous with heavier winter gear. Household interiors maintain dimension. Exteriors secure depth with neighborhood tours. Delineation is strong, preserving evening activity. A few very mild compression issues are detected. Digital grain hits stretches of pointillism, but mostly registers as intended.

The 5.1 DTS-HD MA mix offers a surprisingly immersive understanding of the "Christmas Eve in Miller's Point" aural experience. It's not incredibly active, but surrounds are playful, handling changes in weather and neighborhood atmospherics, including passing trains. Dialogue exchanges are crisp, managing the chaotic experience of the family celebration, preserving performance choices and boisterous conversations. Music is deep and supportive, with defined instrumentation and vocals. Low-end isn't challenged in the personality-driven film, but certain moments, including a parade of fire trucks, offer some weight.


Taormina doesn't have much interest in plot, allowing "Christmas Eve in Miller's Point" to chase vignettes, which works for the most part, making good use of the cast as holiday demands take the characters everywhere, hitting some sensitive emotional areas along the journey. The feature starts to unravel in its final act, where it switches focus to Emily and her fellow teenagers as they sneak away from the dwelling and enjoy mischief and lust in town. Nothing much is accomplished here, finding the adults more interesting as they encounter the bittersweetness of the last party in their childhood home. Additional dead air is devoted to local cops (Michael Cera and Gregg Turkington) on the job, with their silent act ill-fitting and unwelcome. "Christmas Eve in Miller's Point" is almost thrilling when it remains at the house, as Taormina does a remarkable job capturing the festivities, making it all feel authentic in a way few holiday movies have been able to achieve.