7.2 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Recently fired and facing eviction, a new dad has his life turned upside down when he meets a wealthy couple who offer a path to financial security...but at a price.
Starring: Pat Healy, David Koechner, Ethan Embry, Sara Paxton, Amanda FullerDark humor | 100% |
Thriller | Insignificant |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.44:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
50GB Blu-ray Disc
Single disc (1 BD)
Digital copy (as download)
Region A (C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.0 |
Cheap Thrills may be one of the nastiest pieces of cinema in recent years, and I mean that as a compliment. Horror-meister Clive Barker once observed that he goes to the cinema to feel something, and he doesn't care if the feeling is disgust. Cheap Thrills fits the bill nicely, and it does so in a way that's skillful and thought-provoking. Rarely has violence, both physical and psychological, been portrayed with such visceral impact onscreen. The performances may not win awards, but they'll stay with you for a long, long time. Even the sex scene is repellent. Cheap Thrills is the directorial debut of E.L. Katz, whose background is writing and producing in the horror industry, where his credits include Tobe Hooper's Mortuary. The script was written by Trent Haaga, author of Deadgirl, and David Chirchirillo, an aspiring horror director; Katz provided uncredited rewrites. Despite these origins, however, Cheap Thrills isn't a horror film, although it borrows techniques familiar from the genre. Its makers consider Cheap Thrills to be a black comedy, although, as co-star David Koechner observes at one point, maybe viewers are laughing simply because they need to release their anxiety. Much of the film's inspiration comes from reality TV, which, it could be argued, has been covertly ripping off horror films from the beginning. Part of the fascination of reality TV is its ability to reveal people who look normal on the surface as freaks and monsters underneath. The same documentary style of photography that creates the illusion of reality for countless TV shows is also the trademark of "found footage" horror. Which came first, The Blair Witch Project or the first version of Survivor? (That would make a good trivia question.) After premiering at the South by Southwest Film Festival in March 2013, Cheap Thrills was acquired by those connoisseurs of the weird, Drafthouse Films (in partnership with Snoot Entertainment), which gave the film a limited theatrical release a year later. As with most of Drafthouse's library, the major form of distribution is on disc in one of the company's typically classy packages.
Cheap Thrills was shot entirely in practical locations with the Arri Alexa by two cinematographers, Andrew Wheeler and Sebastian Winterø. The film was completed on a digital intermediate, from which Drafthouse's 1080p, AVC-encoded Blu-ray was presumably sourced. As is typical of projects originated on the Alexa, the image is generally sharp and detailed with the film-like texture for which that model of camera is noted. Portions of the film are extremely dark, notably in the bar where the principal characters first meet, but this appears to be deliberate, since the scenes in Craig's and Audrey's apartment and in Colin's and Violet's house are more brightly lit. Blacks are solid, with shadow detail varying depending on the amount of light in the scene; here again, this appears to be a choice on the part of the filmmakers. The color palette is not so much desaturated as dulled; even the redness of blood is toned down. The sole exception is the red wash in the bar, which, as Katz explains in the commentary, reflects the built-in illumination of the location and could not be eliminated entirely in post-production. The average bitrate of 24.98 Mbps is quite good for a digitally originated project. Certainly there were no visible compression errors and, other than an occasional instance of banding, no digital artifacts.
Cheap Thrills' original 5.1 track is presented on Blu-ray in lossless DTS-HD MA. Given the film's limited budget and its documentary style of photography, it's not surprising that the dialogue and sound effects remain front-oriented. The dialogue is always clear, and the effects are well done and often disturbing. The surround array has been effectively used to make the score by composer Mads Heldtberg (You're Next) almost a separate character. Unlike the typical mix, which spreads the score across the front soundstage, this one deliberately sets it toward the back of the soundfield, detaching it from the action and immersing the listener in what amounts to a musical commentary on the events that are unfolding. It's a creative use of the 5.1 format and an effective means to overcome budgetary limitations.
Several members of the premiere audience interviewed in the "Vital Heat" documentary, including actor Elijah Wood, observe that Cheap Thrills is best seen with an audience, because group reaction to its most intense scenes improves the experience. They make a good point, but except for midnight showings at the Alamo Drafthouse, most viewers will experience the film alone or with a few viewing companions in the privacy of a home theater. My advice is to turn off the phone and not allow any interruptions. There's no fat in this taut little thriller, and it's not a ride you'll want to interrupt. A word of advice: Don't watch this with dinner. Otherwise, highly recommended.
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