7.5 | / 10 |
Users | 3.8 | |
Reviewer | 3.0 | |
Overall | 3.7 |
Best friends Holden McNeil and Banky Edwards are enjoying success as the creators of the cult comic book 'Bluntman and Chronic.' When they meet fellow comic book artist Alyssa Jones, Holden's desire for the beautiful charmer is immediate. Alyssa, however, has set her romantic sights elsewhere but decides, nevertheless, to pursue a friendship with Holden. This presents Holden with a dilemma: feeling the way he does, can he merely be friends with this woman? Banky, who knows Holden best, doesn't think so. As the friendship deepens, so do Holden's affections for Alyssa. And cautiously, yet effortlessly, so do Alyssa's for him. With their relationship struggling to define itself, Banky grows more and more frustrated at the notion of losing his best friend to emotional adulthood.
Starring: Ben Affleck, Joey Lauren Adams, Jason Lee, Dwight Ewell, Jason MewesComedy | 100% |
Romance | 15% |
Drama | Insignificant |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
Spanish: Dolby Digital 2.0
German: DTS 5.1
English, English SDH, German, Portuguese, Spanish, Bulgarian, Danish, Finnish, Icelandic, Indonesian, Malay, Norwegian, Romanian, Swedish, Turkish
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.5 | |
Video | 3.0 | |
Audio | 3.0 | |
Extras | 3.5 | |
Overall | 3.0 |
When Clerks hurled self-made Sundance wunderkind Kevin Smith into the path of a moving industry payday -- Mallrats, a little six-million dollar studio flop View Askew apologists like myself awkwardly defend to this very day -- he was left battered, bruised, and shaken. Even so, he had no intention of compromising his vision. For his next film, a strategic return to Indie form, Smith struck a deal with Harvey Weinstein and agreed to work with a meager budget of just $250,000; the only money he could get after refusing to cast David Schwimmer, Drew Barrymore, and John Stewart in an exceedingly personal film he had written specifically for Ben Affleck and Joey Lauren Adams (both of whom were relative unknowns at the time). The result? Chasing Amy, a charming, edgy, hilarious, heartfelt romcom that has no business being labeled a mere romantic comedy. With a challenging screenplay, an endearing cast of characters, and some of the sharpest, most honest dialogue to ever emerge from the filmmaker's foul-cortexed brain, Smith was back on top. It was 1994 all over again. Critics showered Chasing Amy with much-deserved praise, audiences wondered what the profane poet would tackle next, and the film became a mainstay in many a home video collection.
"You're way too conservative for that girl. She's been around and seen things we've only read about..."
Chasing Amy has never been and will never be the sort of film that drops jaws or turns heads. Shot in twenty days on a cruel and unusually small budget of $250,000, Smith's third outing is rife with soft pickup shots and close-ups, heavy grain, and poorly lit scenes. Unfortunately, the new Blu-ray edition features a mushy 1080p/VC-1 transfer that, quite frankly, fails to faithfully reproduce the original look of the film. Noise reduction is the chief culprit. Grain is still apparent (in some scenes more than others), but it's been beaten into a soupy mess, as have facial textures, fabrics, and edge definition. The actors appear positively malleable at times, their skin smeared and flushed; even close-ups occasionally lack the clarity they should have. Oddly enough, the disc's exclusive documentary, "Tracing Amy," features high definition clips of the film that look much better. Granted, grain is more intrusive and print damage is more apparent in the documentary (ringing is an occasional issue as well), but it becomes quite clear how drastically DNR affected the feature presentation. Compare the comic convention scenes, the swing set conversation, the bar chats... almost everything that briefly appears in the documentary to its counterpart in the film. The main picture is often a bit pudgy, puffy, and gooey by comparison. I was already underwhelmed by the presentation upon initial inspection, but after digging through "Tracing Amy," the sting of disappointment was more severe.
Still, all is not lost. Colors have received a notable boost, black levels are fairly well resolved (aside from some errant mishaps), overall clarity still represents a step up from the aging DVD's presentation (even though it's a minimal one), and Disney's technical transfer is relatively proficient. I didn't detect any significant artifacting, banding, aliasing, or edge enhancement. Regardless, it's tough to get excited about an upgrade that undermines the Indie aesthetic that helped make Chasing Amy stand out from the pre-packaged '90s romantic comedy crowd in the first place. Fans should approach with caution. Smith's third film will never look like a multi-million dollar blockbuster, but it could look a lot better than it does here. As for the score, my gut says 2.5, but my heart says 3.0. Sigh... not the dilemma I was hoping for.
Chasing Amy's DTS-HD Master Audio 5.1 surround track is also shrug-worthy. Again, Smith's tragically low budget is responsible for the limited scope of the experience, but Disney's newly minted lossless mix is often a flat, front-heavy affair that doesn't have enough oomph to warrant serious praise. Dialogue is warm and intelligible, but prioritization remains shaky. Ambient noise pays little respect to voices, effects are sometimes accompanied by air hiss, and the film's music doesn't have the presence it's had on other high definition Kevin Smith releases. It doesn't help that rear speaker activity is subdued, LFE output is hunched and humble, normalization is spotty, and dynamics lack the crystal clear punch they desperately need. To be clear, I didn't expect too much more, but the DTS-HD MA track Disney produced for the Blu-ray edition of Clerks -- a film shot for a tenth of Chasing Amy's budget -- is more involving and immersive (its own separate issues notwithstanding). As it stands, Smith's opus deserves better, as does its devoted fanbase.
Chasing Amy's supplemental package improves matters. Comprised largely of exclusive content, the Blu-ray edition features an all-new audio commentary, a fantastic, newly produced high definition documentary, a conversation between Smith and Adams, a solid Q&A, and other previously released DVD extras. Unfortunately, the Criterion Collection DVD's hilarious cast and crew commentary is MIA, as are the director's introductions to his deleted scenes. Still, seeing as Disney didn't have the rights to either, it's hardly a point that should be held against the studio or its Blu-ray release.
Alas, it doesn't matter how great a film is when it comes to a middle-of-the-road Blu-ray release. Chasing Amy was never going to look or sound like a thirty-seven-million dollar production, but it has more visual and sonic potential than Disney's video transfer and DTS-HD Master Audio track suggest. An exclusives-packed supplemental package helps soften the blow, but not enough for this release to earn the recommendation I wanted to give it. The film? Rent it, watch it, love it. The disc? Diehards won't have any problems adding it to their collection, but casual fans and newcomers should probably wait for its rather lofty pricepoint to fall. It pains me to wave anyone away from such a bold and funny flick -- a classic '90s comedy that was, and remains, ahead of its time -- but the Blu-ray edition's average AV presentation leaves me with little choice.
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