7.6 | / 10 |
Users | 4.3 | |
Reviewer | 4.5 | |
Overall | 4.3 |
A man, his wife, and their friend, stage a bloody bank robbery, unaware they are stealing money from the Mob.
Starring: Walter Matthau, Joe Don Baker, Andrew Robinson (I), John Vernon (I), Sheree NorthDrama | 100% |
Thriller | Insignificant |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 16-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 4.5 |
Don Siegel's "Charlie Varrick" (1973) arrives on Blu-ray courtesy of Kino Lorber. The supplemental features on the disc include vintage promotional materials for the film; Robert Fischer's documentary "Last of the Independents: The Making of Charley Varrick"; new video essay by critic Howard S. Berger; new audio commentary by critic Toby Roan; and more. The release also arrives with an illustrated booklet featuring an essay by critic Nick Pinkerton and technical credits. In English, with optional English SDH subtitles for the main feature. Region-A "locked".
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Charlie Varrick arrives on Blu-ray courtesy of Kino Lorber.
The release is sourced from an exclusive new 4K remaster that offers a much needed upgrade in quality over the old master that Indicator/Powerhouse Films used to prepare this Region-B release in 2018. The difference in quality is substantial and the improvements can be observed in all major areas that we typically scrutinize in our reviews. For example, the new remaster eliminates all of the distracting sharpening and smearing that the the old master struggles with. As a result, close-ups and panoramic shots now convey all sorts of different organic nuances. Background detail is also improved, and the daylight footage in particular boasts excellent depth. Grain exposure is vastly superior as well. The improvement has an impact on depth, delineation, and fluidity. In fact, if you wish to understand just how important organic fluidity is for the overall strength on a proper remaster, compare how smoothly the visuals flow on the new remaster with the movement of the blocky and smeary visuals on the old master -- it is almost as if most of the time the old master produces images that are stuttering, which makes viewing it on a larger screen quite the annoying experience. The color grading is very good. The primaries are healthy and very nicely saturated, and as you can see from the screencaptures that we have provided with our review the entire film now has much better ranges of organic nuances. Image stability is excellent, though I should mention that there are a few areas with obvious density fluctuations and a couple look slightly dated. However, these are not newly introduced 'issues'; they are part of the original cinematography. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.
I thought that the lossless track is on the old master was very strong, but I did some direct comparisons with the new remaster to see if I would spot any differences to report. I tested primarily the action footage at the very end where Walther Matthau operates the plane, but I could not hear anything to report in our review. Also, there are no encoding anomalies to report.
This cult crime thriller from director Don Siegel will only get bigger as time passes because it effectively promotes all of the great qualities American films had before Jaws and Star Wars. Walther Matthau also gives one of those truly special performances that once witnessed are never forgotten. Kino Lorber's release is sourced from an exclusive new 4K remaster that should make fans of the film beyond ecstatic -- it is done right and looks gorgeous. So, the folks at Kino Lorber deserve an enormous amount of credit because their release was almost certainly the last opportunity to get the film to look as it should. Thank you. VERY HIGHLY RECOMMENDED.
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