7.4 | / 10 |
Users | 3.5 | |
Reviewer | 3.0 | |
Overall | 3.0 |
An anthology series based off of internet 'creepypastas'.
Starring: Paul Schneider (IV), Fiona Shaw, Luisa d'Oliveira, Natalie Brown, Shaun BensonHorror | 100% |
Supernatural | 24% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Digital 5.1 (640 kbps)
None
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 0.0 | |
Overall | 3.0 |
If the Internet has given the world anything anything, it's not an endless stream of information or connectivity -- those things it's supposed to foster and facilitate -- but rather the seemingly random world of word stews that have in many ways both thrown the grammar rule book out the window and effectively, if not sometimes mind numbingly, jumbled words or the language for some sort of effect. Take "creepypasta," to the untrained ear a nonsensical meshing of two otherwise unrelated words (except, maybe, when "they're only noodles, Michael"). For the uninitiated, "creepypasta" is basically a term for digital urban legends, user created and web-based short stories detailing some kind of horrific violence or frightening situation: virtual campfire stories, basically. And in an age where the Internet is king and television shows are countless, it was an easy marriage for SyFy's Channel Zero, a collection of self contained TV seasons built around various "creepypasta." Season Two, No-End House, was directed by Steven Piet and aired on SyFy from September-October 2017.
Channel Zero: Season Two - No-End House's 1080p transfer is fairly standard stuff, an image that offers a quality superficial viewing experience suited to the casual viewer but one hardcore videophiles will find a little more troubling. The issues largely begin and end with macroblocking, which can be severe at many lower light junctures throughout. Take a look early in the season, around the 15-minute mark in the first episode, followed a few minutes later in a lower light interior. Such issues are prevalent throughout but at least represent the bulk of the sore spots. Mild noise and banding are in evidence as well, but not so much as to really detract or distract from any given shot, scene, or sequence. Core detailing is solid, featuring good essential character and clothing clarity while many of the critical environmental details -- whether in the title house, Margot's home, or out on the open street where pavement, grass, and structural textures abound -- present with solid, accurate reproduction. Colors are neutral, enjoying quality contrast and never a feel of over- or under-saturation. Skin tones are fine and black levels don't veer too far towards crush or, at the other end of the spectrum, paleness.
Channel Zero: Season Two - No-End House features no lossless audio option. The only track is of the Dolby Digital 5.1 configuration. But never mind the tech specs. It's robust and regularly engaging, offering expressive front engagement, intense surround support, and plenty of low end output. Episode two opens with some airy and spacious, yet deep and foreboding, sound elements, a very good example of the track's spacing and potency as well as clarity. Each episode delivers numerous examples of high energy and totally immersive elements, all of them of the same high standard that's pretty much best case scenario for the lossy encode. Less intense, but no less critical, ambient effects are nicely folded in, as is more prominent front end music. Dialogue is clear, well prioritized, and positions naturally in the front center channel.
Channel Zero: Season Two - No-End House contains no supplemental content. No DVD or digital copies are included. This release does not ship with a slipover. The artwork does include an inner print that displays a montage of available Blu-ray releases from Via Vision.
No-End House dabbles in more visceral scares but finds itself in the psychological realm, building a fairly substantial story for its protagonist, one with both relatable superficialities and thoroughly explored, borderline exhaustive, internal processing. The show is well built considering its aesthetics, too, and carried by several strong performances. Via Vision's Blu-ray is featureless. Video is good enough and audio is fairly good, even with the lossy configuration. Recommended.
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