6.1 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
An Ex-Cop comes back as vigilante to bring down with blazing weapons an martial arts a satanic cult that has taken over his town. John De Heart, Wings Hauser, Pamela Bryant, and William Smith star.
Starring: Wings Hauser, William Smith (I), Robert Berger (VII), Lisa Boyle, Pamela Jean BryantDrama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English: Dolby Digital 2.0 Mono (320 kbps)
BDInfo verified. 2nd track is the "lossy" track.
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 3.5 | |
Extras | 4.0 | |
Overall | 4.0 |
The title “Champagne and Bullets” doesn’t make much sense. The movie includes the consumption of champagne, but very few bullets are fired, though a character orders “bullets” at a bar, which may be a reference to specialized drink. Who knows? One would hope writer/star/co-director John De Hart would, but he’s got bigger fish to fry as the mastermind of this crazy picture, which shows almost no sense of leadership or forethought. De Hart oversees one of the great make-em-ups of the 1990s with “Champagne and Bullets,” building himself a vanity film that celebrates his songwriting, singing, acting, and sexuality, planning to transform himself into a screen icon with the endeavor, which is as clumsy and misbegotten as can be. Make no mistake, this thing is awful, but one doesn’t come to the feature with hopes for directorial finesse. Amusement with a “Birdemic”- style ride is the desired result, and the effort delivers plenty of that.
While most fans of "GetEven" and "Road to Ruin" have only seen the pictures on videotape, Vinegar Syndrome offers a different viewing experience for Blu-ray, with the AVC encoded image (1.85:1 aspect ratio) presentation sourced from the 16mm original camera negative. Presented here is a profoundly grainy showcase of the production's limitations, with detail reaching as far as the cinematography allows. A softer sense of skin particulars is found, along with bar and household interiors. Exteriors are a good as possible. Colors are boosted appealingly, with period hues bright, offering lively primaries on costuming. Bar decoration and lighting is also varied, and skintones are natural. Delineation works with darker costuming and limited lighting, preserving frame information. Source is in decent condition, with light scratches and wear and tear throughout.
A proper mix was never in the cards for "Champagne and Bullets," as technical and budgetary limitations are too common, making the 2.0 DTS-HD MA track work hard to find stability. Vinegar Syndrome does what they can with De Hart's oddball choices, including only periodic usage of sound effects to support fight scenes. Dialogue exchanges are passable, fighting intermittent muddiness and general sound mistakes, but performances are appreciable. Scoring is as basic as can be with a light keyboard presence, and soundtrack selections are bit more pronounced.
"Champagne and Bullets" has no sense of pace or performance, with most of the actors just doing whatever they want (at one point, an actress cracks up while watching Hauser go bananas). De Hart uses the run time to explore his own kinks, stopping the movie to include a spanking session (for real), and he's certainly assured of his own talents, gifting himself a chance to perform a Shakespearian monologue, and he eventually goes the Rambo-route in the finale, showcasing his physical might. "Champagne and Bullets" is lunacy when it isn't incredibly boring and indulgent, quickly ascending to Bad Movie Night heaven for viewers who embrace productions where nobody really knows what they're doing, but they're committed to doing it.
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