6.5 | / 10 |
| Users | 5.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
William Douglas Street is bored with his life. Working for his father is getting to him, his wife wants more money, and he's had enough. His solution is to re-invent himself. He becomes a chameleon, taking on whatever role suits the situation. From reporter to doctor to lawyer, he impersonates anyone he sees a need for and he can earn money being. The movie is based on the real people, William Douglas Street, Jr., and Erik Dupin.
Starring: Wendell B. Harris Jr., Timothy Alvaro, Renauld Bailleux, William Ballenger, Lynn Barbee| Drama | Uncertain |
| Biography | Uncertain |
| Comedy | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 3.5 | |
| Overall | 3.5 |
Catch Me If You Can attracted considerable attention at the time of its release due at least in part to its seemingly preposterous premise that one man could successfully pull off pretending to be any number of highly skilled professionals, notably a commercial airline jet pilot. Chameleon Street predated Catch Me If You Can by a decade and change, and it barely received any attention at all despite winning the Grand Jury Prize at Sundance in 1990, but in its own rather distinctive way it tells a somewhat similar story of an unexpectedly successful "pretender", albeit in a style that is markedly different from the more or less straight ahead narrative path taken by Steven Spielberg in his film. If at least some of the narrative elements of Chameleon Street will almost inevitably result in connections to Catch Me If You Can, the resemblance is largely surface deep, because Chameleon Street, unlike the Spielberg blockbuster, was an indie film in just about every way, including limited budgeting and utilization of non-professional actors. As such, there's definitely more of a ragtag feeling to this enterprise, which may present some obstacles to viewers wanting things to be glossy and "Hollywood"-esque.


Chameleon Street is presented on Blu-ray courtesy of Arbelos with an AVC encoded 1080p transfer in 1.85:1. Arbelos' insert booklet contains the following information on the restoration:
This new digital restoration was scanned in 4K resolution from the original 35mm negatives by LAC Group. Countless instances of dirt, debris, scratches, splices, flicer and warps were digitally restored by Arbelos using Digital Vision's Phoenix Refine. As much as possible the film's natural grain has been left untouched. The original mono soundtrack was remastered at 24 bit from the original 35mm magnetic track by Audio Mechanics.This is an impressive looking transfer that will probably completely excite those who only know of this film courtesy of a now ancient DVD, but as can be seen in screenshots 15 through 19 in particular, that "natural grain has been left untouched" comment can lead to some unavoidably rough looking patches at times, where things can appear to be heading toward 16mm rather than 35mm territory in terms of lessened clarity, a bit less vivid saturation and unmistakably heavy grain. Some of this can be attributed to opticals (the film is awash in all sorts of things including dissolves, wipes and superimposed imagery), as well as one sequence that has burnt in subtitles (another kind of optical) for a funny moment when Street's lack of French knowledge is outed. Otherwise, though, the presentation, while just a bit drab and brown at times, offers really healthy densities, appealing detail levels and secure compression. As alluded to in my comments, and probably "glean-able" from some of the screenshots I've uploaded to accompany this review, the film is rather freewheeling from framing perspectives.

Chameleon Street offers an enjoyable LPCM 2.0 Mono track that delivers the films lo-fi audio ambitions without any issues. The film's weird mix of Art House Chic and something approaching a vérité sensibility can spill into the sound design, and some of the segues here may have been handled a bit more artfully with a higher budget. That said, everything from dialogue (including voiceover), effects and score are presented cleanly and clearly without any major issues. Optional English subtitles are available.


I have at least a couple of friends who agree with the description on the back cover of this release calling Chameleon Street a "lost masterpiece", as well as some other friends who think this is an overcooked piece of silliness that somehow has managed to eke out an undeserved reputation. I'm probably more in the former camp than the latter, but that said, I'm not immune to some of the arguable stumbles in technique (both from filmmaking and performance standpoints) the film has to elide. One way or the other, this is audacious filmmaking, and Arbelos offers a presentation with generally secure technical merits and some really enjoyable supplements. Recommended.

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