7 | / 10 |
| Users | 4.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Burned-out ex-baseball player Hank Thompson unexpectedly finds himself embroiled in a dangerous struggle for survival amidst the criminal underbelly of 1990s New York City, forced to navigate a treacherous underworld he never imagined.
Starring: Austin Butler, Regina King, Zoë Kravitz, Matt Smith, Liev Schreiber| Thriller | Uncertain |
| Crime | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English: Dolby Digital 5.1 (640 kbps)
Thai: DTS-HD Master Audio 5.1
English, English SDH, French, Spanish, Korean, Mandarin (Simplified), Mandarin (Traditional), Thai
Blu-ray Disc
Single disc (1 BD)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 2.0 | |
| Overall | 3.5 |
Perusing the Darren Aronofsky filmography, beginning with his debut 1998 feature Pi, reveals a series of high-concept standouts like Requiem for a Dream and The Fountain. His career then turned towards character study films like The Wreslter and The Whale. Now, here is Caught Stealing, a more mainline feature about a man caught in the middle of a violent pursuit in the gritty streets of late 1990s New York. The film certainly has some character study underpinnings, but this is really a kinetic and externally-focused Action film at its heart, away from the usual sort of lower paced and internally focused pictures that have come define his work.


The included screenshots are sourced from a 1080p Blu-ray disc.
Caught Stealing's UHD tightens things up compared to the Blu-ray
image thanks to the increased resolution of 2160p, as well as the Dolby Vision color grading. The amplified resolution sees the picture produce greater
detailing, maybe not far and above the Blu-ray, which is terrific in its own right, but there is a clear gain to sharpness and definition, which is critical
considering the dense urban set pieces and the complex skin and body elements seen throughout the film. The UHD is certainly a refinement in these
areas, and there is no mistaking its superiority down to the finest element. The Dolby Vision grading delivers a deep, rich color palette. Every color
yields superb depth and accuracy, delivering a bold, realistic spectrum that suits the film's somewhat gritty urban flavors, and its bolder tones alike,
equally well. As always, white balance is better than the Blu-ray, blacks are deeper, and skin tones are more authentic. Source or encode flaws are
nowhere to be found. This is great transfer from Sony.

Caught Stealing slides onto the UHD format with a high quality Dolby Atmos soundtrack; note that the companion Blu-ray (not included in this set) only features a DTS-HD Master Audio 5.1 lossless soundtrack (which is on the UHD disc as well). For the most part, the core of the review for the Blu-ray holds here in terms of the grade-A clarity, core element placement, and overall dynamic excellence. The extended back channels help to create a fuller sense of environmental engagement, critical in some of the car crashes and city dynamics which offer richer life as a result. The same may be said of the overhead channels. While there's not a steady diet of discrete effects, the support role they play in bringing a bigger listening field certainly amplifies the experience a couple of notches above the Blu-ray. This is a very good listen from top to bottom and side to side and front to back. There's not a gap in coverage and not an element that is anything less than clear and refined.

This UHD release of Caught Stealing includes a few featurettes. It's the same selection of extras as found on the Blu-ray, but the difference is
the absence of the previews suite. No Blu-ray copy is included, but Sony does bundle in a digital copy voucher.
The UHD does ship with a slipcover; the Blu-ray appears not to.

Caught Stealing is certainly a departure for Aronofsky, but a welcome one. To be sure, the more subtle and sublime experiences will always be his calling card, but he proves here that he's more than capable of helming a more kinetic and externally driven film. It's well done in all areas: its high speed, its high intensity, and its acting. It's certainly well put together by a veteran filmmaker stretching himself by stretching into the mainstream. Sony's UHD delivers high quality video and audio presentations, paired with a handful of featurettes. Genre fans will love it.

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