| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
In the Fall of 2020, a financially struggling actor camps and explores early Mormon historical sites as he anxiously awaits national broadcast for his Domino's Pizza commercial.
Starring: Matt Barats| Comedy | Uncertain |
| Documentary | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 3.5 |
Minority experiences are hugely variant globally, but I'd argue from personal experience that one of the weirdest "minority" experiences in
the western United States anyway is growing up a non-Mormon in regions largely populated by the Latter Day Saints*, as in Utah (my birth state)
or
Idaho (the birth
state of Cash Cow's, um, auteur Matt Barats). There's an inherent irony to this particular "minority" experience since virtually
everywhere else, it's the Mormons who are the minority, and taken as an aggregate even in Mormon dominated regions, non-Mormons
would probably generally make the cut as a "majority" elsewhere. One way or the other, Barats has one of the more unique CV's in
recent memory, including
evidently having been fired from the Blue Man Group and having what is also apparently some kind of karmic interlude which sees his life as an
actor
repeatedly (or at least twice) having a connection to a pizza commercial. Barats' sense of humor as evidenced by Cash Cow is certainly
going to be an acquired taste for some (many? all?), and it may in fact bring to mind a comedian who kinda sorta shared my surname, albeit with
one
less "f". When Andy Kaufman first appeared on the scene, he was greeted with a general sense of befuddlement which mixed pretty much equal
reactions of
"is he kidding?", "is he not kidding?", and/or "is he actually certifiably insane?" Barats shares the same kind of deadpan humor that
Kaufman could utilize
and he also exploits a very Kaufman-esque blurring of the line between "performance" and reality. The underlying conceit of Cash
Cow is that just as Covid overtook everything, Barats had a Domino's commercial in the can which was slated to go national and be his titular
funding source, but airing was delayed by the pandemic. In the interim and with dwindling funds, Barats decided to retrace the life of Joseph
Smith, the
founder of Mormonism. What is not actually clear from Barats' conceit in this completely odd maybe/maybe not mockumentary is that he was an
Idahoan with a long interest in the early history of that region's predominant religion. What plays out is an often hilarious "first person" road trip
with the lone Barats (no crew along for the ride) tooling around in his Subaru and visiting various historic Mormon sites while continuing to harass
his agent as to when his Domino's spot is finally going to start airing, documenting it all with his minicam. It's all almost as weird as
growing up non-Mormon in Utah or
Idaho.
*I'm not going to wade into the debate over terminology, which I've already mentioned in some detail in my Heretic Blu-ray review, other than to say I am still waiting for a response from
Stephanie Ruhle.


Cash Cow is presented on Blu-ray courtesy of Cartuna with an AVC encoded 1080p transfer in 1.78:1. Barats caught all this footage on his own camera, often going to hilarious lengths to grab some candid footage, as in a memorable sequence involving the funny "reveal" mentioned above. The quality here is about what you might expect from a typical home video. There is some frequent noise in low light situation, though I'm wondering if some was intentional, as in some underlying noise beneath the opening text crawl. Brightly lit outdoor material tends to fare the best, with some good detail levels. Some of the lower light material, as in repeated baleful vignettes by campfires, have noise, crush and can come close to macroblocking.

Cash Cow features a DTS-HD Master Audio 2.0 track. The bulk of this film is simply Barats speaking to the camera, but perhaps surprisingly there's a rather winning score by Simon Hanes that shows up interstitially and sounds great. A lot of the outdoor material also has a wealth of ambient environmental sounds, as in a pesky bird which drives Barats a little nuts late in the film. Optional English subtitles are available.


The best thing about Cash Cow is that there is really nothing remotely quite like it in the annals of either documentary or mockumentary. It's so unique that it may in fact be off putting to some, but for those with skewed senses of humor, and with perhaps just a touch of a jaded response to either religion in general or even Mormonism in particular, will find several laugh out loud moments here. Technical merits are fine given the context of the filming, and the Idaho short and commentary in particular are very enjoyable. Recommended.