| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
In the eighteenth century, Casanova, known for his taste for fun and play, arrived in London after having to go into exile. In this city of which he knows nothing, he meets several times a young courtesan, the Charpillon, which attracts him to the point of forgetting the other women. Casanova is ready to do anything to achieve her ends, but La Charpillon always escapes under the most diverse pretexts. She challenges him, she wants him to love her as much as he wants.
Starring: Vincent Lindon, Stacy Martin, Valeria Golino, Nancy Tate, Anna Cottis| Foreign | 100% |
| Drama | Insignificant |
| Romance | Insignificant |
| History | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
French: DTS-HD Master Audio 5.1
French: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 0.5 | |
| Overall | 3.0 |
Giacomo Casanova has been portrayed on film and for television numerous times, but the fact that this iconic character has been essayed by everyone from Bela Lugosi to John Malkovich to Richard Chamberlain may give rise to the suspicion that various interpretations of Casanova have been widely variant. In that regard, though, it's interesting to note that in terms of thinking about Casanova as a dashing man who was evidently irresistible to women that Lugosi and Malkovich in particular may admittedly have a certain almost bizarre magnetism that at the same time doesn't offer the same traditional matinee idol good looks of someone like Chamberlain. Vincent Lindon portrays a somewhat older Casanova in this film (including some bookending segments where he plays a positively ancient version of the character), and that almost inherently gives this film an interesting perspective, at least in terms of any perceived May - December (or in this case, December - May) romance. However, it's this film's insistence that a focal female is "the one that got away" which attempts to set it apart from other Casanova cinematic offerings, though rather ironically given that setup, this is a rather emotionless film a lot of the time.


Casanova, Last Love is presented on Blu-ray courtesy of Cohen Media Group with an AVC encoded 1080p transfer in 2.40:1. The IMDb lists the Red Monstro as the camera of choice, and the fact that that model captures at native sources of up to 8K makes me wonder if this film's DI was finished at 4K, given the overall excellent of the detail levels. While there are a surplus of scenes pretty much bathed in overwhelming yellows (which can be seen in several screenshots I've uploaded to accompany this review), and there is an understandable ebbing of fine detail as a result at times, overall even these severe grading choices don't completely eliminate some rather striking general detail levels. The more brightly lit scenes pop with appealing naturalness, and fine detail on things like fabrics or, in a late scene in a garden maze, foliage, can typically be excellent.

Casanova, Last Love features DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 tracks in the original French, with forced English subtitles. This is not an "epic" historical drama, in terms of presenting epochal events where surround activity can be overwhelming, but there is still rather nice and consistent immersion to be heard throughout this track. That can include ambient environmental sounds or things like horse hooves clopping across the soundstage, or both underscore and source cues (Casanova has a "thing" for a singer, which is one of this film's detours). A lot of the film is pretty resolutely talky, however, and many scenes play out between relatively few characters, and as such, surround activity can be limited. Fidelity is fine throughout.


I'm not quite sure why, but the character of Casanova has seemed to regularly elude some fairly competent filmmakers, and my reaction to Casanova, Last Love is that Benoît Jacquot is simply one of the latest to fall victim to this weird situation. I got the feeling Jacquot somehow wanted to "humanize" a legendary figure in some palpable way, which makes this film's odd emotional distance all the more perplexing. This is nonetheless a very handsomely mounted production which has a solid technical presentation on this disc, for those who are considering making a purchase.
(Still not reliable for this title)

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