5.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A brutal murder has taken place at Coney Island amusement park, and DA Dan is assigned to investigate and bring the killer to justice. For some reason, he decides to celebrate his engagement to Laura by inviting his fiancee to come with him and enjoy the park, even though there is still a violent murderer running loose. As the body count rises, Dan must sift through the clues before he or Laura become the next victims.
Starring: Earle Edgerton, Judith Resnick, Martin Barolsky, Kaly Mills, Burt YoungHorror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (48kHz, 16-bit)
BDInfo verified
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.0 | |
Video | 3.0 | |
Audio | 3.5 | |
Extras | 2.5 | |
Overall | 3.5 |
1970’s “Carnival of Blood” is a maddeningly repetitive, low-budget shocker from director Leonard Kirtman. The helmer has access to select areas of a carnival and a loose idea for a horror movie, trying to present a ghoulish study of mental illness and male rage. However, if there’s an idea here for genre entertainment, it’s buried under pure padding, with Kirtman working especially hard to get “Carnival of Blood” to 90 minutes, offering viewers the tedium of various real time events.
The AVC encoded image (1.85:1 aspect ratio) presentation for "Carnival of Blood" is the most problematic of the three features on the "Blood-A-Rama" set. Sourced from a film print, chemical damage is present throughout the viewing experience, along with discoloration and jumpy frames. Scratches as well. Detail is acceptable, showcasing facial surfaces and limited locations.
The 1.0 DTS-HD MA mix deals with age and recording limitations, but dialogue exchanges are reasonably clear, preserving dramatic offerings from the cast. Carnival sequences battle with background noise. Scoring and soundtrack additions are satisfactory, setting an acoustic mood.
"Carnival of Blood" has a slight curiosity factor, with Burt Young making his film debut in the picture, doing his best to bring pathos to a character named Gimpy. And there's a push for a shock ending, though Kirtman doesn't do his movie any favors by making it all painfully slow and annoyingly repetitive, forcing viewers to wait an eternity for a resolution.
(Still not reliable for this title)
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