7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Carlos (Naoto Takenaka), a Brazilian-Japanese gangster travels to Japan with aspirations of becoming a big shot. There he gets involved with an escalating conflict between the Yamashiro and Harakawa Families, whilst at the same time dealing with infighting amongst the Yamashiro as various executives vie for the head position as the Boss (Minoru Oki) prepares to retire.
Starring: Yûzô Hayakawa, Masumi Harukawa, Masataka Iwao, Ryûji Katagiri, Kôjirô Kusanagi| Foreign | Uncertain |
| Crime | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
Japanese: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 3.5 | |
| Extras | 2.0 | |
| Overall | 3.5 |
Note: This film is available on Blu-ray as part of the V-Cinema Essentials: Bullets & Betrayal collection from Arrow Video.
In 1976 folks in the United States were celebrating the bicentennial anniversary celebration of a famous revolution, but another revolution
of
a technological rather than a political variety was just beginning to unfold across the ocean in Japan at virtually the same time. That was the year
that
VHS began its scrappy
upstart status against Betamax in a format war which in its day was probably at least as notorious as the one that decades later marked the rollout
of
high definition home video with competing HD-DVD and Blu-ray formats. Betamax of course ultimately lost that battle (rather incredibly both
Betamax
player and VCR production extended well into the 21st century, despite having been supplanted by disc formats), and by the time Toei had the
bright
idea to start producing direct to video releases in 1989, VHS was the dominant format. In a way it's kind of fascinating to compare and contrast
Toei's decision to provide "product" to its chain of video stores with the way the major Hollywood studios used to provide feature films for the
theater
chains they owned until United States v. Paramount Pictures, Inc. forced the studios to divest those properties in 1948. One way or the
other, despite economic tribulations in Japan which had severely impacted (theatrically exhibited) movie attendance, the direct to video market
exploded for Toei, so much so that other major (and minor) Japanese studios soon followed suit by offering their own straight to video productions,
though Toei had actually trademarked the term V-Cinema to describe their product. This collection of V-Cinema outings from Arrow
includes a nonet of titles that tend to feature hardscrabble criminal types, including the film that started the whole V-Cinema craze, Crime
Hunter: Bullets of Rage.


Carlos is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.33:1. Arrow lumps all of the films together in their page devoted to the presentations in this set's insert booklet, as follows:
The films in this collection represent a period of film production in Japan in the late 1980s and early 1990s where films were made by the Toei Company specifically for home video. Beginning with Crime Hunter: Bullets of Rage, these "V-Cinema" titles were produced quickly and inexpensively, but afforded filmmakers significant freedom when it came to censorship, resulting in riskier content than what had been produced for cinema distribution.While this presentation can show some of the same fuzziness and lack of really discrete fine detail in midrange framings as several other offerings in this set, I found the palette of this transfer to be in generally great shape despite another production that seems to favor low light vignettes. Some of those shadowy moments are rather evocatively lit in various tones, including some nicely suffused reds, almost all of which pop quite nicely. Again as with many of the other transfers in this set, grain can be quite thick and actually close to noisy looking in some of the lowest light moments. The same minimal but noticeable kinds of age related wear and tear observable in most of the other offerings in this collection are on hand here as well.
As such, the modest origins of these titles can be seen in these presentations. All films have been remastered by the Toei Company in high definition and are presented in the 1.33:1 home video format of the time.

Carlos features LPCM 2.0 audio in the original Japanese. I was frankly hoping some smart music producer would have filled the soundtrack here with some 1970s Tropicalia pieces from Brasil, but, alas, that's not the case, and in fact this is a pretty talky enterprise overall, despite some regular interruptions by gunfire. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


Takenaka makes Carlos a largely riveting and viscerally disturbing viewing experience. Technical merits are generally solid, at least within the context of a low budgeted straight to video affair, and the supplements appealing. Recommended.
(Still not reliable for this title)

1991

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1991

女囚さそり 殺人予告 / Joshuu sasori: Satsujin yokoku
1991

Danger Point: 地獄への道
1991

クライムハンタ- 怒りの銃弾
1989

夜のストレンジャー 恐怖 / Yoru no sutorenjā Kyōfu
1991

オ チンピラ 鉄砲玉ぴゅ~
1990

XX ダブルエックス 美しき狩人 / XX: Utsukushiki karyuudo
1994

沖縄10年戦争 / Okinawa jû-nen sensô
1978

1970

Black Statement Book
1963

ギターを持った渡り鳥 / Guitar wo Motta Wataridori
1959

1970

La polizia ha le mani legate
1975

La Femme Bourreau | Limited Edition
1968

1990

Kafti ekdikisis | Standard Edition
1969

Dræberne fra Nibe
2017

Limited Edition
1970

1973