Captain America: The First Avenger 3D Blu-ray Movie

Rating summary

Movie		4.5
Video		4.0
Audio		4.5
Extras		3.5
Overall		4.0

Captain America: The First Avenger 3D Blu-ray Movie Review

Does the red, white, and blue pop out of the screen in Blu-ray 3D?

Reviewed by Martin Liebman October 19, 2011

I was meant for more than this.

Captain America has to be one of the ultimate "zero to hero" movies ever made. A scrawny nobody becomes a larger-than-life -- literally and figuratively -- hero of World War II, a national icon, and ends up as one of several superheroes tasked with saving the world on a regular basis. How's that for a boyhood fantasy come true? It's something that's probably too fantastical for anything but the worlds of comic books, movies, and wild imaginations. Indeed, Captain America is the embodiment of all three, a fantastical movie that's not about beating the odds, but running right over them in the name of truth, justice, and the American way, with apologies and all due respect to Superman, of course, he of that other comic book publisher. Marvel's Captain America franchise transitions superbly to film; the movie just oozes excitement and a bigger-than-life attitude. Combine that with a good story, strong characters, and action aplenty, and it's arguably the best Marvel comic book-turned-movie this side of Iron Man.

S.H.I.E.L.D., my shield, Avengers, Marvel, Disney, Paramount, real 3D, converted 3D, Howard Stark, Tony Stark, Hulk, hulking gods...I'm so confused.

World War II is in full swing, and most able-bodied young men are eager to sign up. Unfortunately, young Steve Rogers' (Chris Evans) dreams of standing up to Nazi bullies are shattered when he's rejected from service for a myriad of health-related issues. The scrawny Steve is a classic 4F, but his heart and determination to enlist catches the eye of Dr. Abraham Erskine (Stanley Tucci), a German defector and the brilliant scientist who's going to get Steve into the action. The only catch is that Steve must submit to a select program for growing super soldiers using Erskine's highly advanced serum, perfected with the aid of industrialist Howard Stark (Dominic Cooper) and administered under the supervision of Army Colonel Chester Phillips (Tommy Lee Jones) and British officer Peggy Carter (Hayley Atwell). Steve is selected for his grit, bravery, and determination to be the first injected with the serum. It works; Steve becomes a larger, more muscular, and supremely athletic version of himself, but his transformation may be the last. A Nazi saboteur destroys much of the lab and gets off with the last vile of serum, but Steve is able to catch him before he escapes, opening a door that leads to a ruthless and power-hungry Nazi officer named Johann Schmidt (Hugo Weaving) who had previously undergone Erskine's genetic manipulation but with unforeseen negative consequences. Now, with Schmidt in possession of an otherworldly power fit only for gods and in command of a powerful army that calls itself "Hydra,", Steve Rogers must go behind enemy lines as a new breed of hero dubbed "Captain America" and save the world from a foe more dangerous than even Hitler himself. Not bad for a skinny little nobody kid from Brooklyn.

Captain America isn't the perfect movie, and it's not even the best comic book adaptation of the past decade, but it embodies the spirit of what a comic book movie should be quite unlike anything that's come before it. The movie is highly stylized, action-packed, sometimes ridiculously over-the-top, and several of the characters play more like grossly exaggerated caricatures than they do complex human beings, but isn't that what a comic book -- at least at its most basic level -- is all about? No doubt the best comic series are up to the challenge of delivering as much character development and complex plot elements as rip-roaring fun (see the aforementioned Iron Man and Christopher Nolan’s Batman films), but good 'ol Cap crashes onto the big screen in a movie that's superficially the most entertaining comic book movie of them all. But there's still more to it than that. Director Joe Johnston's (Jumanji) picture also emphasizes characterization and, to a lesser extent, drama, both supplementing the action but not drowning it out. The primary players -- as particularly evidenced through the budding relationship between Steve Rogers and Peggy Carter -- may come across with a hackneyed façade but are nevertheless highly effective in framing the movie's dramatic content, leading to an emotionally climactic scene that might even draw a few tears from the more easily-moved members of the audience.

Captain America also excels in its ability to paint such a convincing picture of the past while sprucing it up with a bunch of mad scientist Nazi technology that gives the story an edge and reinforces the movie's comic origins and fantasy-inspired plot line. Never mind that the whole "evil Nazi lair packed with energy weapons and super soldiers" seems like something out a Wolfenstein video game. It works -- seamlessly -- in context, and how could it not when the plot revolves around a genetically-engineered super soldier (hailing from an era when such things were the realm of science fiction only) battling a mutated and devilishly-fun red skulled adversary bent on ruling the world and making Hitler look like Mother Theresa? That's the charm of the movie; that it can be so grossly over-the-top yet so convincing and absorbing is a real credit to just how well the material translates to the screen. It's all about setting the right tone, and just as Director Johnston achieved in another, similar World War II-era Fantasy picture -- The Rocketeer -- he just nails it in Captain America, creating a diverse make-believe world that's rooted in fact but brought to life through fiction, a wonderful combination that makes it a wonderfully complete experience and a new classic of escapist entertainment at its very best.

Then there are the movie's characters, none of whom are in the least bit complex but all of whom are elevated well above the basic needs a movie like this demands. What emotional attachment audiences will develop with them is grounded in basic love/hate/pity sorts of broad, sweeping elements, but that's more than enough to work in conjunction with the film's big action and baseline but effective drama. Chris Evans is surprisingly good as the title character, playing the Captain with both a wide-eyed enthusiasm and a hardcore action hero façade at the same time. He grows quickly into the part, and not only from a physical standpoint. Evans never gets too ambitious with the part and never seems awed by the challenge of brining one of comic-dom's most immediately-recognizable characters to the screen or lost under the figurative weight of the mask or behind the iconic shield. His Captain America isn't nearly as complex and interesting as Robert Downey, Jr.'s Tony Stark, but then again the script isn't as strong and the actor isn't as dynamic. It's still a solid all-around performance. Hugo Weaving is also quite good as the heartless, demented villain -- both in his mask and out of it -- even if he plays the part as an over-the-top caricature of the prototypical mad Nazi villain, but it works well in context and actually enhances the film's comic book-inspired tone. The rest of the cast is strong, with Stanley Tucci dominating the screen, as always, while Tommy Lee Jones plays Tommy Lee Jones, though both give way to the sumptuous Hayley Atwell, who pulls off the 1940s look remarkably well.

Captain America: The First Avenger 3D Blu-ray Movie, Video Quality 

Another high profile Marvel/Paramount Blu-ray release, another mediocre 3D presentation of converted 2D material. Much like Thor, Captain America struggles to impress in 3D, and again like Thor, Captain America's native 2D image proves vastly superior and more enjoyable. Things begin nicely enough; the swooping stars accompanying the Paramount logo literally seem to spill out of the TV and swing right back in. It's a very high quality effect and worthy of putting on a loop to impress friends or 3D customers, but better put in something else if the "wow" factor requires more than a few seconds worth of material. The image does enjoy a fair sense of depth, even as the film opens in the gusty, low-visibility arctic. General shots of characters standing a foot or two apart yield enough dimensional data to feel the space between them. Little touches occasionally impress, like the depth of Red Skull's eyes that are set far back in his head, the small distance separating Captain America's army-style helmet's brim to the hero's forehead, or doors that swing open from an antique shop to reveal a secret research facility. Explosions occasionally toss a little debris at the viewer, and a few scattered shots -- Red Skull's car pulling into frame in the film's early Norway sequence or the zip line the heroes use to board a moving train -- yield additional 3D-like effects. It's a bit more convincing and natural than Thor, but not by much.

Fortunately, most of the same attributes that made the 2D version a success remain here. Faces -- particularly in the sepia-colored segments -- do look a little more pasty and flat than in the 2D transfer. Otherwise, the color palette remains largely unaltered; the usual shifty nuances that separate 2D and 3D versions are generally absent here. Black levels remain strong and darker scenes aren't a total loss, as is the case with many 3D transfers (think Priest). Likewise, fine detail remains nearly as good. The concrete and brick surfaces in the back alley where Steve Rogers is beaten early in the movie impress a great deal, as does the texturing and stitching on the final Captain America outfit. Unfortunately, the case remains that there are many scenes where, other than the need for 3D glasses to see the image clearly, there's no perceptible difference between the versions. Sure there's a little more evident spacing and a few throwaway effects that look fair enough, but a natural, quality 3D image this is not. It's not the sort of 3D transfer that's going to offend, but it's certainly not going to dazzle, either. Maybe someday 3D conversions will rate as highly as native 3D imagery, but unfortunately that's not yet the case, at least not with Captain America.

Captain America: The First Avenger 3D Blu-ray Movie, Audio Quality 

Captain America blasts onto Blu-ray with a well-rounded DTS-HD MA 7.1 lossless soundtrack. This is a balanced but still exciting track that handles every extreme thrown its way with ease. Whether a chilled Arctic wind that blows through the listening area at film's start or minor ambience like Brooklyn traffic, buzzing insects, or the rumble of a prop plane as heard inside the cabin, the track never fails to surround the listener with mood- and scene-critical atmospherics. At the same time, there's no shortage of high-energy sound, either. The action proves totally immersive; gunfire -- from conventional and fictitious energy weapons alike -- erupts from every corner of the listening area during shootouts. Explosions are hefty and built through strong, but not excessive, bass. The surround speakers carry much of the action, helping to immerse the audience in the film's most dangerous scenes. Music is strong, balanced, spacious, and incredibly clear. It's carried by the front but, like everything else, enjoys some measure of surround support. Dialogue remains grounded up the middle in every scene; it's clear and never lost through any of the supporting elements, heavy or otherwise. It's not quite on the level of spectacular, but this is pretty much everything an action-oriented, fresh-from-theaters soundtrack should be.

Captain America: The First Avenger 3D Blu-ray Movie, Special Features and Extras 

Captain America arrives on Blu-ray with a good assortment of extras, including an audio commentary track and several informative featurettes. All supplements are included on the 2D-only Blu-ray disc, and there are no exclusive features, or any supplements in 3D, to be found.

• Audio Commentary: Director Joe Johnston, Director of Photography Shelly Johnson, and Editor Jeffrey Ford deliver a fairly light but informative track. The three jump right into delivering a technically-oriented commentary that shares various filmmaking secrets, the picture's extensive special effects (including the arduous process of shooting "skinny Steve"), shooting locales, the performances of the cast, subtle touches inspired by the comics, anecdotes from the set, and plenty more. This is a solid but, at the same time, rather unspectacular commentary in that it's fairly indicative of the average track. Fans will want to give it a listen, but it's not one of the all-time great tracks.
• Marvel One-Shot: A Funny Thing Happened on the Way to Thor's Hammer (1080p, 4:03): A short film with a comic edge about a convenience store robbery.
• Outfitting a Hero (1080p, 10:52): A thorough, enjoyable, and informative behind-the-scenes piece looking at the history of the character's costume and the evolution and development of the Captain's in-movie suit.
• Howling Commandos (1080p, 6:07): A brief piece that looks at the supporting players who come to Captain America's aid throughout the movie.
• Heightened Technology (1080p, 5:43): This brief supplement looks at the "secret arms race" that plays out in the film and the resultant future-inspired weapons and vehicles that appear in the movie.
• The Transformation (1080p, 8:50): A solid supplement that offers an in-depth look at the process of digitally shrinking Actor Chris Evans for the film's first act.
• Behind the Skull (1080p, 10:24): A look back at the history of Red Skull, casting the role, and creating the character's right look for the movie.
• Captain America's Origin (1080p, 3:55): Captain America Co-Creator Joe Simon looks back at the history of the character in comics, and the piece ends with red carpet interviews with Simon's friends and family.
• The Assembly Begins (1080p, 1:46): A short look ahead towards The Avengers.
• Deleted Scenes (1080p, 5:32): Attack in Norway, The Battle at Azzano, Steve Rogers Gets his Medal, and Steve Rogers Meets Nick Fury. Available with optional Director, D.P., and Editor commentary, except for Steve Rogers Meets Nick Fury.
• Trailers (1080p): Theatrical Trailer 1 (2:35), Theatrical Trailer 2 (2:35), Sega Game Trailer (2:18), and The Avengers Animated Trailer (1:19).
• Digital Copy: Sampled on an iPhone 4, the video proved quite good, with minimal compression artifacts and adequate detailing and colors. On the other hand, audio was bland and hollow. A few effects -- Stark speaking over a microphone at the fair near the beginning of the movie -- were satisfactory in terms of spacing and clarity, but this obviously pales in comparison to the Blu-ray soundtrack. Still, it's more than adequate for a long plane ride or wherever a two-hour movie might come in handy.
• Blu-ray 2D Copy: Includes all bonus features.
• DVD Copy.

Captain America: The First Avenger 3D Blu-ray Movie, Overall Score and Recommendation 

Captain America certainly isn't at the head of the pack in terms of comic book movie greatness, but it epitomizes that genre better than any of its contemporaries. The movie is playfully fun, an addictive watch, and loaded with action, but still smart enough to offer fair character development and a good plot line, both of which aid in enhancing the movie's dual finales and setting it up for future installments in the Marvel universe. Additionally, the cast is strong, the direction is smooth, and ancillary elements are top-notch. In short, Captain America is everything a movie fan could want from a big budget comic book summer movie. Paramount's Blu-ray 3D release of Captain America yields a decent presentation of a converted 2D image, a potent 7.1-channel lossless soundtrack, and a fine assortment of extras. Recommendation? This is neither the best nor the worst 3D transfer on the market. It doesn't make a big splash in 3D, so only those with a few extra dollars to blow should really consider this release. For most, the 2D presentation will be the go-to disc either way.