| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Hollywood's own "Can't Be Stopped" crew is one of the most influential and recognizable graffiti crews to emerge out of the U.S. is Since its inception in the early 1980's, the initials C.B.S. have been at the forefront of evolving graffiti art into a true, authentic art form. The kinship forged by father figure "Skate" creates a bond of brotherhood, a surrogate family protecting these artists from the temptations of the Hollywood streets, imprinting upon them an unrivaled standard of morality, respect and integrity in graffiti. Skate's tutelage becomes their lore and mantra, the driving force as these boys come of age, many from broken homes, into their ultimate success and prosperity. Unbeknownst to these young artists, they were shaping the medium and ultimately became pioneers. Their notoriety and acclaim was a transcending factor that evolved this contemporary art form, transcending the stigmas attached to this subculture.
Starring: David Arquette, Jon Bernthal| Documentary | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1
English: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 4.5 | |
| Extras | 0.0 | |
| Overall | 3.5 |
If you asked any random assortment of people what the acronym CBS stands for, chances are you'll get "Columbia Broadcasting System" as the most frequent response. If you narrowed your respondent field to those who grew up and/or reside in Los Angeles, especially those with a knowledge of some of the roiling history of gangs and (by their own definition) homeless youths who often populated the metropolis, you might in fact get a whole different set of meanings, including "City Bomb Squad" and/or "Can't Be Stopped". Your reaction to the similarly named documentary Can't Be Stopped may hinge at least in part as to whether you feel like graffiti is vandalism or street art, but one way or the other, this rather unexpectedly involving piece details a perhaps unknown to many "secret history" of "taggers" who banded together and created their own community probably out of necessity as much as any other aspect.


Can't Be Stopped is presented on Blu-ray courtesy of MVD Visual with an AVC encoded 1080p transfer (often) in 1.78:1. Like many documentaries, this has been culled from a huge variety of sources, and this presentation simply can't overcome some inherited deficits in what looks like old style minicam footage. While this is ostensibly a progressive presentation, a lot of this footage is littered with "baked in" combing artifacts and even old school issues like tracking problems. The contemporary interview segments understandably look a lot better on the whole, with generally appealing detail levels and a natural palette. Still photographs range in quality from sometimes blurry to actually rather sharp and nicely detailed. With an understanding of the context of the piece, and its often quite interesting use of archival video, I can't imagine anyone will have too many complaints about this transfer. My score is 3.75.

As might be expected, this documentary is filled with some great head banging material (including quite a bit by Rob One), and both the DTS-HD Master Audio 5.1 and LPCM 2.0 tracks are rather robust and enjoyable as a result. I'd definitely recommend sticking with the surround track if your setup allows for it, since that definitely ups the midrange and low end of the music. Both tracks offer more than capable support for all of the talking head material. Some of the archival video doesn't offer superb audio quality, but nothing is overly problematic. Optional English subtitles are available.

Unfortunately, there are no supplements of any kind of this disc.

Both of my millennial sons are big fans of street art, while their curmudgeon father is often left wondering "how the frell did they get up there to paint that?" Even those who decry perceived "vandalism" may find this an unusually captivating documentary. Technical merits are what they are in terms of some of the archival video, but contemporary interview segments look fine, and the audio is rather nicely forceful due to some fun source cues. Recommended.