5.9 | / 10 |
Users | 0.5 | |
Reviewer | 3.0 | |
Overall | 2.6 |
The U.S. President, low in the opinion polls, gets talked into raising his popularity by trying to start a cold war against Canada.
Starring: John Candy, Alan Alda, Rhea Perlman, Kevin Pollak, Rip TornComedy | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM 2.0
Spanish: Dolby Digital 2.0
English SDH, French, Spanish
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.0 | |
Video | 3.0 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 3.0 |
Quick — name a film by Michael Moore. It’s probably something of a crap shoot whether film fans would cite efforts like Roger & Me or Fahrenheit 9/11 first, but in that regard the front cover of this release of Moore's only non-fiction film (so far) has one of the perhaps more iffy references in recent memory when it touts Canadian Bacon as being "the hilarious comedy from the director of the Academy Award Winning Bowling for Columbine ", as if to suggest that devastating piece on one of the greatest tragedies in American history is also a (to use industry rag parlance) "laff riot". Now the fact is that despite its beyond dismal response at the box office and with those dang blasted critics when it was originally released in 1995 (there's probably a reason this is Michael Moore's only narrative fiction film), Canadian Bacon is often very funny, or at least it will be to those may share Moore's decidedly left of center politics, since Canadian Bacon is at least as polemical as any of Moore's non-fiction documentaries, and arguably more so.
Canadian Bacon is presented on Blu-ray courtesy of the MVD Marquee Collection, an imprint of MVD Visual, with an AVC encoded 1080p transfer in 1.85:1. There's no real technical information available on this release, but it's an MGM catalog title, and this is either an older master or one that has had next to no if any restoration done on it. The palette can look pretty faded toward brown at times, making things like reds drift toward orange territory, but one of the things about this transfer is how variable it can be, and somewhat later in the film, things warm up considerably, so that by the time Steven Wright arrives as a Mountie, reds are looking much healthier (see screenshot 14). Detail levels fare best in the brightest lighting and when close-ups are employed, but again there are ebbs and flows even here, with some of the wider framings and the frequent nighttime escapades looking relatively rough at times. Grain is fairly heavy and can look a little dirty and mottled, especially against brighter backgrounds. There's quite a bit of admittedly minor damage on display in the form of nicks and blemishes. This definitely gets up toward 3.5 territory in its best moments, but I'm scoring it here to temper expectations. My overall weighted score is 3.25.
Canadian Bacon features a nicely robust LPCM 2.0 track. The film has some wonderfully on point source cues, including the opener "God Bless America Again" by Tex Ritter, though for some film music fans, the real allure here may be the collaboration on actual score between Elmer and Peter Bernstein. All music and underlying source cues provide a lot of energy and full bodied sound, and other effects like the omnipresent Niagara Falls, also reverberate with problem free fidelity. Dialogue is rendered cleanly and clearly throughout (please pronounce "threw--oot", thanks). Optional English, French and Spanish subtitles are available.
The one thing you can say about Michael Moore is, you know what you're going to get with him in terms of an outlook, and that is most definitely the case with regard to Canadian Bacon, for better or worse, depending on your personal outlook. I actually found quite a bit of Canadian Bacon to be laugh out loud hilarious, but as the film wore on, the screed like elements increased as the humor retreated, though I'd still say those with a left leaning world view may well find this outing more meaningful now than it was in 1995. Technical merits are okay (video) to excellent (audio), for anyone who may be considering making a purchase.
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