7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Oscar-winning cinematographer Jack Cardiff had a career that spanned nine decades of moving pictures, providing a number of timeless classics such as "The African Queen" and "The Red Shoes." Through his pioneering use of Technicolor photography, his work behind the camera altered the look of films permanently.
Starring: Jack Cardiff, Martin Scorsese, Lauren Bacall, Charlton Heston, Richard Fleischer| Documentary | 100% |
Video codec: MPEG-2
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Digital 5.1
None
50GB Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
| Movie | 4.5 | |
| Video | 3.5 | |
| Audio | 2.5 | |
| Extras | 4.0 | |
| Overall | 3.5 |
Jack Cardiff is a certified filmmaking legend, yet a man perhaps few, outside of hardcore movie appreciation circles, have ever even heard of. His name may not be immediately recognizable but his visual touch is unforgettable, working as a cinematographer and director for over 60 years, with show business ties that trace all the way back to his adolescence. Although he passed away in 2009 at the age of 94, his glorious creative spirit lives on in numerous filmmaking efforts and a riveting documentary, “Cameraman: The Life & Work of Jack Cardiff,” a picture that celebrates the lifelong adventure of a man who worshipped color, utilizing his fascination with art to infuse the big screen with an enormity and vibrant passion few could rival.
Shot over an extended period of time, “Cameraman” is director Craig McCall’s valentine to the master cinematographer, though his perspective and relationship with Cardiff is never explored in full. Instead, the documentarian’s obvious fandom takes a backseat to Cardiff’s dynamic life story, asking the titular moviemaking wizard to sit down and recall his vast production history. It’s a lengthy journey and one decorated with amazing experiences working for high profile directors, tempestuous actors, and heroic crews, who braved endless hours and intense elements to assemble some incredible pieces of cinema.
Cardiff began his career as a child actor, following his thespian parents into the industry, spending his formative years on movie sets, observing the machine of film production come to life, soon encouraging further participation as he matured into a young man. After some time as a “clapper boy,” Cardiff found his calling with cameras, developing his gift working as an operator on a multitude of motion pictures that only permitted single takes, requiring a skilled professional able to work fast and creatively. His abilities were quickly noticed. While doing his best to survive a grueling industry, Cardiff received the opportunity of a lifetime when Technicolor announced it was seeking to train a young cameraman capable of comprehending the new landscape of color photography. A tentative Cardiff couldn’t provide the mathematical expertise required by the company, but he understood lighting in a thoughtful way that suggested burgeoning genius.


The MPEG-2 encoded image (1.78:1 aspect ratio, 1080p) presentation contains a wealth of film and video sources collected to best survey the work of the master. The primary documentary footage is flecked with minor print damage and some visible banding, while the entire picture is hurt by significant crush issues that solidify blacks during darker footage. Color is key here, and the HD presentation doesn't hold back when it comes to providing a lush, stable range of hues, highlighting nuclear red and blues to reinforce the power of Technicolor. The image provides the expected pop when called upon. Skintones during interviews are natural. The video footage reveals jagged edges, but the interludes are brief. The blending of clips and interviews is smoothly handled.

The 5.1 Dolby Digital sound mix holds to the documentary standard, with a sturdy frontal presence for interviews and reflections, delivering clarity on a wide range of accents and speech impediments. It's a simple audio design, but effective, with scoring feeling out the surrounds, providing musical accompaniment with reassuring delicacy, never intruding on the conversations. Low-end is rarely engaged. Trouble arrives with film and television footage, most of which sounds slightly distorted, standing roughly against the relative clarity of the interview segments.


Jack Cardiff continued to work almost to the year of his death, shooting such varied pictures as "Ghost Story" and "Rambo: First Blood Part II" along the way. "Cameraman" presents Cardiff as a man who never abandoned his sense of humor or his faith in beauty, mixing love for the fine arts into his cinematic achievements, creating iconic images as he carried on. While a celebration of the man and his silver screen miracles, "Cameraman" ends on a slightly solemn note, expressing sadness that these practical techniques have been lost to the digital revolution, losing the handcrafted appeal of film to point-and-click post-production math. It's a harsh reality, but one Cardiff takes in stride, refusing to give in to nostalgia, eager to explore the new frontier of moviemaking. His story ends in 2009, but his achievements live on, with "Cameraman" a sublime education on the masterful work of Jack Cardiff.
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