6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A veteran war photographer with PTSD sees imminent deaths in his developed photos, questioning his already fragile sanity and putting the lives of those he loves in danger.
Starring: Christopher Denham (II), Nadja Bobyleva, Catherine Curtin, David Jensen (II), Judd Lormand| Horror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.37:1
Original aspect ratio: 2.39:1
English: Dolby Digital 5.1
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 3.5 | |
| Audio | 3.0 | |
| Extras | 2.5 | |
| Overall | 3.0 |
Camera Obscura is a decent mash-up of several different horror and sci-fi movies you've seen a dozen or more times already. It's a high-concept, low-rent frightfest minus the frights, to say nothing (yet) of its lead performance, one that trips and falls far short of compelling. What works in the film's favor, though, is that indelible, telltale sense that the film might just be an early building block in the career of a talented filmmaker. If, that is, the influx of a proper budget, A-listers and other boons would actually loose his creative potential and not reveal another talent relegated to direct-to-streaming duds. Who can say what the result would be? How could we possibly see into the future. I mean, yes, we've been here before; a movie that shows promise, a writer/director who might just have something to offer Hollywood, and... wait... what? Camera Obscura came out seven years ago? In 2017? And filmmaker Aaron B. Koontz already went back to producing generic mouth-breather horror like The Pale Door, Old Man and Scare Package II: Rad Chad's Revenge? Uh-oh. If only we had a device that could peer into the future and warn us of such things...


Camera Obscura's 1080p/AVC-encoded video presentation is fine, and little more. Shot digitally but without the patented crispness and clarity of a high-end digital production (and lacking the filmic quality one can assume veteran cinematographer Chris Heinrich was attempting), the film bobbles between sharp and soft, with an occasional dimly contrasted haze that might remind you of the low-budget sci-fi productions of the early 2000s. Black levels are nice and deep one minute but rather charcoal-gray the next, contrast is lacking on occasion, colors skew green and are undersaturated (though presumably by design), and the presentation never really pops, struggling with a flatness that robs the image of depth. Still, detail is reasonably well-resolved and, for better or worse, the film looks as I imagine it was intended.

Camera Obscura is saddled with an average Dolby Digital 5.1 surround track. It does its job but doesn't put in the extra effort to stand out. Dialogue is clear and intelligible, prioritization is commendable, and LFE output is solid (albeit a bit lacking in power when called upon). Likewise, the rear speakers serve up enough environmental ambience and acoustic subtleties to make quieter scenes convincing and more chaotic scenes more suspenseful. That said, it's not a very immersive mix, meaning the already ineffective horror is made even less effective; a development nobody wants and none of us ever enjoy.

In terms of special features, we get a Director's Cut of the film, a rather standard audio commentary from Koontz, and a much-too-short behind-the-scenes featurette (HD, 4 minutes) that's essentially a basic EPK.

Lacking key fundamentals of memorable sci-fi and horror, Camera Obscura jumps and grabs at things it never quite snatches out of the air. Too bland and generic for its own good, it hinges everything on its script and performances, neither of which deliver. The film's Blu-ray release is hit or miss as well, with a merely decent video presentation, an average lossy Dolby Digital 5.1 surround track, and a handful of supplements that fail to really pull back the curtain. Pass.