7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Detective Fox loves work and alcohol. After he goes to AA, his sponsor, Chip, becomes the main suspect of his investigation for a missing kid. Fox believes people are disappearing up Chip’s butt.
Starring: Tyler Rice, Tyler Cornack, Shelby Dash, Brad Potts, Austin Lewis| Thriller | Insignificant |
| Sci-Fi | Insignificant |
| Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.14:1
Original aspect ratio: 2.20:1
English: Dolby Digital 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 3.5 | |
| Overall | 3.5 |
“Butt Boy” began life as a short film for Tiny Cinema, an online offering of very brief creative achievements, most made without care for structure or storytelling. Just oddity for the masses. The run time was sixty seconds, introducing viewers to a man who found his pleasures in anal play, drastically upping his game as desires and curiosity grew. And that was that. Co-writer/director/star Tyler Cornack had the idea to take a one-minute-long movie and develop it into a 99-minute-long movie, retaining the central idea while expanding it in wild ways that bring audiences into areas of the human body they probably never thought they would visit. The bigger, badder “Butt Boy” is certainly some type of low-budget triumph, with Cornack wisely avoiding a Tim & Eric-style take on the mysteries and unstoppable power of one man’s rear end. He doesn’t go Troma either, preferring to find his own way through this intentionally weird endeavor. And that way is padding. Lots and lots of padding. Something has to fill 98 minutes of screen time once the gimmick is revealed.


Color is utilized well in "Butt Boy," which blasts the screen with a full rainbow of hues, even dipping into black light antics as well. The AVC encoded image (2.14:1 aspect ratio) presentation handles such extremes comfortably, delivering saturated primaries with lighting sources and interior decoration. Greenery is ideal, along with costuming. More extreme environments highlight heavy use of deep reds. Skintones are natural. Detail reaches cinematographic limits, with a vivid sense of facial particulars, giving close-ups power. Textures also do well with office tours and clothing, and more gruesome matters of disgustingness registers with precision. Delineation is acceptable, encountering mild solidification. Artifacting is rare, but a last act visit to a special purgatory invites displays of banding.

The 5.1 Dolby Digital sound mix retains a strong sense of frontal position, keeping dialogue exchanges clear, even when dealing with a few mumbled performances. Emphasis is sharp, and argumentative behavior is comfortable. Scoring supports as necessary, with decent instrumentation and position. Surrounds push out some cues and deal passably with atmospherics, including office activity and otherworld encounters. Low-end isn't remarkable, missing some needed weight as weirdness creeps into the effort.


There are parts of "Butt Boy" that connect as intended, with Cornack aiming to create a moody, noir-ish picture with sections of dark comedy. Even with a conclusion that goes exactly where it should go to resolve the story of Chip and his internal holding cell, the production doesn't get wild enough, saving its most potent imagery for the finale while the rest of the effort is conversational, almost to a point where it becomes a filmed play. There will be an audience for "Butt Boy," appreciating Cornack's ideas in bad taste cinema, but the viewing experience isn't the home run it should be, with the movie often slowing to a crawl, diluting interest in answers concerning the far reaches of Chip's dangerous derriere.
(Still not reliable for this title)

Collector's Edition
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1962

The Dark Ride / The Sports Killer
1978

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Misteria
1992

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