6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
LA cops Gould and Blake get in over their heads when they don't heed orders from above and go after a big crime boss. While higher ups in the police department want the cop duo to just focus on nabbing petty criminals, the team does so while still going after LA kingpin Rizzo. Various fist fights, chases, shootouts and other carnage occur as the two cops go after Rizzo's crime syndicate.
Starring: Elliott Gould, Robert Blake, Allen Garfield, Antonio Fargas, Michael LernerCrime | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 3.0 | |
Extras | 1.0 | |
Overall | 3.0 |
In one of his first forays into feature filmmaking, writer/director Peter Hyams (“Outland,” “Capricorn One,” “2010”) takes the hard-charging heroism of the supercop subgenre and dips it in boiling acid for 1974’s “Busting.” While not the first force of cynicism concerning the futility of police work to emerge from Hollywood, it’s one of the most pronounced, containing an almost punishing level of bitterness to accompany an organized crime takedown plot. Hyams keeps the material on edge, managing the roller coaster ride of frustration that informs nearly every scene, creating a few surges in straightforward action to bait the viewer into a feeling of progress before lowering the hammer once again. “Busting” is raw and inventive, but a little of the picture goes a long way, especially with Elliott Gould and Robert Blake in the lead roles, delivering polar opposite performances that often distract from the theme at hand. It’s a powerful film, but it only achieves greatness in periodic bursts.
The AVC encoded image (1.85:1 aspect ratio) presentation carries "Busting" with its intended raw visual energy. Grain is managed to filmic standards, with passable detail coming through gauzy cinematography, permitting viewers to study nuanced facial reactions and street signage, while public shootouts are also open for inspection. Colors are secure with an era-specific illness (there's lots of heavy red lighting in this movie), registering as intended on costumes and urban sprawl. Delineation is comfortable with evening adventures, rubbing up against cinematographic limitations. Source shows some signs of age, but remains free of overt damage.
The 2.0 DTS-HD MA sound mix faces a murkiness inherent to films of the era, offering a streetwise listening experience that doesn't favor dialogue exchanges. Dramatics are passably intelligible, with more heated encounters obviously favored, pushing through the blend of elements. Scoring is also spongier, less about authority and more about supporting the intensity of chases and shootouts. Atmospherics are clouded but identifiable. Hiss is present throughout the track, and there's a stretch of damage around the 24:00 mark.
"Busting" has some potent ideas on corruption, greeting the world of police with mounting pessimism, taking the picture to unexpected areas of resignation that are communicated chillingly. Hyams works up a sweat to give the feature a rumbling identity, making an exciting cop film, but one with a painful awareness of the fraud. It leads to an incredible final moment in the movie, watching Hyams dare to end the effort on a downbeat note of loss. It's brave. The helmer would go on to play with the supercop formula a few more times in his unsteady career (1986's "Running Scared" being his most successful experiment), but "Busting" has a feral nature that's nearly impossible to dismiss, keeping in step with its brethren as guns are drawn and suspects are shamed before transforming into story of moral surrender that breaks it away from the routine. It's a sharp picture deceptively staged as a meandering day in the life of two weary cops.
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