6.5 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
When a Texas military force invades their Brooklyn neighborhood, 20-year-old Lucy and war veteran Stupe must depend on each other to survive.
Starring: Dave Bautista, Brittany Snow, Angelic Zambrana, Jeff Lima, Christian NavarroThriller | Insignificant |
Adventure | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH, Spanish SDH
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Slipcover in original pressing
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 1.5 | |
Overall | 4.0 |
In a memorable exchange in Casablanca, Humphrey Bogart's Rick is asked by a Nazi officer whether he could imagine German troops in New York, to which the maverick expatriate replies: "Well there are certain sections of New York, Major, that I wouldn't advise you to try to invade." The heavily armed force that ventures into a Brooklyn neighborhood in Bushwick should have heeded Bogart's advice. In the second feature film from directors Jonathan Milott and Cary Murnion (Cooties), an army storms neighborhood streets where they expect minimal opposition, only to find the opposite. As Brooklyn becomes Beirut (or Sarajevo or Basra), the directors deploy an impressive combination of practical and digital effects to transform a familiar American landscape into a war zone.
Directors Milott and Murnion reunited with their Cooties cinematographer, Lyle Vincent, who shot Bushwick digitally (on the Arri Alexa Mini, according to IMDb). The extras show the minimalist Steadicam-style rig worn by the camera operator who followed Lucy on her perilous odyssey, producing a stable image free from any form of "shaky cam". RLJ Entertainment's 1080p, AVC-encoded Blu-ray displays all the usual virtues of digital capture, with a sharply detailed image free of noise or distortion. Bushwick's palette reflects the grittiness of its subject matter, with a minor but not exaggerated desaturation that eliminates bright colors, except for the reds of blood and the jacket that Lucy wears for the first half of the film (which pops her slightly out of the frame). Fine detail is strong even in darkened interiors. RLJ has mastered Bushwick with an average bitrate of just under 23.00 Mbps.
Bushwick arrives with an aggressively immersive 5.1 soundtrack encoded in lossless DTS-HD MA. The mix follows the film's "first person shooter" aesthetic, placing effects in the surround array according to Lucy's point of view. The rear speakers are alive with off-camera weapons fire, yelling voices and other sounds of combat. Helicopter engines whir back and forth (and sometimes front and back). Dynamic range is broad with solid bass extension. The dialogue has been carefully mixed so that it's forced to compete with the surrounding mayhem but is never buried to the point where it becomes unintelligible. The score by Aesop Rock (his first for a film) is sparsely used, but its electronic rhythms recall John Carpenter's horror movie compositions.
Bushwick cries out for a commentary and/or in-depth documentary exploring how the filmmakers
transformed a Brooklyn neighborhood into a battlefield and the elaborate choreography of the
interplay between the actors and the camera operator. Unfortunately, all that RLJ has provided is
a short EPK and a handful of stills.
It's not hard to imagine what might have happened to Bushwick if the project had been developed
at a major studio. Everything would have been pushed to be bigger and "cooler". The invaders
would have arrived with tanks and artillery, entire buildings would have been leveled and CGI
would have ruled the day. Fortunately, Milott and Murnion were left to pursue their original idea
to its logical conclusion, and the result is far more affecting than the mind-numbing orgies of
destruction that dominate today's Hollywood release calendar. When Lucy passes a Mister Softee
truck ablaze and abandoned on the city streets, the sight is haunting because its devastation of the
mundane feels all too real. Highly recommended.
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