7.2 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Goda returns home one night to find police cars and ambulances surrounding the entrance to his apartment building. When he gets upstairs he's told that his girlfriend, Kiriko, who he's been with for a decade, has committed suicide. If this wasn't devastating enough Goda also learns that she killed herself with a bullet to the head. With Japan having some of the strictest set of gun control laws in the world, not only is Goda left with the yawning, black "why" behind Kiriko's suicide, but also a whole other set of mysterious "hows", "wheres" and "whos". How did Kiriko get a handgun in the first place? From where? And most importantly from who? Goda goes on a quest into the gritty criminal underworld of Tokyo in order to answer these questions, and maybe inhabit the last days of Kiriko's life...
Starring: Kirina Mano, Tatsuya Nakamura, Takahiro Murase, Kyôka Suzuki, Hisashi IgawaForeign | 100% |
Drama | 42% |
Sci-Fi | Insignificant |
Crime | Insignificant |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Japanese: DTS-HD Master Audio 2.0
Japanese: DTS-HD Master Audio 5.1
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 3.5 | |
Overall | 4.0 |
Note: This version of this film is available as part of Solid Metal Nightmares: The Films of Shinya Tsukamoto.
There are two names which American film fans may need either outright introductions to or at least reminders about when coming to Solid
Metal
Nightmares: The Films of Shinya Tsukamoto. The first name is that of Shinya Tsukamoto himself, a fascinating cult figure with a rather long
and
impressive filmography as a producer, director, actor, writer, editor, cinematographer, production designer and art director (one
assumes
if the IMDb had a tab for craft services contributions, he'd be listed there, too), but who is still kind of
curiously unknown by the general public at large on this side of the pond. The other name that may come into play with regard to this handsome
new
set released for the North American market by Arrow is Third Window Films, a label that releases Blu-rays in the United Kingdom and which has in
fact
put out previous editions of several of the Tsukamoto films Arrow has included in this set. For that reason, fans or at least those interested in
“comparison studies” are encouraged to visit our listings for the Third Window Films’ releases of Tetsuo: The Iron Man / Tetsuo II: Body Hammer, Tokyo Fist, Bullet Ballet, A Snake of
June, and Kotoko, not just for Svet Atanasov’s
thoughts
about each of the films, but also to be able to do side by side looks at screenshots as well as to size up supplemental features on each release. (A
sixth film offered in this set from Arrow, The
Adventure of Denchu-Kozo, looks like it's included as a supplement on Third Windows' double feature offering the two Tetsuo
films.)
The
Arrow set does at least offer ten films in one nicely aggregated and designed package which includes a rather beautiful hardback book, which may
at least recommend the set to those trying to
save
a little shelf space, if nothing else.
Bullet Ballet is presented on Blu-ray courtesy of Arrow Films with an AVC encoded 1080p transfer in 1.85:1. Arrow's insert book offers only very generic data on all of the transfers in this set, with aspect ratios (at times misstated) and audio data detailed, and with a simple statement that the "high definition masters were provided by Nikkatsu Corporation". Svet's review of this film came out in 2014, and without any other information to the contrary, I'm assuming that this presentation was culled from the same master that Third Window Films utilized. This is a rather striking black and white presentation, one which preserves the gritty grain of the original 16mm format (blown up to 35mm for exhibition), but which offers some surprising detail levels, especially given Tsukamoto's predilection for "shaky cam" and other stylistic conceits. Close-ups offer really excellent fine detail. Tsukamoto likes to toy with contrast, and there are some relatively "hazy" or blown out looking moments here. I noticed no signs of aggressive digital tinkering, and the entire presentation has a very organic appearance.
Bullet Ballet is the first film in this set to feature a DTS-HD Master Audio 5.1 track along with a DTS-HD Master Audio 2.0 track. The surround track significantly opens up the soundstage both in terms of Chu Ishikawa's score, but also with regard to Tsukamoto's often weird, almost psychedelic, use of clanging sound effects. The film does offer some appropriate gunfire (considering its title), and those elements reverberate with some surprising force. Dialogue is presented cleanly and clearly, and I noticed no issues whatsoever on either track with regard to any age related wear and tear.
As can be seen in the last screenshot accompanying this review, this disc offers two films. I'm listing all of the supplements on the disc, since while some supplements are ostensibly specific to one feature, there's still a certain amount of spillover.
- Tokyo Fist (1080p; 18:11)
- Bullet Ballet 1 (1080i; 34:35)
- Bullet Ballet 2 (1080p; 14:39)
- Tokyo Fist and Bullet Ballet (1080p; 3:25)
- General Thoughts (1080p; 4:20)
- Tokyo Fist Original Japanese Trailer (1080p; 00:37)
- Bullet Ballet Original Japanese Trailer (1080p; 00:57)
- Tokyo Fist UK Trailer (1080p; 2:32)
- Bullet Ballet UK Trailer (1080p; 2:25)
- Tokyo Fist (1080p; 6:40)
- Bullet Ballet (1080p; 5:00)
Bullet Ballet is absolutely fascinating in how it deconstructs a fairly straightforward story of a distraught man spiraling out of control. This is another tour de force stylistically for Tsukamoto, but it's also evident that Tsukamoto is beginning to really pay attention to narrative elements and character development more with this film. While arguably not as completely graphic as other films in this set, this has some of the same disturbing imagery as some of Tsukamoto's other films, so the more squeamish should probably approach this with a certain amount of caution. Technical merits are solid, and the supplementary package very interesting. Recommended.
(Still not reliable for this title)
2004
2018
2011
2002
2005
東京フィスト / Tokyo Fuisuto / Tokyo Ken
1995
1987
鉄男 / Tetsuo
1989
1992
1972
アウトレイジ / Way of the Yakuza
2010
1999
1972
Città violenta / Final Shot / The Family
1970
Ultimate Revenge Edition
2002
1999
Slipcover in Original Pressing
2002
Sympathy for Lady Vengeance | Ultimate Revenge Edition | 친절한 금자씨
2005
その男、凶暴につき
1989
Jungfrukällan
1960