6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080i (upconverted)
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
French: LPCM 2.0
English: LPCM 2.0
Music: LPCM 2.0
Music: LPCM Mono
Music: Dolby Digital 2.0
Music: Dolby Digital Mono
English, French, German
50GB Blu-ray Disc
Four-disc set (4 BDs)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 2.0 | |
| Audio | 3.5 | |
| Extras | 0.5 | |
| Overall | 3.5 |
When Yehudi Menuhin died on March 12, 1999, he was regarded as one of the finest, if not the finest, violinists of the 20th century, a title documentary Bruno Monsaingeon actually refers to in one of the pieces included on this four Blu-ray compilation. Violin of the Century is just one of several fascinating documentaries and performances captured by Monsaingeon over the course of close to two decades between 1979 and 1996. A complete list of contents is found below, but there’s a nice variety here of interview footage, tour documentaries as well as a glut of performances, including everything from Bach to Brahms to Bartok. Video quality is fairly erratic, but for the most part audio quality is very good to excellent.


Bruno Monsaingeon Edition 2: Yehudi Menuhin is presented on Blu-ray courtesy of Euroarts with an AVC encoded 1080i transfer mostly in 1.33:1 (see the contents listing above for exceptions). While no actual technical data on the video is included in this set, it seems evident that these are upconverts, and fairly ragged looking ones at that. There are manifold video anomalies present, from roll off to tear to some pretty ugly sharpening that has added distinct halos. The interview segments seem to fare the best, with at least a reasonbably detailed image, but nothing here really even comes close to rising to traditional high definition sharpness and clarity.

Most of the discs feature LPCM 2.0 and LPCM 2.0 Mono mixes which capably support the spoken moments and offer at least baseline fidelity for the musical elements. Somewhat strangely, the fourth disc only contains Dolby Digital 2.0 mixes, which are noticeably less full bodied. There are no actual issues with distortion or other damage.


The historical importance of these interviews and performances probably outweighs the insufficiencies of the video (and in a couple of cases, the audio). This will be a must have for Menuhin fans, for it contains a glut of biographical data, much of it relayed by Menuhin himself, as well as some winning performances.