Bruiser Blu-ray Movie

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Bruiser Blu-ray Movie United Kingdom

Indicator Series | Limited Edition
Powerhouse Films | 2000 | 99 min | Rated BBFC: 15 | Jul 22, 2024

Bruiser (Blu-ray Movie)

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Movie rating

6.2
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer3.0 of 53.0
Overall3.0 of 53.0

Overview

Bruiser (2000)

All his life, Henry has been a nice guy. Betrayed by an unfaithful wife, belittled by an overbearing boss and cheated out of a fortune by his best friend, Henry has been pushed to the edge of sanity. Stripped of everything, including his identity, Henry wakes into a nightmare world where he has been left without a face. In a bloody rampage of revenge, Henry sets out to destroy those who have betrayed him.

Starring: Jason Flemyng, Peter Stormare, Leslie Hope (I), Peter Mensah, Tom Atkins
Director: George A. Romero

Horror100%

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 1.85:1
    Original aspect ratio: 1.85:1

  • Audio

    English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
    English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)

  • Subtitles

    English SDH

  • Discs

    Blu-ray Disc
    Single disc (1 BD)

  • Playback

    Region B (A, C untested)

Review

Rating summary

Movie2.0 of 52.0
Video4.5 of 54.5
Audio5.0 of 55.0
Extras4.0 of 54.0
Overall3.0 of 53.0

Bruiser Blu-ray Movie Review

Reviewed by Dr. Svet Atanasov August 13, 2024

George A. Romero's "Bruiser" (2000) arrives on Blu-ray courtesy of Indicator/Powerhouse Films. The supplemental features on the release include archival audio commentary by George A. Romero and Peter Grunwald; new program with Jason Flemyng; new program with ex-Misfits drummer Dr. Chud; new program with critic Kim Newman; and more. In English, with optional English SDH subtitles for the main feature. Region-B "locked".


Henry Creedlow’s (Jason Flemyng) life is a nightmare. His wife, Janine (Nina Garbiras), has started telling him straight to his face that he is a loser and cannot stand him anymore. Their housemaid has begun stealing with him present in the house. Even though his best friend (Andrew Tarbet) has been managing his portfolio, he has run out of cash. For a long time, at Bruiser Magazine, his boss, Miles Style (Peter Stormare), has been treating him like a talking object, too.

On a morning like every other morning, Henry finally snaps, kills the lying housemaid, puts on a plastic mask, and exits the large suburban house that he is soon going to lose because he can no longer pay its mortgage. With the gun that has permanently solved his housemaid problem, Henry then heads to his office at Bruiser Magazine, where he discovers that his boss has been secretly meeting his wife. While his boss argues with his ex-wife, Henry helps his cheating wife jump out the window with a cord wrapped around her neck. With the plastic mask still on his face, Henry quietly disappears.

One does not need to have seen hundreds of thousands of different genre films to figure out what Henry’s next several moves might be. So, let’s move straight to the final act, featuring Henry’s most elaborate move. In a warehouse temporarily transformed into a massive nightclub, Henry sets up a giant freak show and lures his coked-up boss. While the freaks are having a good time, Henry transforms his boss into the star of the night.

Written and directed by legendary director George A. Romero in 2000, Bruiser unites several solid character actors but is an unfortunate misfire. It looks cheap, rushed, and frequently even amateurish, much like filler content commissioned for a recently launched streaming service. Naturally, it is fair to speculate that Romero was either not fully in control of it or not fully committed to it.

The bulk of the material sells Flemyng’s character as a broken man who has been forced to become a psychopath but is really a victim of an inhumane system rewarding and protecting cheaters and abusers. It is an old and very ineffective trick to justify the existence of graphic visuals and clichéd political messaging, so it is disappointing to see that Romero tried it, too. But this is not why Bruiser does not work. There is just not enough quality in it.

Nevertheless, the final act could have made a big difference if Romero had done it right. Only here, for a short period of time, it becomes difficult to guess what Flemyng’s character will choose to do next. However, the mayhem in the nightclub is only a collection of short, mostly random acts, and only one features somewhat decent performers and effects. (A year after Romero completed Bruiser, French helmer Antoine de Caunes made Love Bites. While not a masterpiece, Love Bites creates quite a special atmosphere with wild characters exactly like the ones seen in the nightclub, which is why it is worth seeing).

Ultimately, Bruiser is difficult to recommend even to hardcore Romero fans. It is not reflective of his style and does not produce the thrills one would expect from a film he scripted and directed. It is an oddity that only damages his reputation.

Indicator/Powerhouse Films presents Bruiser on 4K Blu-ray and Blu-ray from a recent 4K remaster. In native 4K, Bruiser can be viewed with Dolby Vision and HDR grades.


Bruiser Blu-ray Movie, Video Quality  4.5 of 5

Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Bruiser arrives on Blu-ray courtesy of Indicator/Powerhouse Films.

In addition to this release, there is a 4K Blu-ray release Both are sourced from the same recent 4K remaster. I viewed the entire film in native 4K, but also spent time with various areas of it in 1080p.

The entire film looks strikingly healthy and vibrant. While viewing the native 4K presentation, I actually felt that certain visuals with plenty of light looked too sharp and too vibrant, borderline artificial. Color reproduction is fantastic, too. Density levels are excellent, so even on a very large screen all visuals look good. Only during the big nightclub party at the end of the film I spotted a few inconsistencies that encoding optimizations could have eliminated, but here the camera moves quickly and hides them pretty well. The lighting shifts quickly, too. Image stability is excellent. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).


Bruiser Blu-ray Movie, Audio Quality  5.0 of 5

There are two standard audio tracks on this Blu-ray release: English DTS-HD Master Audio 5.1 and English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.

The comments below are from our review of the 4K Blu-ray release of Bruiser.

I viewed the entire film with the DTS-HD Master Audio 5.1. I thought that it was flawless. Balance is excellent and clarity and sharpness are exceptional. However, in multiple areas, and especially in the end, I thought that a lot could have been done with the sound design to create more excitement. There are no encoding anomalies to report in our review.


Bruiser Blu-ray Movie, Special Features and Extras  4.0 of 5

  • Commentary - in this archival audio commentary, George A. Romero and Peter Grunwald explain how Bruiser was conceived and how and where many sequences were shot (with comments about what was or wasn't changed from the screenplay to screen transition), Peter Stormare's hilarious improvisations, the film's wicked sense of humor (in select areas), the important role music has in it, etc.
  • Archival Interview with George A. Romero - in this archival interview, George A. Romero discusses the evolution of his career and the filming of Night of the Living Dead, as well as the importance of gore in his films and the creative environment for independent filmmakers in America. The interview was conducted in London on November 8, 2013. In English, not subtitled. (44 min).
  • Jason Flemyng: Behind the Mask - in this new program, Jason Flemyng explains how his performance in Lock, Stock and Two Smoking Barrels earned him his part in Bruiser and talks about what it was like to work with George A. Romero during the production of Bruiser. In English, not subtitled. (10 min).
  • Dr. Chud: A Perfect Fit - in this new program, ex-Misfits drummer Dr. Chud talks discusses the music he composed for Bruiser and a souvenir he picked up from the set of a key sequence. The Misfits can be seen performing in the nightclub at the end of the film. In English, not subtitled. (9 min).
  • The Worm That Turned - in this new program, critic Kim Newman discusses Bruiser and explains why for years it was one of the easiest George A. Romero film to skip. In English, not subtitled. (12 min).
  • Introduction by Jean-Baptiste Thoret - in this recent program, French critic Jean-Baptiste Thoret introduces Bruiser. In French, with English subtitles. (11 min).
  • Bruiser Soundtrack Demo - presented courtesy of Dr. Chud. (2 min).
  • Trailer - presented here is a vintage theatrical trailer for Bruiser. In English, not subtitled. (2 min).
  • Image Gallery - a collection of original promotional materials for Bruiser.
  • Book - limited edition exclusive 80-page book with a new essay by Craig Ian Mann, archival interviews and magazine articles, an overview of contemporary critical responses, and full film credits.


Bruiser Blu-ray Movie, Overall Score and Recommendation  3.0 of 5

Plenty of good intentions, not enough quality. It is why Bruiser does not work. Peter Stormare's improvisations produce a few decent moments, but the overwhelming majority of the material in it is of the type that today you would expect to see from a recently launched streaming service. It is generic, instantly forgettable, impossible to associate with George A. Romero. Indicator/Powerhouse Films' combo pack treats Bruiser as a genuine cult film, so if you are a Romero completist, consider picking it up, but you will not be incredibly disappointed only if you approach it with the proper expectations. A separate 4K Blu-ray release is available as well.


Other editions

Bruiser: Other Editions