| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
| Foreign | 100% |
| Music | 2% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
Music: LPCM 2.0 (192kHz, 24-bit)
None
Blu-ray Disc
Ten-disc set (1 BD, 9 CDs)
Region A (B, C untested)
| Movie | 4.5 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 0.0 | |
| Overall | 4.5 |
Hans von Bülow once famously described Anton Bruckner as “half genius, half simpleton”, and if those two descriptions seem like a weird combo platter, if not in fact diametrically opposed to each other, one need only listen to some of Bruckner’s massive symphonies for prime examples of how these two aspects could coexist in one soul. Bruckner is noted for the gargantuan proclivities of his orchestral writing, a “size matters” school that also affected his contemporary Richard Wagner, but often his hyperbolic constructions were fashioned out of rather basic melodic ideas, albeit ideas which were then transmogrified almost beyond recognition by Bruckner’s developmental abilities and extravagant orchestrations. That may be one reason why Bruckner’s symphonies haven’t really produced any “hit tunes” (so to speak) in the same way that some of Beethoven’s and Brahms’ efforts in the idiom have. Bruckner is a thorny composer to approach no matter how you want to “define” him, but this great cycle of recordings of his symphonies by the inimitable Herbert von Karajan and the Berlin Philharmonic is a testament to what a, yes, genius Bruckner was.


There is no video component per se on this release, other than a static menu, and since there's only one audio option available, there's even less of a need for a monitor than there sometimes is with these audio Blu-ray releases.

Bruckner: The Symphonies features an LPCM 2.0 track (24 bit/192 kHz), though the back cover of the release discloses that Symphonies 1, 2 and 3 were upsampled from 16 bit/44.1 kHz, which I assume is an audio remnant of Deutsche Grammophon switching to pure digital recordings (this cycle was recorded between 1975 to 1981, and so the last recordings were done at the dawn of the "digital age"). These recordings offer the generally lustrous sound that Deutsche Grammophon regularly provides to lovers of classical music, and the bombastic proclivities of some of Bruckner's immense movements are rendered here cleanly and clearly, with rather expressive dynamic range and some surprising warmth in the brass and winds especially. I found the highs to be a little bright, especially on those aforementioned first three symphonies, and to my ears at least tending to be most noticeable in moments featuring strings in their upper registers.

There are no supplements on the Blu-ray disc. The package comes with 9 CDs (with some Symphonies like the 5th split weirdly over more than one disc), as well as a nicely informative insert booklet that has data on all the symphonies.

I had a composer friend tell me once that Bruckner wrote his symphonies with "a T square and slide rule", something that perhaps hints at Bruckner's "architectural" tendencies, but probably misses some of the splendor of Bruckner's imagination. I've frankly never been a huge fan of Bruckner's writing, finding some of his ideas on the pedestrian side, and his tendency to "wander" to and fro occasionally a little frustrating, but there's no denying the orchestral magnificence Bruckner brought to the compositional table. Von Karajan was one of the better interpreters of Bruckner in my opinion, able to forge a coherent account of sometimes wide ranging musical content. This cycle has some incredibly dramatic moments and the vaunted Deutsche Grammophon engineering brings it all to energetic life. While Bruckner's symphonies are daunting (to say the least), those with the fortitude to make it through this cycle will be rewarded by some really winning performances. Highly recommended.