7.1 | / 10 |
Users | 3.8 | |
Reviewer | 3.5 | |
Overall | 3.5 |
The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.
Starring: Robert Redford, Yaphet Kotto, Jane Alexander, Murray Hamilton, David KeithDrama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio Mono (48kHz, 24-bit)
French: Dolby Digital Mono
German: DTS 5.1
Spanish: Dolby Digital Mono
French/Spanish: Dolby Digital Mono @192 kbps | German: DTS 5.1 @768 kbps
English SDH, German, Spanish
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Region free
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 3.5 |
The privatized, for-profit prison system that emerged from the War on Drugs in the 1980s has come under increasing scrutiny lately—for contributing to the sharp spike in incarceration rates—but given the choice between an overcrowded modern correctional facility and the comparatively unregulated, corruption-rife late 1960s state prison "farm" represented in Brubaker, most would prefer a long stay in the former to a short one in the latter. Based on penologist and warden Tom Murton's account of going undercover in an Arkansas prison to expose endemic graft and abuse, the film is a grimy true life story of idealism confronting the worst in human nature head-on. It was directed by Stuart Rosenberg, who had made a previous prison movie, Cool Hand Luke, in 1967—the year in which Brubaker takes place—and the two films inevitably have a lot in common. The observation of the prison pecking order. The beatings and hard labor and escape attempts. The dehumanizing and brutalizing effects of serving time. Where Cool Hand Luke is a great film, though, Brubaker is a merely good one, less iconic and suspenseful, and more prone to a kind of cardboard didacticism when it comes to the inherent commentary on the injustices of the justice system. Still, it's a compelling experience, and—considering the ongoing debate about the role and operation of prisons—it hasn't lost any of its relevancy.
20th Century Fox has put out some terrific-looking catalog releases recently, and Brubaker is no exception. Actually, I'd say this is one of the better high definition remasters I've seen lately for a film from the late 1970s and early '80s. To start, the source materials have undergone a careful, non-obtrusive cleanup, leaving the image absolutely pristine. Beyond one or two errant white specks, I didn't notice any print damage, and better yet, the picture is entirely natural and filmic, with no evidence of texture-smearing noise reduction or edge enhancement. (Note, though, that the film grain is quite heavy at times.) It's doubtful any theatrical prints of the movie ever looked this good. Besides a few soft shots here and there, clarity is excellent, pulling out the fine detail in Redford's craggy face, the worn-out prison uniforms, and other near-tangible textures. Color is perfectly balanced and stable too, dense without being oversaturated, with strong contrast, consistent black levels, and highlights that roll off smoothly. (I especially like how the color grading changes subtly from the early scenes—where the prison looks particularly dank and dingy—to the lighter atmosphere once Brubaker enacts some morale-improving reforms.) I didn't spot any compression issues or anything else that might detract from the viewing experience. A strong transfer, all around.
Fox has given us two audio options here, the default 5.1 surround mix and a true-to-source mono track, both in the lossless DTS-HD Master Audio codec. The two are functionally identical. The multi-channel expansions adds only the quietist ambience to the surround speakers—barracks clamor, cafeteria chatter, etc.—and most of the time, you really have to crane your ears to hear if they're being used at all. And that's fine. What's important is the quality of the audio coming from the front. Like the picture, the sound is free from age-related damage—no overt hisses, pops, crackles, or dropouts— and stable throughout, consistent in clarity and presence and depth. Dialogue is always clear and easy to understand, and Lalo Schifrin's score—with strummed acoustic guitars backed by orchestral strings—sounds wonderful. No issues here. The disc also includes Spanish, French, and German dubs, along with English SDH, Spanish, and German subtitles, which appear in white lettering.
Director Stuart Rosenberg's Brubaker can't touch his iconic Cool Hand Luke, but it remains a gripping prison drama, a finger-wagging indictment of institutional corruption and injustice. If you haven't seen the movie—or haven't seen it in a while—it's certainly worth checking out, and 20th Century Fox's new Blu-ray release is definitely the way to go about it. Fox's recent catalog transfers have been excellent, and Brubaker's new high definition remaster is one of the most impressive, with a sharp, filmic image that's absolutely free of print damage or compression artifacts. There are no substantive extras on the disc—just a trailer and some TV spots—but this one still earns a solid recommendation.
1962
1995
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1950
Limited Edition to 3000
1954
Krigen
2015
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1973
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2021
2014
2019
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2009
Part One
2022-2023
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Warner Archive Collection
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