6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Queen legend Brian May and first lady of the West End Kerry Ellis come together for The Candlelight Concerts. Filmed at the renowned Stravinski Auditorium during the Montreux Jazz Festival in July 2013, this wonderfully intimate show blends Kerry Ellis beautiful voice with the sympathetic guitar playing of Brian May for a largely acoustic performance of standards, ballads, Queen songs and cover versions. Also included in the set is the CD of Acoustic By Candlelight recorded live on the UK leg of their tour in autumn 2012. TRACKLIST DVD: 1) I Who Have Nothing 2) Dust In The Wind 3) Born Free 4) Somebody To Love 5) Nothing Really Has Changed 6) Life Is Real 7) The Way We Were 8) 39 9) Something 10) Last Horizon 11) Love Of My Life 12) The Kissing Me Song 13) Tie Your Mother Down 14) We Will Rock You 15) No One But You 16) Crazy Little Thing Called Love
Starring: Kerry Ellis, Brian May (II)| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1
English: LPCM 2.0
None
50GB Blu-ray Disc
Two-disc set (1 BD, 1 CD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 1.0 | |
| Overall | 4.0 |
Easy listening music gets a bum rap, in my not so humble opinion. So-called “mood music” became a staple on fifties’ turntables when tired executives wended their way home and were met by their wives (wearing aproned skirts and pearls, of course) with a cold martini in hand. Relaxing over the evening paper while soothing music played in the background became something of a national tradition, and because these albums were frequently thought of as “wallpaper music”, a lot of people never really paid attention to the impeccable arranging craft that was on display in a lot of these easily disparaged but actually quite artful albums. While the big band era provided music that people were meant to dance to, the easy listening era, which stretched roughly from the early fifties to the early seventies, was made for listening, and admittedly not fully concentrated listening at that. This was, after all, background music. But just take a moment to really open your ears to some of the incredible arrangements of masters like Robert Farnon, Percy Faith, Hugo Montenegro and a kaleidoscope of orchestral colors are offered in sometimes ingenious ways. Faith also shepherded many top singers in the nascent pop vocal era which supplanted big band music in the early fifties, and to hear his impeccable backups to icons like Rosemary Clooney, Doris Day or Johnny Mathis is a lesson in taste, skill and understatement. Some younger listeners may feel a lot of these older offerings are a bit on the cheesy side, and they may in fact have a similar reaction to the patently “easy listening” ambience of Brian May and Kerry Ellis: The Candlelight Concerts. There’s absolutely nothing amped up about this performance, which presents Queen’s legendary guitarist with the musical theater chanteuse who had the lead role in the Queen musical We Will Rock You.


Brian May and Kerry Ellis: The Candlelight Concerts is presented on Blu-ray courtesy of Eagle Vision (an imprint of Eagle Rock Entertainment) with an AVC encoded 1080i transfer in 1.78:1. This 2013 HD taping looks incredibly sharp and well detailed on Blu-ray, with excellent contrast, nicely reproduced color and some great fine detail in the many extreme close-ups. Due to the often quite dim stage lighting, there are some minimal issues with murky shadow detail off toward the wings of the stage, but otherwise, this is a great looking presentation, one that offers only the barest minimum of combing artifacts as any significant point of concern.

Perhaps because this concert is so "stripped down" or "unplugged", there's a bit less overt difference between the included LPCM 2.0 and DTS-HD Master Audio 5.1 tracks than might otherwise be expected. Both of these provide nice separation between Ellis and May as well as excellent fidelity and superb clarity. The 5.1 track does open things up incrementally, allowing for a bit more obvious ambient hall reverb and (for better or worse) more present crowd noises. Neither track has any issues of any kind to worry about.

The Blu-ray disc contains the following supplement:

I was the butt of many jokes among my friends as I was growing up, for I've always been weirdly fascinated by the "easy listening" genre. To this day, I go out of my way to collect little known LPs in this idiom, often delighting at the incredible virtuosity of the arrangers and players. (It's important to remember that some future film luminaries like Dick Hyman—who worked on so many of Woody Allen's films—paid their bills for years in the 1960s by working on easy listening records. In Hyman's case, he was a regular player and arranger on just about all of Enoch Light's output in that decade.) This Candlelight Concert is an intentionally quiet, intimate affair, and the good news is May and Ellis, who by now have a long and almost intuitive working relationship with each other, are pure and willing channels for this unadorned pop material. Both video and audio are top rate here, and Brian May and Kerry Ellis: The Candlelight Concerts comes Highly recommended.