7.1 | / 10 |
Users | 4.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A mysterious prisoner is on a train that races through the Rocky Mountains on a classified mission. But one by one, the passengers are being murdered!
Starring: Charles Bronson, Ben Johnson, Richard Crenna, Jill Ireland, Charles DurningWestern | 100% |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 4.0 |
Tom Gries' "Breakheart Pass" (1975) arrives on Blu-ray courtesy of Kino Lorber. The supplemental features on the disc include an exclusive new audio commentary recorded by critics Howard S. Berger, Steve Mitchell and Nathaniel Thompson, as well as remastered original theatrical trailer for the film. In English, with optional English SDH subtitles for the main feature. Region-A "locked".
The outlaw
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Breakheart Pass arrives on Blu-ray courtesy of Kino Lorber.
The release is sourced from an exclusive new 2K master, which I found quite frustrating. Here's why:
Clearly, the film looks fresher now, so its overall appearance is definitely a lot more attractive. It is cleaner too, though the previous master that MGM licensed to Kino Lorber for this release is fine as well. Density levels are very nice and on a larger screen the visuals hold up as well as they should. So, what is the problem? Well, a lot of the darker footage has plenty of crushing. I was expecting the new master to have superior ranges of nuances because on the previous master there is light crushing as well, but now there is even more of it. It is a very awkward situation because in a number of areas, including daylight footage, I can see more details on the older master. (You can compare screencapture #20 with the corresponding screencapture from our review of this Region-B release, which is sourced from the same old MGM master that was used for the previous North American release). In a few areas there is so much of it that I could barely see what was happening. (See screencaptures #21 and 22). Some of the primaries are different on the new master and there are expanded ranges of nuances, so you should notice a change in the overall color temperature. However, in darker areas the crushed blacks definitely affect the overall balance. In other words, instead of numerous and substantial across-the-board improvements there are various trade-offs that make the current presentation of Breakheart Pass quite frustrating. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.
The lossless track is very good. However, I thought that old track from the previous release of Breakheart Pass was just as convincing. Clarity and sharpness for instance range from very good to excellent, plus dynamic intensity is always pleasing. Stability is good too, though if there is any room for cosmetic enhancements it is probably it is probably in a few areas where the audio could become a tad thin. Overall, however, the lossless track is rock-solid.
I am grateful that the folks at Kino Lorber are producing new 2K and 4K masters for various older films -- and especially those emerging from Universal's vaults -- as they transition to Blu-ray, but I wish they were graded a bit better. For some reason new 2K masters tend to reveal a lot of black crush, which is easily avoidable. This is why I found the new 2K master that was created for Breakheart Pass frustrating. Clearly, it offers the healthiest presentation of the film to date, but in select areas it reveals familiar crushing that eliminates most of the key improvements. If the minor adjustment I mentioned above is implemented, Kino Lorber's releases of all kinds of older films will be the definitive releases you would want to add to your libraries. HIGHLY RECOMMENDED.
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