7.2 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
The wealthy, self-absorbed eccentric Sissy Goforth has taken up residence on a secluded Mediterranean island where she dictates her memoirs, flies into rages and screams insults at her servants. Her health now failing, she drinks, takes pills and has a doctor give her injections to ease the pain. Into her reclusive life comes a stranger who manages to climb to her villa and survive a guard dog attack before introducing himself as a poet. Though attracted by the visitor she soon discovers he has a reputation for appearing when wealthy women are about to meet their demise and is known locally as the Angel of Death.
Starring: Elizabeth Taylor, Richard Burton, Noël Coward, Joanna Shimkus, Romolo ValliSurreal | 100% |
Drama | 48% |
Fantasy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.5 | |
Video | 4.5 | |
Audio | 3.5 | |
Extras | 5.0 | |
Overall | 4.0 |
In 1968, “Boom” was a bomb written by Tennessee Williams and starring Elizabeth Taylor and Richard Burton. These days, the feature has new life a cult title, with certain audiences embracing the picture’s volatile nature and unforgettable decoration. “Boom” isn’t an easy movie to admire, but for those who elect to work on it, this adaptation of Williams’s play, “The Milk Train Doesn’t Stop Here Anymore,” provides some funky highlights, offering the rare chance to watch two major stars try to make sense of a languorous art film that has no distinct identity.
Arriving on HD after a spotty home video history, "Boom" certainly has plenty to show off during the AVC encoded image (2.35:1 aspect ratio) presentation. Age is unavoidable, along with cinematographic limitations, but the overall viewing experience preserves the brightness of the locations, which retain appreciation for distances and height. Character ornamentation is open for study, with costuming a major focal point of the production, deliver billowy cottons and smooth silks. Facial surfaces are enjoyable, showcasing wear and tear on the actors. Colors are satisfactory, showcased with vibrant works of art and the cool blues of the open water. Makeup is also a highlight, with deep reds. Source has some challenges, with mild speckling, scratches, and hair.
Age is a little more apparent in the 2.0 DTS-HD MA sound mix. Again, production limitations are found, with extensive dubbing flattening voices from time to time. Slight volume fluctuations are encountered, but nothing severe. Dialogue exchanges are basic, but the essentials of hostility are easy to follow. Scoring does a bit better, and while crispness isn't present, the moods of John Barry's unusual score are understood. Atmospherics are loud, with the sounds of crashing waves common throughout the listening event. Hiss is detected.
"Boom" revels in excess and fatigue (the stars were allegedly wrestling with addiction during the making of the movie), with most of the run time delivering a sense of wandering fury that's not all that interesting to watch. Camp appeal is there for the taking, but if that doesn't seep into the system in the first half, the rest of the feature is painful to sit through.
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