8.4 | / 10 |
Users | 4.5 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Idealistic producer Jack Horner has always dreamed of elevating his films into an art form. When he discovers young actor Eddie Adams, Jack begins to turn his dreams into reality. Under the stage name of Dirk Diggler, Eddie soon gives the adult entertainment world a star the likes of which it has never seen. But the rise to fame has its costs, and soon Dirk finds himself sliding down the slippery slope of sex, drugs and violence. The only question: can he get himself back together before it's too late?
Starring: Mark Wahlberg, Julianne Moore, Burt Reynolds, Don Cheadle, John C. ReillyDrama | 100% |
Period | 38% |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: Dolby TrueHD 5.1 (48kHz, 16-bit)
English: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
German: Dolby Digital 5.1
English SDH, German, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 4.5 |
“Everyone is blessed with one special thing,” says Mark Wahlberg as Boogie Nights’ Dirk Diggler, a rising star in the pre-AIDS heyday of 1970s porno. And Dirk’s special thing is his special thing. That is—and there’s no way to put this politely—his massive member, heroically proportioned and always at the ready. Director P.T. Anderson’s second, breakthrough feature film, after the well-received but barely seen Hard Eight, is constructed around the literal and symbolic use of Dirk’s legendary, uh, dirk, in much the same way that the nation’s capital emanates outwardly from the proudly phallic obelisk of the Washington Monument. But Boogie Nights isn’t some tribute to masculinity. Alfred Hitchcock had his MacGuffin—that unimportant object that nevertheless drives the plot—and that’s essentially how Anderson uses Dirk’s “diggler.” It’s central and marginal; it means everything and nothing. And ultimately, it’s nothing special.
Not your average family...
Picture quality fetishists should have no trouble getting it up, so to speak, for Boogie Nights' exceptionally sexy 1080p/VC-1 encoded transfer. If you've seen the film before, you'll know that it's soaked with SoCal sunshine and bold 1970s colors, and when compared to the film's DVD release, everything here looks deeper, tighter, and more vivid. See the blue, green, and pink lights inside the Hot Traxx nightclub, Dirk's burgundy leisure suit, and the intensely red blood hemorrhaging from the nose of an underage coke whore. Examine the poolside party scene, which is extremely bright but never washed out, still sporting strong aquamarines and expertly reproducing the multi-hued bathing suits on display. Aside from a few darker shots that look just slightly grayish, black levels are as inky as they could be without the danger of crushed shadow detail, and contrast is right on the money. Some of the scenes—like the hot tub sequence—are remarkably dimensional and lifelike. Basically, everything looks exactly as it should, and I'd be surprised if this transfer didn't meet P.T. Anderson's exacting specifications. Of course, there's a lot of handheld camerawork in the film—scattered in amongst Anderson's long, sweeping, highly orchestrated dolly movements—so the focus isn't always precise, but this really lends to the beauty and feeling of the film. In general, though, Boogie Nights boasts an impressive sense of clarity on Blu-ray, with lots of fine texture apparent in faces and newfound detail in the wacky 1970s costumes. Grain levels fluctuate—there are times when grain is superfine, almost conspicuously absent even, and others when it buzzes and pulses onscreen—but there are no distractions here and I saw no evidence of any detail-obliterating smearing or waxiness. One final thought, which I feel almost obligated to mention: In high definition, the "prosthesis" we glimpse briefly at the end of the film, for good or ill, looks much more fake than it ever did in 480p. Just sayin'.
"This is hi-fi, okay? High fidelity. You know what that means? That means this is the highest
quality fidelity. Hi-fi. Two very important things in a stereo system...I have this very unit in my
home, but I got it modified with the TK-421, which kicks it up another three or four quads per
channel. But that's just technical talk, that doesn't concern you."
Don't worry, you won't have to modify your home theater system with the TK-421 to experience
everything that Boogie Nights' Dolby TrueHD 5.1 surround track has to offer (though it
might be helpful to have a system capable of handling the tight bass this track puts out). While
not as immediately appreciable as the film's stunning high definition upgrade in picture quality,
this audio track handles everything that director P.T. Anderson throws its way with clarity,
presence, and oomph. And what does he throw, exactly, you ask? Basically, non-stop top-40
fastballs from the 1960s and 70s, like Three Dog Nights' "Mama Told Me (Not to Come)" and The
Beach Boys' "God Only Knows," plus a few curveballs like the orgasmic squealing of The
Chakachas' "Jungle Fever." And let's not forget Dirk Diggler's fist-pumping anthem, "The Touch."
There's rarely a moment when there isn't a song playing, and the music sounds impressively full-
bodied and detailed, with an especially potent low-end. The sound effects are equally crisp—hear
sausage frying and coffee pouring, the clinking of ice falling into a whisky glass and the brisk snort
of a coke line—and dialogue is easily understood throughout, except in scenes, like the opening in
the club, when it's intentionally hard to hear. The track is nicely balanced throughout, but it is
somewhat front-heavy. You'll hear the music panned into the rears, some occasional ambience,
and a few sound effects, like the bubbling of water in the swimming pool, but there are stretches
when the surround channels fall into silence. Also, my ears perked up at a slight but noticeable
hiss that runs for a few minutes during the first third of the film. Not sure what the cause of this
could be, but it was brief, at least, and not too distracting. Overall, though, this track is white-hot
and red-blooded.
Do note that there's an error on the back of the case, which claims the disc also includes Dolby
Digital 5.1 mixes in English, German, Latin Spanish, and Castilian Spanish. The only audio options
available on the disc, however, are the English Dolby TrueHD 5.1 mix and the two commentary
tracks.
Commentary by Director Paul Thomas Anderson
P.T. Anderson begins by admitting how indebted he is to director commentaries, which taught
him a lot about how to rip off movies. And he's not ashamed to point out his influences, ranging
from 1970s porno to Scorsese and Truffaut. This track is sometimes dry, and sometimes quiet,
but it really is intelligent and wildly informative. A great listen.
Commentary by P.T. Anderson and Cast Members Mark Wahlberg, John C. Reilly, Don
Cheadle, Julianne Moore, William H. Macy, and Heather Graham
If P.T.'s solo track is the smart and quiet one, this one is wilder, looser, and by the sound of
things, slightly booze-fueled at times. Anderson invited the actors over to his home, individually
or in pairs, recorded some off-the-cuff Q&A, and then patched it together later. While I initially
would've preferred a big, everyone-together-in-the-room-style commentary, this patchwork track
is pretty entertaining.
The John C. Reilly Files (SD, 15:10 total)
In these outtakes and longer cuts of existing scenes, everybody's favorite Step Brother gets to let
loose a little and have some fun improvising. Three scenes are included: "Swim Trunks," "Waiting
for Todd," and "Mixing with Nick."
Deleted Scenes (SD, 29:28)
There's a wealth of deleted material here—ten clips total—from relatively short cuts to long
improvisatory scenes where director Paul Thomas Anderson simply let the camera roll. Anderson
also supplies optional commentary for each of the scenes, explaining their contexts and the
reasons why they were cut.
Music Video: "Try" by Michael Penn (SD, 3:11)
P.T. Anderson directed this impressive single-shot music video, which is "set in the longest
hallway in North America," according to Anderson's optional commentary.
Theatrical Trailer (SD, 2:24)
One of the best films of the 1990s, Boogie Nights is intelligent, impassioned, and stylistically assured, showing the nascent talent of director P.T. Anderson warming up for even greater feats, like 2007's brilliant There Will Be Blood. Making its Blu-ray debut, the film looks gorgeous in 1080p, and the soundtrack will most definitely get your stereo system pumping, even if you don't have that TK-421 modification, which kicks it up another three to four quads per channel. But that's just technical talk. If you're a fan of the film, you'll want to trade in your DVD copy and pick up this Blu-ray right away. The material isn't for everyone's tastes, however, so for newcomers I'd suggest a rental first. Highly Recommended.
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