Body Heat Blu-ray Movie

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Body Heat Blu-ray Movie United States

4K Restoration
Criterion | 1981 | 113 min | Rated R | May 19, 2026

Body Heat (Blu-ray Movie)

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Movie rating

7.7
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer4.5 of 54.5
Overall4.5 of 54.5

Overview

Body Heat (1981)

Shyster lawyer Ned Racine begins a passionate affair with Matty Walker, wife of a wealthy Florida businessman. With the help of one of his criminal clients, bomb maker Teddy Lewis, Ned hatches a scheme to kill Matty's husband so that they can run away together with his money. But complications build upon double-crosses, launching the hapless lawyer into a situation far more treacherous than he imagined.

Starring: William Hurt, Kathleen Turner, Richard Crenna, Ted Danson, J.A. Preston
Director: Lawrence Kasdan

DramaUncertain
Film-NoirUncertain
EroticUncertain
ThrillerUncertain
CrimeUncertain

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 1.85:1
    Original aspect ratio: 1.85:1

  • Audio

    English: LPCM 2.0 (48kHz, 24-bit)
    English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)

  • Subtitles

    English SDH

  • Discs

    Blu-ray Disc
    Single disc (1 BD)

  • Playback

    Region A (locked)

Review

Rating summary

Movie4.0 of 54.0
Video5.0 of 55.0
Audio5.0 of 55.0
Extras4.0 of 54.0
Overall4.5 of 54.5

Body Heat Blu-ray Movie Review

Reviewed by Dr. Svet Atanasov May 23, 2026

Lawrence Kasdan's "Body Heat" (1981) arrives on Blu-ray courtesy of Criterion. The supplemental features on the release include new program with Lawrence Kasdan; new program with editor Carol Littleton and critic Bobbie O'Steen; archival interviews with William Hurt and Kathleen Turner; vintage trailer; and more. In English, with optional English SDH subtitles for the main feature. Region-A "locked"

The man who couldn't handle the heat


The dangerous female chameleons have been around for a very long time. For example, two of the all-time greatest, Barbara Stanwyck’s Phyllis Dietrichson and Jane Greer’s Kathie Moffat, come from the 1940s. Hollywood wasn’t the only place they called home, either. On the other side of the Atlantic, Italy and France also produced many of them. Gina Lollobrigida plays an outstanding one in Giulio Questi’s cult thriller Death Laid an Egg. Isabelle Adjani plays another outstanding one in Claude Miller’s mind-bender Deadly Circuit. Of course, Anne Parillaud will always be remembered for playing a terrific one in Luc Besson’s action thriller La Femme Nikita.

Today, the dangerous female chameleons are practically extinct. It is not because directors are no longer shooting films in which wicked females wear masks and commit wicked acts for different reasons. It is because these female characters are supercharged with testosterone replicas of conventional male killers. Kate Beckinsale, Milla Jovovich, Angelina Jolie, and numerous other current female A-listers have been cast to play many such characters. They are boring. They look very, very fake, too. The dangerous female chameleons who used to play with their targets' minds and expertly discard them when they were ready to move on have two key attributes that their current counterparts lack. The first is intelligence. Not the kind that would help them fire fake weapons and perform like professional athletes, but the kind that makes it possible to scheme brilliant schemes and outmaneuver their targets in countless ways. The second is sex appeal. The dangerous female chameleons from the last century were all genuine head-turners and, as their targets routinely discovered, masterful seducers. Their understanding of style, class, and carnal desire was impeccable, allowing them to transform their sex appeal into their most effective weapon.

Lawrence Kasdan’s Body Heat comes from the 1980s, dazzling with lush colors and scorching hot visuals that are utterly incompatible with the classic appearance and personality of the black-and-white film noirs that popularized the dangerous female chameleon. However, it is essentially a black-and-white film noir with a modern appearance and personality, and as strange as it may seem, this upgrade is its biggest weakness.

It is its biggest weakness because once its true identity is exposed, which happens almost immediately after its two stars connect, the inevitable dramatic character transformation one of them would undergo begins hurting its integrity. To be clear, it is not because the stars cannot handle their parts right. They do it very well. Rather, it is the predictability of the character transformation that undermines too much of what makes the relationship between the two stars credible. It is easy to see what is coming, and it feels like it is intentionally delayed for as long as possible.

The stars meet on a hot and humid night in the fictional town of Miranda Beach, Florida. The sleazy lawyer Ned Racine (William Hurt) makes a move on the bored, sexually frustrated housewife Matty Walker (Kathleen Turner), and the two immediately begin an illicit affair. Soon after, Racine agrees to kill Walker’s older, very jealous husband (Richard Crenna), whose shady business dealings have transformed him into one of the area’s wealthiest residents. After consulting one of his former clients (Mickey Rourke), an ex-con and expert arsonist, Racine then puts together the perfect ‘accident’ to liberate Walker so they can start a new life together. Racine and Walker also make arrangements to access the dead husband’s wealth. However, the perfect ‘accident’ quickly evolves into a classic disaster.

Hurt and Turner share great chemistry, which is the biggest reason to seek and see Body Heat. During the initial seduction, and later, when the chameleon changes masks while continuing to play with the mind and body of the sleezy lawyer, the fireworks look one hundred percent legitimate. However, the preparation of the ‘accident’ and especially the legal discussion and ripple effects it produces are difficult to take seriously. They make the sleazy lawyer look like an amateur player who has somehow managed to pass the bar exam, rather than a male version of the female chameleon.

Richard H. Kline’s cinematography is most interesting. It emphasizes very lush, warm colors and routinely produces hazy visuals that perfectly imitate the frequent sauna-like conditions of South Florida.


Body Heat Blu-ray Movie, Video Quality  5.0 of 5

Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Body Heat arrives on Blu-ray courtesy of Criterion.

The following text appears inside the leaflet provided with this Blu-ray release:

"Supervised by editor Carol Littleton and approved by director Lawrence Kasdan, this new 4K restoration was created from the original 35mm camera negative. The stereo soundtrack was remastered from the 35mm magnetic track.

Mastering supervisors: Lee Kline, Giles Sherwood.
Colorist: Gregg Garvin/Roundabout Entertainment, Burbank, CA.
Image restoration: Resilion, New York."

The new 4K restoration of Body Heat is also made available on 4K Blu-ray in this combo pack release. I viewed it, in its entirety, on 4K Blu-ray and Blu-ray.

The new 4K restoration of Body Heat is a tremendous upgrade in quality. I have the original Blu-ray release of the film that Warner Bros. produced in 2008, and I performed only a few comparisons with it because there were big improvements in every single area we scrutinized. On my system, the restored visuals' great dynamic range was particularly impressive, enhancing numerous small and big contrasts that the original cinematography also emphasizes. Color reproduction and balance are outstanding. All primaries and supporting nuances are properly set, and there are absolutely no traces of the awful tealing that destroyed the recent 4K restorations of big films like Point Blank and Night Moves. Unsurprisingly, now Body Heat has a spectacular, very faithful, very attractive period appearance. There are no traces of problematic digital corrections, such as degraining, sharpening, contrast boosting, etc. Image stability is excellent. The entire film looks spotless as well. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).


Body Heat Blu-ray Movie, Audio Quality  5.0 of 5

There are two standard audio tracks on this release: English LPCM 2.0 and English DTS-HD Master Audio 5.1. Optional English SDH subtitles are provided for the main feature.

I viewed the new 4K restoration of Body Heat, in its entirety, on 4K Blu-ray and Blu-ray. The comments below are also shared in our review of the combo pack release.

The old Blu-ray release of Body Heat that I have only has a lossless 5.1 track, so I decided to view the 4K restoration with the LPCM 2.0 track. I like it a lot. It produces sharp, very nicely rounded audio, and in several sections -- like the sequence where William Hurt's car is nearly hit by the truck emerging from the thick fog -- the dynamic movement and contrasts are great. I like how the music sounds, too. I did not test the 5.1 track. However, I assume that it replicates the strengths of the previous 5.1 track.


Body Heat Blu-ray Movie, Special Features and Extras  4.0 of 5

  • Lawrence Kasdan - in this new program, Lawrence Kasdan discusses his childhood years in West Virginia, the passion for film noir he developed after relocating to Michigan, and the structure, style, and characters of Body Heat. Kasdan also has interesting comments about his first interactions with William Hurt and Kathleen Turner, as well as the diverse work of cinematographer William H. Kline on films like Who'll Stop the Rain and his contribution to Body Heat. In English, not subtitled. (23 min).
  • Carol Littleton and Bobbie O'Steen - in this new program, editor Carol Littleton and critic Bobbie O'Steen discuss the former's collaboration with Lawrence Kasdan on Body Heat. In English, not subtitled. (23 min).
  • Featurettes - presented here are three archival featurettes focusing on the conception and production of Body Heat. Included in them are interviews with Lawrence Kasdan, William Hurt, Kathleen Turner, Ted Danson, cinematographer Richard H. Kline, and composer John Barry, amongst others. The featurettes were produced in 2006. In English, with optional English SDH subtitles.

    1. The Plan. (18 min).
    2. The Production. (17 min).
    3. Postproduction. (11 min)
  • William Hurt and Kathleen Turner - in this archival program, which gathers clips from different interviews, William Hurt and Kathleen Turner reveal how they became involved with Body Heat and comment on their characters. In English, with optional English SDH subtitles. (13 min).
  • Deleted Scenes - presented here are several remastered deleted scenes. In English, with optional English SDH subtitles. (10 min).

    1. In the Back Seat
    2. Stewardess
    3. Practice Run
    4. First Murder Attempt
    5. After the Attempt
  • Trailer - in this new program, editor Carol Littleton and critic Bobbie O'Steen discuss the former's collaboration with Lawrence Kasdan on Body Heat. In English, with optional English SDH subtitles. (2 min).
  • Leaflet - an illustrated leaflet featuring critic Megan Abbott's essay "The Trap You Set for Yourself", as well as technical credits.


Body Heat Blu-ray Movie, Overall Score and Recommendation  4.5 of 5

Larry Kasdan's genuine love for the classic film noirs of the 1940s and 1950s is instantly detectable in Body Heat. In fact, this might be the only weakness of Body Heat because there is too much of it, making the progression of its story and evolution of its characters entirely predictable. However, William Hurt and Kathleen Turner share great chemistry, and William H. Kline's cinematography is sublime, so Body Heat is a gem of a film. Criterion's combo pack presents a superb new 4K restoration of it, approved by Kasdan, with a fine mix of exclusive new and archival bonus features. The 4K restoration is also made available on 4K Blu-ray in this combo pack release. VERY HIGHLY RECOMMENDED.


Other editions

Body Heat: Other Editions