7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 1.0 | |
| Overall | 1.0 |
Bobby G. is a Hell's Kitchen coke dealer with a big heart. He spends his days with his low-life but likeable neighborhood friends trying to evade a pair of undercover cops out to nail him. When a rich yuppie approaches him to buy a kilo of cocaine, Bobby decides to make this one last big score and retire from the business in style. However, when the buyer turns skittish and Bobby lays out the drugs before getting the money, what he thought was the deal of a lifetime turns into a slow-brewing nightmare with seemingly no way out.
Starring: John-Luke Montias, Susan Mitchell, Vincent Vega, Norman Middleton, Paul Maged| Crime | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 1.73:1
Original aspect ratio: 1.37:1
English: LPCM 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 0.5 | |
| Audio | 1.5 | |
| Extras | 0.5 | |
| Overall | 1.0 |
Discovering a little-known independent film can be a thrill, and 1999's Bobby G. Can't Swim has
much to recommend it. The story isn't especially original, but the performances feel authentic
and lived-in, and the Hell's Kitchen locations have the casual, trashy look of places where people
are just as likely to hang out, hustle or kill with equal enthusiasm or indifference. If the
distributor, Allegro Films, had released Bobby G. on DVD, it would be an intriguing novelty.
But Allegro opted for Blu-ray, and that changes the game. If you're going to release a film on a
high-definition format, then it ought to be high-definition. Bobby G. is not. It should be required
viewing for anyone who's ever indulged in hyperbole about how this-and-such studio release
looks "no better than DVD".
This is what a Blu-ray looks like when it's no better than DVD.


In a word, appalling. The moment you switch from the 1080p menu to the film - which reads as
1080i but does not appear to be anything better than 480p quality - you know you've left the
world of hi-def. The letters of the opening titles are blurry and soft with indistinct edges, and the
black background is shifting and unstable, frequently streaking to gray. Once the titles are past,
the image is muddy, soft and indistinct throughout the running time, with no detail, weak colors
and occasional instances of aliasing. Perhaps the only advantage of the image's poor quality is
that it makes less noticeable the abundant dirt and print damage that occur throughout the feature.
The film has been AVC-encoded; so compression does not appear to be the culprit. Good
encoding can't improve on poor source material.
The aspect ratio measures out at the unusual number of 1.73:1, but something is wrong with the
framing. Heads of principal characters are routinely cut off, not just at the eyes, but sometimes as
far down as the chin. Unless the director was trying for an extremely odd effect or the cameraman
was unusually inept, one must conclude that the matting was wrongly positioned during the
transfer. Given the atrocious quality of every other aspect of the image on this disc, that comes as
no surprise.

The disc has a single PCM 2.0 soundtrack, which sounds decent when played back through ProLogic IIx processing. Dialogue is generally clear and intelligible, except for a few passages that drop out inexplicably, as if the microphone had suddenly cut out and ADR wasn't affordable (though the credits list numerous personnel for post-production sound). The score, which is credited to Ed Tomney, a composer for Nova and for Todd Haynes's Safe, has a pleasant tonality but won't place any great demand on your system. Essential sound effects accompany the action, but even gunshots are muted.


The overall rating for Bobby G. Can't Swim reflects the fact that the film itself is worthwhile.
Otherwise it would be rock bottom. I refuse to associate the word "recommended" with this disc,
even when preceded by "not". The appropriate judgment is: return to sender.