7.2 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Three years after the Communist takeover of Vietnam, a Japanese photojournalist travels to Vietnam to document the country's seemingly triumphant rebirth. When he befriends a teenage girl and her destitute family, however, he begins to discover what the government doesn't want him to see: the brutal, often shocking reality of life in a country where political repression and poverty have forced many to resort to desperate measures in order to survive.
Foreign | 100% |
Drama | 62% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Cantonese: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 3.0 | |
Extras | 4.0 | |
Overall | 4.0 |
Ann Hui's often overlooked documentary-style drama Boat People is now seen as an early landmark in the Hong Kong New Wave movement, performing well theatrically in its home country and earning plenty of critic cred... but it was also pulled from competition at the 1983 Cannes Film Festival following the protests of certain left-wing sympathizers for its politically-charged content. It's a startling at at times emotionally brutal experience, one that flatly juxtaposes vérité camerawork and an arm's-length narrative with the absolutely devastating treatment of Vietnamese people after their country's post-war takeover by communist China. The surprisingly stoic vibe of its warts-and-all approach clearly makes for a unique cinematic experience, but one you likely won't return to on a regular basis.
Although these realizations allow us to follow along with Boat People's narrative, the cold and detached nature of its presentation gives it more of a neutral message that works in its favor. Shiomi makes for a compelling everyman, and George Lam's understated performance hits all the right notes. Yet its combination of fly-on-the-wall visuals and brutal behavior, which purposefully creates a kind of emotionally numbing effect that might be extremely off-putting to more sensitive viewers, makes Boat People more of a sobering history lesson that, now over four decades removed from its release (and even further from the subject matter it depicts) is recommended for an even narrower audience. But it's a film you'll remember for all the right or wrong reasons, and that's certainly a feather in its cap.
More than most entries in its ever-growing library, Criterion's treatment of Boat People feels like a natural fit. This new Blu-ray edition
actually serves as the film's domestic home video debut -- which, as far as I can tell, even includes VHS and laserdisc -- which makes their new
4K-sourced 1080p transfer an outstanding effort almost by default. Although I have a few reservations about its visual presentation (as well as the
state of the audio mix), everything else about this release is top-tier Criterion, from the nicely-appointed booklet to a surprisingly deep collection of
bonus features that mix first-hand retrospective comments with a feature-length celebration of director Ann Hui's career. Overall it's a great
package, though one that's still hard to recommend to anyone but established fans: as mentioned before Boat People is a pretty difficult
watch, and one that doesn't include a particularly high level of replay value.
Criterion's 1080p transfer of Boat People was sourced from their recent 4K resolution scan of the original 35mm camera negative; from that angle, it's hard to find fault with what appears on-screen here. Long-time fans of the film will likely be impressed; its lack of previous domestic home video editions makes this a strong debut indeed, one with incredibly strong organic qualities including a high degree of fine detail, plenty of film grain, and an overall consistent textural appearance that holds up nicely during all but the darkest scenes. My only two areas of concern are what looks to be the obvious teal push of certain sequences (screenshot #4, for starters), which indeed creates plenty of contrast but doesn't exactly look authentic for typical films released during this era. But since I have no concrete evidence for this potential re-grade, it's hard to critique too harshly. One less visible element that's tougher to ignore is the occasional macro blocking, which for the most part is hidden by the copious amounts of natural film grain but can still be spotted along the way. Overall, though, this is a largely pleasing effort that nonetheless looks quite good in motion.
Please note that a German Blu-ray edition from Cargo Records was released in November and, while our database lists it as a single-layered disc, it's unknown how that release fares from a color and encoding standpoint.
Though perhaps through no fault of its own aside from the state of the original 35mm source, Criterion's lossless LPCM mono track is a pretty rough listen at times. Hiss and popping are present but not pervasive and of course there's no significant amount of depth and overall dynamic range, but the real sore-thumb standout is harsh sibilance, which dominates this track to an almost overwhelming degree. Having not seen Boat People before, I can only assume this is how it's always sounded... so at the very least, while this is clearly a below average track to layman's ears, it's at least probably the best possible version of "below average" currently available given the studio's track record.
Optional English subtitles are included during the film and select bonus features for translation purposes only. The former are advertised as a new translation, but I'll have to defer to long-time fans on that one.
This one-disc release ships in Criterion's typical stocky keepcase with an interior print and a handsome booklet with technical specs, cast/crew credits, and two essays: "Persistence of Vision" by Justin Chang and "Becoming Refugees" by Vinh Nguyen. The bonus features are quite substantial in length and all well worth looking through.
Ann Hui's Boat People is a sobering and often misunderstood drama whose stature has stayed consistent with age. The combination of vérité-style filmmaking with a progressive narrative makes it frequently captivating, yet it's cold and distant by design which makes it more of an occasional watch than something you'll return to often. (Then there's the on-screen violence, which may prove too much for many viewers.) Regardless, it's well worth a watch and Criterion's new Blu-ray is a fine effort, offering solid A/V merits -- with a few reservations, some possibly unavoidable -- and a terrific slate of extras that totals roughly four hours in length. Firmly Recommended to the right audience.
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