6.4 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Yearning to make real films in early 1970s Hollywood, California, 25-year-old French-Canadian Jim DeSalle gets caught up in the adult film industry, trying to support himself and his wife Lisa (Barbara Caron), with their Baby. They seem to have the perfect life, but it all falls apart.
Starring: Barbara Mills, Alain Patrick, Gary KentDrama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (48kHz, 16-bit)
BDInfo verified
English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region free
Movie | 2.5 | |
Video | 4.5 | |
Audio | 3.5 | |
Extras | 4.0 | |
Overall | 4.0 |
1971’s “Blue Money” is a domestic drama and a procedural feature about the production of pornography, mixing some soulfulness into an effort that’s primarily about sneaking in as much skin as possible. Director Alain Patrick funnels his experience in adult entertainment into this movie, hope to bring to the screen an authentic recreation of life as a porno producer, with all the flakes, crooks, and fear involved, often preventing a smooth assembly of sex. As a semi-documentary, “Blue Money” is actually quite interesting, capturing corners of the skin business that aren’t normally addressed, going a long way to demystify how the industry works. The rest of the film isn’t nearly as compelling, finding Patrick too enamored with himself to honestly attack his woeful lead performance and uninspired screenplay.
The AVC encoded image (1.85:1 aspect ratio) presentation has the benefit of period style, bringing out impressively refreshed hues for costuming and locations, which provide compelling greenery and California colors. Skintones are equally important to the viewing experience, showcasing a natural look that helps with intimate encounters. Detail is ideal, with impressive sharpness exploring body parts and urban touring, clarifying distances. Interiors also maintain a textured appearance. Grain is filmic. Delineation can be thick at times, but frame particulars aren't overwhelmed. Source displays some mild scratches and speckling.
The 1.0 DTS-HD MA sound mix provides a strange listening experience, with viewers unfamiliar with "Blue Money" left to wonder if the feature was haphazardly assembled or simply hit with age-related issues. There are a few audio dropouts along the way, abruptly shutting down music cues and dialogue exchanges. Performances sound satisfactory, handling accents and thespian skills pleasingly. Soundtrack selections, including the main title track, are a little unsteady, prone to warbling, but loud enough to pass. Sound effects are pronounced, especially sex scenes. Hiss is minimal.
Threat comes in the form of surveillance transmissions scattered around "Blue Money," building toward rumor of an upcoming bust, threatening to ruin Jim. It's awfully strange to watch the feature attempt to create a heart, teasing complexity with Jim's martial entanglements and professional ruin, but the filmmaking isn't strong enough to inspire sympathy. "Blue Money" ends up scattershot and empty when it comes to a human perspective, but the grinding gears of the adult industry often save the viewing experience, giving outsiders a peek behind the curtain to witness as much humiliation going on behind the camera as there is in front of one.
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