6.3 | / 10 |
Users | 0.0 | |
Reviewer | 1.5 | |
Overall | 1.5 |
Fun, friendship and a thrilling adventure of a lifetime. Dana, a killer surfer from California, travels to the breathtaking coasts of South Africa, determined to fulfill her mother’s dream of surfing the legendary Jeffrey’s Bay. With nothing but her mom’s journal as a guide and a fun-loving group of surf fanatics watching her back, Dana faces epic waves, tough locals and her own fears in this unforgettable surf odyssey.
Starring: Sasha Jackson, Sharni Vinson, Elizabeth Mathis, Gideon Emery, Rodger HalstonRomance | 100% |
Sport | 25% |
Drama | Insignificant |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
French: DTS 5.1
Spanish: DTS 5.1
English SDH, French, Spanish
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy (as download)
DVD copy
BD-Live
D-Box
Slipcover in original pressing
Region A (B, C untested)
Movie | 1.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 1.5 |
Ah, for the carefree, innocent days of Beach Blanket Bingo or even Gidget. You know, those sun drenched movies (no one would even go so far as to call them “films”) where teenage shenanigans met with the latest dance craze, forgettable romances and usually lamentable music. But you know one thing that films—er, movies like Beach Blanket Bingo and Gidget didn’t have? Delusions of grandeur, that’s what. These small scale efforts knew exactly what they wanted to be. In Gidget’s case, it was a teen coming of age story, wrapped up with some romance and cast amid the waves and sand. The whole Frankie and Annette series didn’t even have those limited ambitions. The Avalon and Funicello franchise wasn’t about much else than mindless fun, a sort of filmic wallpaper that usually played in drive-ins (remember those?) where the target audience probably wasn’t paying that much attention to the movie in the first place, if you catch my drift. The first Blue Crush movie had at least the ostensibly noble aim (stop laughing) of highlighting the need for something akin to professional women’s competitive surfing. If it did so in a melodramatic and turgid dramatic environment, there was at least that saving grace. But what does Blue Crush 2 really have to offer? Well, there are bounteous babes in bikinis, that’s certainly a major plus. And there’s some absolutely fantastic footage of surfers, male and female, including some up close and personal shots inside the tube that defy description. The South African setting of Blue Crush 2 also provides the film (whoops, movie) with a spectacularly beautiful locale. And, ladies and gents, that’s about it. This is the silliest, most predictable, dramatically inert and lifeless piece of crap, blue or otherwise, that has come down the pike in quite some time.
Blue Crush 2 is the rare Universal Blu-ray release which sports a VC-1 (as opposed to an AVC) encode, in 1080p and 1.78:1. Perhaps the film's European (German) genesis has something to do with this idiosyncrasy, but the results are quite pleasing, despite a certain boorish elitism some people have towards VC-1. The film is brilliantly sharp and features gorgeous depth of field. Contrast is intentionally boosted sometimes, evidently to up the "sun dappled" ambience of the settings, but even in these artificially filtered moments, colors are precise and fine detail is readily apparent. In fact the palette here is one of the film's chief attractions. Gorgeous teals, blues and greens fill the screen and some of the South African location shots are as sumptuous as could be imagined. There were one or two very brief moments of shimmer and aliasing, strangely never with the sprays of water which are a frequent feature of the film, but more usually with aerial shots of foliage and rock formations.
It may not have the quaint appeal of Frankie and Annette, but Blue Crush 2's lossless DTS-HD Master Audio 5.1 soundtrack is filled to the brim with pulsating rock, pop and reggae beats which play virtually nonstop through the movie, giving abundant opportunity for the surrounds and especially the subwoofer to come into play. But immersion (a more accurate than usual term in this case) is really excellent in most of Blue Crush 2, especially in the surfing sequences, where the roar of the ocean and being inside the tube is incredibly well represented through very artful mixing and utilization of the surround channels. Even some of the open air beach scenes teem with excellent surround activity, giving a nice spacious feel to the soundscape. Fidelity is excellent, if perhaps a bit bass heavy for some tastes.
If you've ever wondered about the South African surfing scene, you'll at least be able to see some admittedly stupendous footage of fantastically beautiful sites and incredibly gifted surfers sprinkled throughout Blue Crush 2. The problem is you have to sit through all the other dramatic idiocy to see those sequences. The choice is yours.
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