6.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
As a Korean-American man raised in the Louisiana bayou works hard to make a life for his family, he must confront the ghosts of his past as he discovers that he could be deported from the only country he has ever called home.
Starring: Justin Chon, Alicia Vikander, Mark O'Brien, Linh-Dan Pham, Sydney KowalskeDrama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
English: DTS-HD Master Audio 5.1
French: DTS 5.1
Spanish: DTS 5.1
English SDH, French, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
Slipcover in original pressing
Region A, B (C untested)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 4.5 | |
Extras | 1.0 | |
Overall | 3.5 |
Blue Bayou begins with the voice of a potential employer (heard off-screen) asking Antonio LeBlanc (Justin Chon) where he hails from. When Antonio responds that he comes from a section of Louisiana, the interviewer clarifies his question so it concerns Antonio's birthplace. Antonio replies with "Korea." This and the fact that Antonio states he stole motorcycles (albeit many years ago) seals his fate for a prospective job as a mechanic. The man tells Antonio that he's unable to hire him. This opening scene portends how the film will view race and immigration throughout the narrative. Antonio emigrated from South Korea to America when he was three and lived with a foster-care family for awhile. He currently works at a tattoo parlor and is married to Kathy (Alicia Vikander), a physical therapist. Kathy has a 7-year-old daughter Jessie (Sydney Kowalske) with her ex-husband Ace (Mark O’Brien), a New Orleans Police Department officer. Kathy is expecting her first child with Antonio, who's grown very close to Jessie. Antonio decides that his stepdaughter will play hokey from school one day so he takes her on a motorcycle ride and a bonding excursion by the wetlands. Jessie is very concerned that her stepfather will de-prioritize her once he has a child of his own but Antonio tries to reassure her that she'll still come first. When Kathy, Antonio, and Jessie take a trip to the supermarket, they have a mild disagreement over something in one of the aisles. Ace and his partner, Denny (Emory Cohen), are also shopping in the store and overhear the argument. Denny grabs Antonio and pulls him down.
After Antonio is arrested and booked, it's discovered that there either were some errors on his original immigration papers or the forms were improperly filed. Immigration and Customs Enforcement (ICE) notifies Antonio that he faces only two options: (1) To avoid deportation, he can fly back to Korea on his own; or (2) He can attend a hearing and appeal the deportation order. But if he loses, he'll never be able to return to the US again. Attorney Barry Boucher (Vondie Curtis-Hall) explains to Antonio and his wife that some loopholes existed on the 2001 immigration policy which forced adoptees in the prior century to return to their original homelands. Antonio is flabbergasted that more can't be done to ensure that he'll be able to remain with his family. Boucher says that he has few options. Because this lawyer commands a $5,000 retainer fee, Antonio realizes he needs to get more money. Quentin (Altonio Jackson) and some of Antonio's friends from the parlor decide to steal some motorcycles which they'll sell on the black market. Will Antonio participate in the heist?
Blue Bayou has arrived on US Blu-ray courtesy of Universal Studios on this MPEG-4 AVC-encoded BD-50 (disc size: 43.58 GB). Chon's third feature as a director played on the festival circuit and also had a brief theatrical run. Katie Walsh of the Tribune News Service saw a theatrical print and has commented on its aesthetics: "Blue Bayou was filmed on 16mm, which has become one of Chon's auteurist hallmarks, creating for a grainy, tactile and textured immediacy of the image. It beautifully captures the location." The picture is presented in its native 1.66:1 and mostly looks the way Walsh describes it on this HD transfer. Her last remark definitely applies to the compositions of the Crescent City Connection crossing the Mississippi (see Screenshot #s 5 and 16). The general problem with this transfer, however, is that it's taken from a pretty worn theatrical print that wasn't completely cleaned up. There are occasional, though not frequent, white specks. In addition, there's a scene in the lawyer's office where the camera fixates on Antonio and you can see light scratches over him. I'm talking about the shot that's held on him in frame grab #17, although you can't see the scratches where I've captured it. Chon wasn't all thus fussy about what surrounded the film gate because you'll notice "hairs" at the bottom of the gate in Screenshot #s 18-19! You can also spot small slivers of celluloid that stick out of the gate in at least a few other scenes. Universal has encoded the feature at a mean video bitrate of 36853 kbps. My video score is 3.75/5.00.
Universal has provided twenty chapters for the 117-minute film.
Universal has supplied a English DTS-HD Master Audio 5.1 Surround (3760 kbps, 24-bit), a lossy DTS Audio 5.1 Surround dubbed in Spanish (768 kbps, 24-bit), and a lossy DTS Audio 5.1 Surround dubbed in French (768 kbps, 24-bit). The uncompressed 5.1 (English) mix is a pretty large step up from the image quality. A majority of the dialogue is delivered in English and it's almost always clear and audible. There's some words spoken in Vietnamese, which have imposed English subtitles (see Screenshot #20). The satellite speakers do an excellent job of picking up New Orleans street sounds and the natural ambience of the bayou. Motorcycle/car noises, thunder, raindrops, insect and critter sounds are delivered with nice separation along the rears. Composer Roger Suen's score acts as a a subtle backdrop and fine complement to the film.
Universal delivers optional English SDH, Spanish, and French subtitles for the main feature.
Blue Bayou is sumptuously photographed but it's also an overwrought melodrama, which occasionally undercuts its anti-racist message and commentary on immigration policies. I always enjoy seeing Alicia Vikander on screen but she's certainly appeared in better films than this. Universal delivers a recycled theatrical print that hasn't been given the upmost care for this Blu-ray transfer. The picture remains watchable, though. The studio fares much better with its lossless audio presentation. The only extras are a five-minute promotional featurette and a handful of deleted scenes. A MODERATE RECOMMENDATION for this BD-50 of Blue Bayou.
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