6.9 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Paul Morrissey's moralistic take on modern values is a brash mixture of humor, horror, and sex - and a revelation to fans of the horror film. In Blood for Dracula, the infamous count searches Italy for virgin blood
Starring: Joe Dallesandro, Udo Kier, Vittorio De Sica, Maxime McKendry, Arno JürgingHorror | 100% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Three-disc set (2 BDs, 1 CD)
4K Ultra HD
Region free
Movie | 3.0 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 5.0 | |
Overall | 3.5 |
Paul Morrissey evidently doesn't suffer fools gladly, and judging by this release's bonus features among those fools not being suffered gladly, at least by Morrissey's account, is one Andy Warhol, whom Morrissey explicitly accuses of not having a brain in a funny if arguably just a bit self serving interview included as a supplement on this release. That may then beg the question that has been asked for some time by quite a few (not just Morrissey) as to why a film directed by Morrissey should be labeled with "Andy Warhol's", but the vagaries of show business are weird and often inexplicable, to say the least, and the marketing value of the Warhol name probably can't be denied. In that regard, Blood for Dracula enjoyed an initial exhibition under the title Andy Warhol's Dracula, and Severin may therefore be attempting to at least ameliorate the situation by labeling this release more in line with the actual on screen credits, with their cover proclaiming "Andy Warhol Presents Blood for Dracula, a film by Paul Morrissey", though even that may be stretching the truth a bit as Morrissey gets into in the interview, where he offers a fun anecdote about being introduced to Carlo Ponti, who wanted Morrissey to make something for him, and who ended up having Morrissey make two things for him, the film currently under review and its immediate predecessor, Flesh for Frankenstein. Flesh for Frankenstein is a film which exactly like this one was initially released with a slightly redacted title and with a possessive intro as Andy Warhol's Frankenstein.
Note: Screenshots are sourced from the 1080 disc.
Blood for Dracula is presented in 4K UHD and on 1080 Blu-ray courtesy of Severin Films with 1080p and 2160p transfers in 1.85:1. As of the
writing of this review, it doesn't look like Severin is offering a standalone 1080 release, and so this will be the rare review that combines thoughts on
both presentations in one place. The bottom line is, while there may be some passing qualms about the 1080 version in particular, generally speaking
both of these have plus sides, and Severin continues to impress with its 4K UHD version in
particular. The only "technical information" offered by Severin is a brief "scanned uncut in 4K from the original negative for the first time ever", but that
at least confirms that the optimal element was utilized, and it shows. Detail levels are consistently excellent in close-ups, perhaps arguably a bit less so
in some dark sequences as well as some wide shots. There are some rough moments in the 1080 version in particular, notably an early scene in a
village watering hole, and the later climax sequence, where grain is considerably grittier looking and detail levels falter, along with a bit of crush, all of
which is at least marginally improved in the 4K UHD version. Grain can look a little mottled in the 1080 version, and seemed more tightly resolved in
the 4K UHD version. There's noticeably improved clarity in the 4K UHD version right out of the gate, but to my
eyes the biggest difference is in the color gradings between the two presentations. Both versions have a somewhat flushed, pinkish quality that's
especially noticeable in some of the
flesh tones, but I found the palette to be considerably warmer and more vivid looking throughout the 4K UHD version. Saturation is increased and HDR
adds a range of highlights that helps to make the 4K UHD version in general look more colorful.
Both the 1080 and 2160 discs have DTS-HD Master Audio 2.0 Mono tracks. The sound design here isn't overly ambitious, but one undeniable asset is a rather evocative and at times beautifully languorous score from Claudio Gizzi, which sounds nicely full bodied and warm. The typical "loose synch" bugaboo is noticeable, but in terms of actual delivery of dialogue, while lip movements may not always match, everything is discernable. Optional English subtitles are available.
4K UHD Disc
With Vinegar Syndrome's release of Flesh for Frankenstein and Severin's release of this film, a rather provocative revisionist approach by Paul Morrissey to two of the more iconic movie monsters of all time is complete. Perhaps much like Andy Warhol himself and/or his art, these films are not going to be enjoyed by everyone, but Severin is offering a beautifully packaged release with superb supplements and technical merits that in the 4K UHD version in particular are solid. Recommended.
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