6.4 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Tiny Tim stars in his first dramatic film role in this taut drama. A beautiful young girl, Jill Robinson, returns to her peaceful rural home town to find that her life has been turned upside down. The house she grew up in has been defaced, her parents are missing, and the whole town hates her father, the bank supervisor who had foreclosed on many of the local farms. Only "Marvelous Mervo" (Tiny Tim) seems happy to see her. He wanders around the community dressed in a clown's suit with a clown's permanent grin grotesquely painted on his face. Mervo's brother tries to re-kindle his love affair with Jill. Then, one by one, those closest to her are slaughtered like cattle... tied upside down from the rafters of the barn... until the surprise ending reveals the madman.. and a very unlikely savior.
Starring: Peter Krause (I), William Dexter (II), Tiny Tim, Itonia Salchek, Dean West (I)Horror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (96kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 2.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 4.5 |
A fright film doesn’t need much more than the simple image of Tiny Tim in clown make-up staring into the camera, but director Bill Rebane (“The Giant Spider Invasion”) thinks he can do better in 1987’s “Blood Harvest,” which has the distinction of being an offering of regional horror from Wisconsin, combining slasher entanglements with farmland events. Representing Tiny Tim’s lone starring vehicle, “Blood Harvest” has the challenge of finding things stranger than the actor, who portrays a broken man obsessed with the circus, giving the “Tiptoe Through the Tulips” singer a chance to display more than just his famous falsetto (although that appears as well). Rebane has the vision for a proper genre offering, even giving the material an appealingly remote location, but his execution fails to congeal, often so consumed with exploitation interests, he forgets to make the movie scary, or at least menacing enough to give viewers a reasonable jolt.
"Blood Harvest" is a scrappy little horror endeavor, and the AVC encoded image (1.85:1 aspect ratio) presentation preserves the rawness of the viewing experience, with Vinegar Syndrome sourcing the scan from the 16mm original camera negative. Greenery really holds attention here, with gorgeous Wisconsin vistas that retain their summery colors, while costuming is also vibrant, utilizing broad hues from period wear and circus outfits. Skintones are natural. Detail is satisfying, providing a look at household decoration and silky outfits. Facial particulars are appealing, and distances are preserved. Delineation is sharp. Grain is thick but filmic. There's no sustained displays of damage, but a few scenes showcase a mild red flashing on the left side of the frame.
The 1.0 DTS-HD MA sound mix isn't built for sonic power, but genre atmosphere is present during the listening event, with scoring cues delivering synth-laden support, keeping fresh and full. Tiny Tim's songs retain their eerie falsetto. Dialogue exchanges are periodically hit with slight sibilance issues, but voices are defined, keeping banter intelligible and more nightmarish scenarios as intense as possible. Screams stay away from distortive extremes. Sound effects are blunt but true. Some mild hiss and pops are encountered.
The county revolt aspect of the story has potential, playing into decade-specific woes about struggling farmers, but that's dropped early on. Scott's appearance in the movie is strangely shortened, with the young buck mostly here to keep Jill nude, removed from the flow of things in a hurry. And there's Gary, whose obsessiveness with his object of desire is really the only alert element of "Blood Harvest," coming to the rescue when things get particularly slow. The fear factor of the picture is limited, but those interested in slasher cinema might get more of a thrill from "Blood Harvest," which remains modest but intermittently excitable, with plenty of gory close-ups and a reasonable body count. There's the added bonus of Tiny Tim, who commits, but to what is the real question, keeping his "acting" flavorful and authentic. However, Rebane is not making a Tiny-Tim-As-Death effort, which is perhaps his greatest mistake. I understand genre fans and their fondness for formula, but when there's history's strangest troubadour waltzing around the frame in full clown makeup, cutting away to deal with a murder or Jill's shower habits seems like a missed opportunity.
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