Blonde Venus Blu-ray Movie

Home

Blonde Venus Blu-ray Movie United Kingdom

Indicator Series
Powerhouse Films | 1932 | 94 min | Rated BBFC: PG | Aug 26, 2019

Blonde Venus (Blu-ray Movie)

Price

Movie rating

6.9
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer4.0 of 54.0
Overall4.0 of 54.0

Overview

Blonde Venus (1932)

A nightclub singer becomes a playboy's mistress to support her son and ailing husband.

Starring: Marlene Dietrich, Herbert Marshall (I), Cary Grant, Dickie Moore, Robert Emmett O'Connor
Director: Josef von Sternberg

Drama100%

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 1.37:1
    Original aspect ratio: 1.37:1

  • Audio

    English: LPCM Mono

  • Subtitles

    English SDH

  • Discs

    Blu-ray Disc
    Single disc (1 BD)

  • Playback

    Region B (locked)

Review

Rating summary

Movie4.0 of 54.0
Video4.5 of 54.5
Audio5.0 of 55.0
Extras2.5 of 52.5
Overall4.0 of 54.0

Blonde Venus Blu-ray Movie Review

Reviewed by Dr. Svet Atanasov October 22, 2019

Josef von Sternberg's "Blonde Venus" (1932) arrives on Blu-ray courtesy of Indicator/Powerhouse Films. The supplemental features on the disc include new video introduction by Nicholas von Sternberg; audio commentary by critic Adrian Martin; production stills; and more. The release also arrives with a 120-page book featuring new essay by Pamela Hutchinson, archival interviews and articles, an overview of contemporary critical responses, film credits and more. In English, with optional English SDH subtitles for the main feature. Region-B "locked".


The fifth collaboration between Marlene Dietrich and Josef von Sternberg, Blonde Venus, is perhaps their most polarizing one. It is either cautiously praised for its courage to expose ugly social realities or flat-out dismissed as a mish-mashed melodrama.

In the short prologue, the beautiful German cabaret singer Helen meets the handsome American Ned Faraday (Herbert Marshall) and they fall madly in love. The action then moves to New York City where Helen and Ned have started a family and are raising their five-year-old son Johnny (Dickie Moore). Everything seems perfect, but it isn’t because Ned is seriously ill and unless he undergoes a very expensive treatment in Europe it is virtually guaranteed that Helen will become a widow. To get the money that they need, Helen auditions for a shady night club owner (Robert Emmett O'Connor) and after she wows his clientele he gives the star alias Blonde Venus.

At the club, Helen also meets the wealthy playboy Nick Townsend (Cary Grant), who immediately realizes that she is a diamond in the rough who deserves better. He loans her the money that Ned needs to begin his treatment and after he leaves even offers her to move to a vacant, much larger and cozier apartment than the one in which she resides. Then they become romantically involved and for a short period of time Helen even allows herself to dream of a better life. The dream ends when Ned abruptly returns from Europe and discovers that Helen has been living in a different place. When he confronts her and demands that she surrenders Johnny to him, Helen realizes that no matter what she does next the rest of her life will be a painful nightmare.

When Blonde Venus was released the critics were correct to point out that S.K. Lauren and Jules Furthman’s script was far from impressive -- this is basically where the film’s main weakness is, as it rushes the evolution of the key relationships and then delivers a ‘proper’ resolution that seems at odds with the rest of the material -- but in the large scheme of things the structure of the narrative is practically irrelevant. Why? Because the focus of attention is actually on the specific social dilemmas that are highlighted throughout the film. For example, Dietrich’s singer makes a number of poor decisions before and after her husband leaves but only because it is the only way in which the system would give her a chance to preserve her family. Also, when she becomes a fugitive the system automatically makes her a dangerous target and yet the real troublemakers and shady players turn out to be the very people that are supposedly protecting society from baddies like her. So these are some pretty striking revelations to openly promote in a supposedly casual Hollywood melodrama from the 1930s whose main protagonist was a glamorous European actress.

The original script for the film was apparently written by Dietrich, though von Sternberg’s name was attached to it. It is too bad that it was cut to pieces and suffered numerous edits because it probably would have produced a genuine masterpiece.

*This home video release of Blonde Venus is sourced from a brand new 4K master that was struck from 35mm nitrate prints held by the UCLA Film & Television Archive.


Blonde Venus Blu-ray Movie, Video Quality  4.5 of 5

Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Josef von Sternberg's Blonde Venus arrives on Blu-ray courtesy of Indicator/Powerhouse Films.

The release is sourced from the recent 4K restoration of the film, which Criterion introduced in the United States. In my opinion, this is the most consistently great looking film in the box set. There is one segment with some noticeable fluctuations, but the rest of the film looks gorgeous in high-definition. Indeed, depth and clarity are usually very pleasing, while beautiful grayscale promotes various ranges of wonderful and healthy nuances. (This is especially obvious and easy to appreciate during the darker footage). There are no traces of problematic digital adjustments. Unsurprisingly, grain is usually very well exposed and resolved. Image stability is excellent as well. My score is 4.75/5.00. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).


Blonde Venus Blu-ray Movie, Audio Quality  5.0 of 5

There is only one standard audio track on this Blu-ray release: English LPCM 1.0. Optional English SDH subtitles are provided for the main feature.

The quality of the audio is as good as one can expect it to be for a film from the 1930s. Obviously, work has been done to stabilize it as best as possible, improve balance, and remove all conventional age-related imperfections. Frankly, if there ever were any distortions in the upper register where older films typically suffer, and almost certainly there were, now it is impossible to tell. Well done.


Blonde Venus Blu-ray Movie, Special Features and Extras  2.5 of 5

  • Commentary - exclusive new audio commentary recorded by critic Adrian Martin.
  • Introduction - in this new filmed introduction, Nicholas von Sternberg introduces Blonde Venus and comments on a few memorable scenes from the film. In English, not subtitled. (7 min).
  • Dietrich, a Queer Icon - new featurette with So Mayer. In English, not subtitled. (25 min).
  • Gallery - a collection of production stills.
  • Booklet - limited edition exclusive 120-page book with a new essay by Pamela Hutchinson, archival interviews and articles, an overview of contemporary critical responses, film credits and more.


Blonde Venus Blu-ray Movie, Overall Score and Recommendation  4.0 of 5

You can place me in that small group of people that thoroughly enjoy Blonde Venus, despite the fact that it has plenty of obvious flaws. I think that Marlene Dietrich, who apparently wrote the original script for it, and Josef von Sternberg had the right idea for and were ready to deliver an unusually bold Hollywood melodrama, and it is truly a shame that it suffered numerous edits because it definitely could have turned out to be something very special. Dietrich basically plays three different characters, all strong women willing to risk a lot, and in the process puts the spotlight on some of the ugly social realities that usually separate the victims from the winners. Again, the film could have been a lot better, but even in its current form it is rather impressive. Indicator/Powerhouse Films' release is sourced from the ovely new 4K restoration of teh film that Criterion introduced last year. HIGHLY RECOMMENDED.


Other editions

Blonde Venus: Other Editions