Blonde Goddess Blu-ray Movie

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Blonde Goddess Blu-ray Movie United States

Quality X / Slipcover in Original Pressing
Vinegar Syndrome | 1982 | 84 min | Rated X | Feb 25, 2025

Blonde Goddess (Blu-ray Movie)

Price

Movie rating

7
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer4.0 of 54.0
Overall4.0 of 54.0

Overview

Blonde Goddess (1982)

Adventurer Louisiana Smith comes to the rescue of Jungle Jane as she is about to be sacrificed by lusty Indians in the Yucatan in 1936. Suddenly, we cut to the offices of Marble Comics where comic artist nerd Elmo Smathers has been fantasizing, in Walter Mitty fashion, as his boss gives him a talking-to. His depravities are under fire by a sexy Comics Code representative. As the latter loosens up, throwing herself at the boss of the comic book company, Elmo fantasizes over other scenarios including himself as Johnny Ace, WWI ace pilot, battling the German Black Baron; as Private Eye Jack Hammer; and as a heroic construction worker who is transported to a spaceship by the galactic overlord, Megazon (along with a beautiful and innocently by-standing earthling). The "Blonde Goddess" makes an appearance in each fantasy.

Starring: Ron Jeremy, Barbara Peckinpaugh, Jacqueline Lorians, Ron Feilen, Loni Sanders
Director: Bill Milling

Erotic100%
Sci-FiInsignificant
AdventureInsignificant

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 1.37:1
    Original aspect ratio: 1.85:1

  • Audio

    English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)

  • Subtitles

    English SDH

  • Discs

    Blu-ray Disc
    Single disc (1 BD)

  • Packaging

    Slipcover in original pressing

  • Playback

    Region free 

Review

Rating summary

Movie4.0 of 54.0
Video4.0 of 54.0
Audio4.0 of 54.0
Extras2.0 of 52.0
Overall4.0 of 54.0

Blonde Goddess Blu-ray Movie Review

Reviewed by Brian Orndorf April 6, 2025

While moviegoers still clamor for comic book-based films, here’s 1982’s “Blonde Goddess,” which is an adult movie aiming to replicate the page- turning event in its own special way. The feature explores a crisis unfolding at “Marble Comics,” following the daydreaming experiences of a writer striving to maintain his composure while jumping through various scenarios involving high adventure, aerial encounters, and detective fiction. Director Bill Milling manages some ambition with the endeavor, trying to send viewers on an experience into different genres and visual approaches. He also tends to carnal activity, which, as to be expected, isn’t nearly as interesting as the production’s efforts to come across like a mainstream epic, playing with action, animation, and heroism as it hopes to sell big fun, not always heat, to viewers.


Elmo (David Messa) is a lowly employee at Marble Comics, creating multiple comic books for his boss, Dr. Fish (Gordon G. Duvall). However, Elmo is in trouble with the owner, who’s facing condemnation from Farnsworth (Misty Regan), a member of the comics code looking to come down hard on Marble Comics over the spicy content of their releases. As Dr. Fish reads Elmo the riot act, the artist loses interest in the situation, with his mind taking him into scenarios he’s created for the pages. He becomes Louisiana Smith, an adventurer hoping to save Jungle Jane from being sexually conquered by the goddess Amorella (Barbara Peckinpaugh). Elmo turns into Johnny Yank, a flying ace in 1918 France taking on The Baron (Ron Jeremy), eventually finding his way to a brothel to entertain two local ladies. He transforms into Jack Hammer, a private detective confronted by the deceptive ways of Millie Van Horn (Loni Sanders) and her family of thieves. And Elmo looks to the stars as Tony Steel, a construction worker and exobiologist who’s beamed onto a spaceship, confronting the wrath of alien ruler Megazon and his fascination with the carnal appetites of Earthlings.

“Blonde Goddess” is broad, depicting Elmo as a nerdly type handling an overactive imagination, filling his pages with all kinds of fantasy experiences he craves in his personal life. He’s oversexed and armed with ink and paint, and now there’s trouble in in his life as Farnsworth, a conservative force for decency, is about to drop the hammer on Marble Comics, making Dr. Fish very nervous and angry at his apparently sole employee. “Blonde Goddess” sets up tension at the office and dives into comic book segments, beginning with the saga of Louisiana Smith and his very Indiana Jones- like appearance, racing to a Mexican temple to stop Amorella and her tribe from having their way with Jungle Jane. Milling utilizes stock footage and blue screen to realize such exotic experiences, and there’s a speedy path to lusty encounters, as the fedora-wearing hero is challenged to prevent a sex ritual from occurring.

Elmo’s wandering mind continues to World War I France, picking up with Johnny Yank and his dazzling plane battle with The Baron. Well, maybe not dazzling, but decently impressive, as the production manages to use real aircraft to sell some aerial movement. Most of the segment takes place in a bedroom, as Johnny and The Baron are challenged by lustful demands, splitting the experience with two French women. As Elmo’s stories are shared, “Blonde Goddess” tracks increasing stimulation felt by Farnsworth, who’s starting to enjoy the journey.

Perhaps the least successful segment of “Blonde Ambition” belongs to the world of Jack Hammer, a hard-boiled detective on the hunt for the stolen “Abu Dhabi Dildo,” leading him to the sneaky ways of Millie and her family. The sequence is in black and white to help sell a classic cinema look, but the writing here is a bit strange, presenting parental and sisterly dynamics that even the production has little interest in.


Blonde Goddess Blu-ray Movie, Video Quality  4.0 of 5

An information card shares news of framing complications for "Blonde Goddess," finding the production showing little consistency with its 16mm cinematography. To avoid any sudden shifts in aspect ratio, Quality X settles on 1.37:1 to present the feature. The AVC encoded image presentation ("newly scanned and restored in 4K from its original 35mm camera negative") remains perfectly appreciable, offering decent detail as the film explores plenty of skin particulars on the often nude cast. Low-budget costuming effects are also decently textured, along with set tours as the adventure heads to temples and spaceship encounters. Colors are defined, supplying bright primaries throughout the viewing experience. Makeup additions and golden jewelry are also distinct. Skin tones are natural. Delineation is satisfactory. Grain is fine and film-like. Source shows plenty of wear and tear, as scratches are common, along with blasts of discoloration.


Blonde Goddess Blu-ray Movie, Audio Quality  4.0 of 5

The 2.0 DTS-HD MA mix offers a straightforward listening experience for "Blonde Goddess." Dialogue exchanges retain intelligibility, identifying acting ability and dramatic emphasis, and the metallic speaking voice for Megazon is preserved. Scoring supports with acceptable instrumentation. Sound effects are blunt but appreciable.


Blonde Goddess Blu-ray Movie, Special Features and Extras  2.0 of 5

  • Image Gallery (3:26) collects poster art, press pages, publicity shots, and BTS snaps.
  • And a Teaser Trailer (1:43, HD) and a Theatrical Trailer (3:22, HD) are included.


Blonde Goddess Blu-ray Movie, Overall Score and Recommendation  4.0 of 5

The space adventure of Tony Steel closes out "Blonde Goddess," and Milling attempts to "Flash Gordon" up the picture with a mysterious, masked villain in Megazon and his voyeuristic ways. Crude animation is also employed to generate ships and planets, while the sequence climaxes with a display of weightless sex between Tony and his mate, putting some magician tricks to use to sell the strange visual. There's genuine creativity in this movie, which at least tries to create different worlds for Elmo to visit, giving viewers a varied viewing experience sold with enthusiasm. Of course, the usual adult cinema limitations are present, but "Blonde Goddess" is trying to put on a show, and it's mostly successful when endeavoring to reach beyond the limits of the genre and deliver unusual escapism.