7.1 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Manji, a highly skilled samurai, becomes cursed with immortality after a legendary battle. Haunted by the brutal murder of his sister, Manji knows that only fighting evil will regain his soul. He promises to help a young girl named Rin avenge her parents, who were killed by a group of master swordsmen led by ruthless warrior Anotsu. The mission will change Manji in ways he could never imagine - the 100th film by master director Takashi Miike.
Starring: Takuya Kimura, Hana Sugisaki, Sôta Fukushi, Hayato Ichihara, Erika TodaForeign | 100% |
Martial arts | 26% |
Supernatural | 6% |
Comic book | Insignificant |
Period | Insignificant |
Adventure | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Japanese: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English, English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 3.5 | |
Overall | 4.0 |
The celebratory aspect of the “Blade of the Immortal” release is the picture’s status as the 100th film from director Takeshi Miike, which is no small feat when considering the man began his career ascent in 1991. He’s an extremely prolific creator of violent entertainment, hitting some potent cult movie highs over the years (“Ichi the Killer,” “13 Assassins”), but he’s always swinging at the first pitch, keeping himself busy behind the camera dreaming up new ways to brutalize human beings. “Blade of the Immortal” is not a significant creative departure for Miike, but it does utilize his gifts for blunt aggression and screen style well, adding touches of the unreal to a samurai extravaganza adapted from a popular manga, which permits the story to generally disregard Japanese history and charge ahead as a lengthy, funky bloodbath.
The AVC encoded image (2.39:1 aspect ratio) presentation for "Blade of the Immortal" favors sharpness when it comes to showcasing make-up achievements and various locations. Textures on skin, mangled and otherwise, are open for study, delivering aging particulars and sliced flesh during close-ups. The viewing experience remains dimensional, with background information easily accessible, handling the mean glares contained within the large gatherings of swordsman, and village visits preserve set decoration. Colors retain snap and purpose, leading with deep blood reds, and primaries are handled with care on costuming. Painted faces also retain their odd hues. Forest visits deliver evocative greenery. Delineation is satisfactory, clarifying evening encounters. Some mild banding is detected.
The 5.1 DTS-HD MA sound mix isn't as crazily circular as some listeners may be hoping for, leading with more of a frontal charge to best provide action intensity. Surrounds are utilized for atmospherics, which offer the living world of the outdoors, and wooden interiors provide some echo. Periodic acts of violence push outward as well. Dialogue exchanges are sharp and true, handling a collection of strange thespian choices, giving hushed banter and war cries a comfortable balance. Scoring cues register with vigor, leading with heavier drums that provide occasional low-end punch. Sound effects are precise, often favoring the clanging and ringing of swinging steel.
"Blade of the Immortal" isn't wall-to-wall action, adding some political conflicts which, for obvious reasons, aren't quite as gripping as the physical challenges, though Miike creates a defined mood of unrest as power plays rise up, respect is demanded, and Anotsu clarifies his quest for community authority, taking villages by force. The story offers a few twists and turns to help with suspense needs, finding Rin led by emotion, not good sense, which muddies the water in terms of her allegiance to Manji. "Blade of the Immortal" does build to a battle royal finale which delivers requisite Miike madness, extending butchery as far as it can go, offering a suitable payoff to an epic endeavor, and one that's not shy to display the director's fetishistic fixations on the trials of honor and collection of severed limbs.
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