7.2 | / 10 |
Users | 2.0 | |
Reviewer | 3.5 | |
Overall | 3.3 |
A trio of atmospheric horror tales about: A woman terrorized in her apartment by phone calls from an escaped prisoner from her past; a Russian count in the early 1800's who stumbles upon a family in the countryside trying to destroy a particularly vicious line of vampires; and a 1900-era nurse who makes a fateful decision while preparing the corpse of one of her patients - an elderly medium who died during a seance...
Starring: Michèle Mercier, Boris Karloff, Mark Damon, Harriet Medin, Lidia AlfonsiHorror | 100% |
Foreign | 51% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.77:1
Original aspect ratio: 1.85:1
Italian: LPCM Mono
English
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 0.5 | |
Overall | 3.5 |
In 1963, the same year that he practically invented the giallo single-handedly with The Girl Who Knew Too Much, director Mario Bava also made the eerie anthology horror movie I tre volti della paura, a.k.a. The Three Faces of Fear, a.k.a. Black Sabbath. (Yes, this is the film that gave Black Sabbath—the band—their name.) Bava long considered it his favorite of his own films, and that's a sentiment that's easy to share. It has a little bit of everything—the gothic atmosphere of his solo directorial debut, Black Sunday, the lurid cinematography of his later proto-slasher movies, and three memorably creepy stories drawn from classic literature. Horror anthologies have a tendency to be hit-or-miss, but each vignette here is successfully unsettling in its own way, building to a cumulative feeling of pants-wetting terror by the final short, which features what might be the scariest mannequin ever captured on film. The screenshot below doesn't even begin to do it justice.
Kino's 1080p/AVC-encoded presentation of Black Sabbath is sourced from the same raw transfer that Arrow Video used for their U.K. release of the film; however, Arrow went on to perform some additional digital cleanup, while Kino basically left the print "as is." (Kino also stuck with only the Italian cut, whereas Arrow's release includes both the Italian and English versions.) Thankfully, there's no significant print damage here, only the usual—occasional white specks, light scratches, and bits of hair stuck in the edges of the frame. If you've seen the film on DVD before, you'll notice an immediate and substantial improvement. Grain is present throughout—there are no noise reduction abuses here—and the image has a very natural, filmic look, untouched by edge enhancement or other types of filtering. The image is a little soft, on the whole—I suspect this goes back to the source materials and not some shortcoming in the digitization process—but clarity is far better here than it ever has been on home video. The film's distinct and evolving color palette looks great too, from the elegant tones of The Telephone to the cold blues of The Wurdalek and the flashing neon purples and greens of The Drop of Water. There are some brief color and brightness fluctuations, but otherwise the picture is very stable, with good contrast and saturation. The Arrow Video release seems a bit more vivid—perhaps punched up a bit during the restoration process—but Kino's is at least true to source.
The film's uncompressed Linear PCM 2.0 mono track also has some slight age damage—a low, occasionally audible hiss, some random pops and crackles —but nothing particularly distracting, especially if you're used to watching low-budget 1960s horror. This is the Italian cut of the film, so it includes a brassy, moody score by Roberto Nicolosi—the U.S. version was scored by Les Baxter—and the music sounds great, particularly over the opening credits. The dubbing is surprisingly decent too, and the dialogue is always clear and balanced in the mix, with no peaking or muffling. The disc includes optional English subtitles, which appear in easy-to-read white lettering.
Unfortunately, in the supplementary department, Kino's Blu-ray release just doesn't compare to Arrow Video's U.K. collection, which includes both the Italian and international cuts of the film, a commentary track, several featurettes, a 40-page booklet, and more. The only extras here are trailers for Bava's Black Sunday, Hatchet for the Honeymoon, Baron Blood, Lisa and the Devil, and The House of Exorcism.
Mario Bava's Black Sabbath—or, The Three Faces of Fear, as it's more appropriately known—is one of the better horror anthologies, all terrifying hits and no misses. The Telephone is a perfectly condensed giallo, The Wurdalek broods with Gothic horror unease, and The Drop of Water features a prop dummy so terrifying it made me shudder in my seat while I was taking screenshots of the film with the sound off. (It's even scarier with the audio on.) Kino's bare-boned Blu-ray release isn't quite up to the same level of quality set by Arrow Video's Region- B-locked U.K. set—which has been digitally restored, includes two cuts of the film, and comes with lots of extras—but unless you've got a region-free player, this disc is definitely the best way to see the film. Recommended for all fans of classic 1960s horror!
The Mask of Satan / La maschera del demonio | The Mario Bava Collection
1960
Gli orrori del castello di Norimberga
1972
Operazione paura
1966
Lisa e il Diavolo / The House of Exorcism
1973
I vampiri
1957
Quella villa accanto al cimitero
1981
E tu vivrai nel terrore - L'aldilà | Glow in the Dark Cover | Limited Edition to 3000
1981
Reazione a catena
1971
幽霊屋敷の恐怖 血を吸う人形 / Chi o suu ningyô
1970
2015
Collector's Edition
1970
Featuring The Girl Who Knew Too Much / La ragazza che sapeva troppo
1963
La noche del terror ciego | Standard Edition
1972
La notte dei diavoli
1972
1980
2018
Paura nella città dei morti viventi | Standard Edition
1980
Un gatto nel cervello | Glow in the Dark Cover & Mini Portrait of Lucio Fulci Limited Edition to 3000
1990
1963
La morte ha sorriso all'assassino
1973