7.1 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Yasuko, a young Japanese woman, is in Hiroshima when the U.S. Air Force drops a nuclear explosive on the city. Despite the destruction all around her, Yasuko manages to escape unscathed, and, as other survivors fall ill with radiation poisoning, she is able to stay healthy. But later, when Yasuko goes to live with her uncle Shigematsu, who tries to help her start a new life, she finds herself unable to escape the social stigma of radiation sickness.
Starring: Yoshiko Tanaka (I), Kazuo Kitamura, Etsuko Ichihara, Shôichi Ozawa, Norihei MikiForeign | 100% |
Drama | 47% |
War | 1% |
History | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Japanese: DTS-HD Master Audio Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 4.0 |
Note: This film is available as part of Survivor Ballads: Three Films by Shohei Imamura.
Despite being the only Japanese director to win the coveted Palme d’Or at the Cannes Film Festival twice, Shōhei Imamura hasn’t seemed to
penetrate
into general public consciousness in quite the same way that, say, Akira Kurosawa, the Japanese director who won the Palme d’Or a couple of years
before Imamura’s first win, has. As much as France tends to be associated with the phrase “New Wave” (and/or nouvelle vague, as the
case
may be), Japan itself probably unsurprisingly had its own New Wave, and Imamura is often cited as one of its leading proponents. The fact that
one
of Imamura’s first independent features made without studio meddling was entitled The Pornographers may give some indication of how provocative Imamura’s content can be, but in some ways
Imamura is not the stylistic enfant terrible that some of his counterparts in France like Jean-Luc Godard and/or François Truffaut often
were.
Arrow Video’s Arrow Academy imprint has released three of Imamura’s fascinating films, and while some might have preferred that his “other”
Palme
d’Or winner, The Eel, might have been included along with his first film to take
home that prize, The Ballad of Narayama, this trifecta is certainly a fantastic introduction to Imamura for those previously unacquainted
with
him, and it’s also a worthy collection in its own right for those who are already fans of Imamura.
Black Rain is presented on Blu-ray courtesy of Arrow Academy, an imprint of Arrow Video, with an AVC encoded 1080p transfer in 1.85:1. While Arrow's insert booklet offers a full page devoted to the restorations, because all three films in this are lumped in together, there's really not a ton of information offered other than the following:
Black Rain / Kuroi ame appears in its original aspect ratio of 1.85:1 with mono sound.Black Rain looks largely great in this transfer, with excellent (sometimes harrowing) fine detail levels and a solid accounting of the film's moody black and white cinematography. There are occasional moments of softness and one rather peculiar effects scene early in the film that looks anamorphically stretched for some reason, but on the whole this is a nicely organic presentation that preserves a well resolved, tight looking grain field. Some of the outdoor material in particular looks great, and some surprisingly scenic vistas offer substantial depth of field. I noticed no compression issues and there are no signs of aggressive digital tweaking of any kind.
The Battle of Nayarama and Black Rain were both restored from the original 35mm negatives by Toie.
The original mono soundtracks were remastered from the original sound elements by Toie.
Black Rain features a DTS-HD Master Audio Mono track in the original Japanese. This film probably has some of the "showiest" sound design in this set, courtesy of the opening scenes depicting the bomb being dropped on Hiroshima and its aftermath. But the glut of outdoor material offers another good opportunity, as with the other two films in this set, for some well rendered and realistic sounding ambient environmental effects. Toru Takemitsu's piercing string laden score, which can alternate between elegiac moments that are almost like Samuel Barber's famous Adagio to more strident, atonal cues, sounds fine throughout. Dialogue is rendered cleanly and clearly as well on this problem free track. Optional English subtitles are available.
There was of course another 1989 film called Black Rain , but the two properties could obviously not be more different. I kind of wonder if the Ridley Scott film actually stole a bit of the thunder from this effort, but for those willing to make it through some undeniably horrifying recreations of the aftermath of the bombing of Hiroshima, Black Rain is a moving depiction of survivors wondering whether or not it was worth it to survive. Technical merits are solid, and the supplemental package very enjoyable. Recommended.
(Still not reliable for this title)
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