7 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
The lives of two sisters change dramatically, since they were hypnotized by a mystical vinyl record from the 1970s.
Starring: Christina Lindberg, Felice Jankell, Erica Midfjäll, Hanna Midfjäll, Hanna Asp| Horror | 100% |
| Foreign | 95% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.44:1
Original aspect ratio: 2.39:1
Swedish: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English
Blu-ray Disc
Two-disc set (1 BD, 1 CD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 4.0 | |
| Overall | 4.0 |
The ways of mental manipulation are examined in 2018’s “Black Circle,” a Mexican/Swedish production looking to creep out viewers with its slow-burn study of control. Writer/director Adrian Garcia Bogliano has something sinister in mind with the picture, trying to replicate a low-budget brain bleeder from the 1970s, merging the ways of exploitation and underground cinema for this exploration of self-help gone horribly wrong. There’s a fantastic idea for a freak-out at the center of the endeavor, but Bogliano has some difficulty staying focused on unnerving business in “Black Circle,” which often gets lost in its own world-building. It’s an interesting feature, but only periodically, eventually diminished by a weak climax, which doesn’t carry the kind of payoff invested viewers deserve.


The AVC encoded image (2.44:1 aspect ratio) presentation preserves the effort's unusual imagery, offering a nice sense of texture on costuming and skin particulars, which observe displays of age and weariness. Interiors retain decorative detail, and exteriors are dimensional. Encounters with the unreal retain sliminess. Colors are appealing, with distinct primaries on mood lighting, while a cooler palette is found elsewhere, maintaining the feature's menace. Skin tones are natural. Grain is nicely resolved. Delineation is acceptable.

The 5.1 DTS-HD MA mix plays a little with sound, with "magnetic" sequences pushing into the surrounds, tracking voices and movement. Dialogue exchanges are crisp. Musical moods are defined, with clear instrumentation, also going circular. Low-end isn't challenged, handling with a subtle presence.


"Black Circle" struggles with its limited funding, with Bogliano stuck with herky-jerky hand-held cinematography that exposes the spareness of the shoot, and such rough movement distracts from the focus of scenes. The production also deals with editorial permissiveness, presenting a bottom- heavy feature that tries to wind up with treatment complications that expose doubles and puts pressure on some characters to perform for the cause. The effort is missing a great grip of suspense where it matters the most, as Bogliano gets too caught up in his own mischief, failing to invite the audience to join him as danger increases and the siblings are pushed to the edge of multiple realities. The endeavor ends with a whimper, but there's a first hour of reasonably inviting doom and distortion, setting up a strange world of human puppetry. The actors also understand what's expected of them, doing well with little dramatic meat, and the stunt casting of Lindberg (the star of 1973's "Thriller: A Cruel Picture") has its appeal for genre fans as she quickly reaches her thespian capabilities. "Black Circle" is effective at times, but also feels like a misfire, ending up an uneven movie with potential for greatness. Bogliano offers a big swing with all this weirdness, but he doesn't seem to have interest in sorting all the psychotronic-ness out for others.

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